Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on ... See full summary »
Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a ... See full summary »
John Ford weaves three "Judge Priest" stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William ... See full summary »
After Custer and the 7th Cavalry are wiped out by Indians, everyone expects the worst. Capt. Nathan Brittles is ordered out on patrol but he's also required to take along Abby Allshard, ... See full summary »
"Docudrama" about the bombing of Pearl Harbor on December 7th, 1941 and its results, the recovering of the ships, the improving of defense in Hawaii and the US efforts to beat back the ... See full summary »
Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on each other, comfort each other as death approaches, and rescue each other from danger. Written by
Jim Beaver <email@example.com>
According to John Ford's biography 'The Unquiet Man' by Dan Ford, Darryl F. Zanuck dropped John Ford's proposed remake of his silent film 'Four Sons'. Zanuck cancelled after some preliminary script work had been done and when he learnt of the similarly themed The Mortal Storm (1940) had gotten the green light at MGM. As such, John Ford, "Still upset over Zanuck's cancellation of 'Four Sons' decided not to present 'The Long Voyage Home' to him." Ford instead offered it to producer Walter Wanger who was a producer "who might appreciate a work of this caliber." Wanger soon after gave Ford the green light to make the film. See more »
When Axel is painting over the port hole window, the amount of paint on the window changes between shots. See more »
This film is all that a film should be for it dictates that the human condition is in itself dramatic and tragic enough without exaggerated theatrics. This sea tragedy needs no iceberg. What it does contain is excellent cinematography by Gregg Toland, superb direction by John Ford and a superior script based on the plays of Eugene O'Neill. The drama developes simply from a ship being in the war zone during World War Two with a full cargo of ammunition and no escort or weapon for protection--just a twenty-five percent bonus for the crew. The acting is about as good as acting can be: Arthur Shields (as Donkey Man) and Thomas Mitchell (as Aloysius Driscoll) never waver in the characters they portray. They are, without question, so realistic that they live beyond the movie. In effect, they are more than characters on film, they are universal humans trying to make order out of chaos, even if they must create chaos to do so. The main character is the "Glencairn" itself, the ship in the film. Like Greek tragedy, it is the chorus about which the dramatic action occurs. The long voyage home for some of the characters goes on and on, but the long voyage for the "Glencairn" continues like so many other rust buckets. In World War Two, constant danger and possible disaster waited just outside every harbor.
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