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The Long Voyage Home (1940)

7.2
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Ratings: 7.2/10 from 2,254 users  
Reviews: 35 user | 28 critic

Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on ... See full summary »

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(based on: four sea plays by), (adapted for the screen by)
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Title: The Long Voyage Home (1940)

The Long Voyage Home (1940) on IMDb 7.2/10

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Nominated for 6 Oscars. Another 3 wins. See more awards »
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Cast

Cast overview, first billed only:
...
...
Ian Hunter ...
...
Wilfrid Lawson ...
...
Axel
...
Freda
...
Arthur Shields ...
Donkeyman
Joe Sawyer ...
Davis (as Joseph Sawyer)
J.M. Kerrigan ...
Crimp
Rafaela Ottiano ...
Carmen Morales ...
Principal Spanish Girl
Jack Pennick ...
Johnny
Bob Perry ...
Paddy (as Bob E. Perry)
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Storyline

Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on each other, comfort each other as death approaches, and rescue each other from danger. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

A story that only Eugene O'Neill could tell! The greatest of America's playwrights and the most gifted of directors bring you the mightiest sea drama ever filmed...played by a brilliant cast! See more »

Genres:

Drama | Film-Noir | War

Certificate:

TV-G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

11 November 1940 (USA)  »

Also Known As:

Eine lange Reise  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Initially resistant to the idea of working with a Swedish accent, John Wayne was instructed by Danish actress Osa Massen. John Ford later complimented Wayne on his handling of the accent. See more »

Goofs

When Smitty tries to escape the boat, he picks a box. When he picks the box, he is wearing a jacket with buttons on the sleeve, but he's not wearing a jacket or shirt with buttons. See more »

Quotes

Donkeyman: Best thing to do with memories is... forget em.
See more »

Connections

Referenced in RKO 281 (1999) See more »

Soundtracks

When Irish Eyes Are Smiling
(1912) (uncredited)
Music by Ernest Ball
Lyrics by Chauncey Olcott and George Graff
Played on flute by John Qualen
Sung by David Hughes
See more »

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User Reviews

Not a typical "John Wayne film",but still excellent
7 August 1999 | by (United States) – See all my reviews

John Wayne is misleadingly top-billed ,presumably to bring in the crowds who thought they were going to see typical Wayne heroics in this one.He is actually part of an excellent ensemble cast in this film,which has seamlessly adapted by Dudley Nichols from a group of one-act plays by the great Eugene O'Neill. Nichols' writing is so good that unless you're an O'Neill expert,it is VERY difficult to tell where O'Neill leaves off and Nichols takes over,except perhaps in the episode involving British actor Ian Hunter (in the performance of a lifetime) as a presumed German spy. The plays,written in the early 1900's,have been updated to take place during WW II,but the propaganda angle is very tastefully handled and almost non-existent;in fact,here Nichols and director John Ford show great respect for the integrity of O'Neill's plays.

The cast is excellent,but Wayne actually hasn't got much to do in comparison with his other films,and this is a film of dialogue,not action.Perhaps that's why the previous reviewer found it interminable. [John Wayne uses a Swedish (!) accent in this movie,which he actually does quite well--don't laugh!] The most intense acting is done by Thomas Mitchell (Scarlett O'Hara's dad in "Gone With The Wind") and Barry Fitzgerald,who are actually the stars of the movie.And director John Ford shows us what a true master of his craft he is by equalling Hitchcock's accomplishment in "Lifeboat" in keeping the action confined to a small space without making it seem tiresome. The back-and-white photography is stunningly good--the best American photography in a black-and-white 1940's American film,aside from "Citizen Kane",of course.

John Wayne fans shouldn't pass this one up,and all non-fans should still enjoy this fine film.


22 of 23 people found this review helpful.  Was this review helpful to you?

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