Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on ... See full summary »
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Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a ... See full summary »
John Ford weaves three "Judge Priest" stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William ... See full summary »
Change comes slowly to a small New Hampshire town in the early 20th century. People grow up, get married, live, and die. Milk and the newspaper get delivered every morning, and nobody locks... See full summary »
Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on each other, comfort each other as death approaches, and rescue each other from danger. Written by
Jim Beaver <email@example.com>
A story that only Eugene O'Neill could tell! The greatest of America's playwrights and the most gifted of directors bring you the mightiest sea drama ever filmed...played by a brilliant cast! See more »
John Wayne was asked by director John Ford to play the part of Ole Olson, who was Swedish. Wayne wasn't sure he could pull off the Swedish accent and was worried that the audience would laugh. Ford persuaded him to take the role. See more »
Wilfrid Lawson's name is spelled Wilfred in the opening credits, but is spelled correctly in the end credits. See more »
Traditional Irish Jig
Played aboard ship by John Qualen on flute and others
Danced to by the crewmen and the bumboat girls
Reprised at Joe's Bar with John Qualen on flute See more »
It's strange that the best performance John Wayne ever gave on film was one that was not in a western, where he was not in the lead, and where he did not play, essentially, himself. Ask someone what Wayne's best work as an actor was; they look at you strangely, shrug, and walk away. Whenever he tried an accent or a bunch of makeup, he flopped. Here, though, as the Swede sailor Ole, he fits perfectly. His tired face becomes poignant, his tall, forceful presence paints him as a gentle giant, rather than as the salt-of-the-earth cowboy he is best known for.
If the opening shots -- the haunting island music, the wind making everything sway in the night air, the island women flirting with the sailors, the sailors flirting back -- doesn't hook you through the sheer force of ambiance alone, you probably won't like "The Long Voyage Home." If you're expecting an exciting sea adventure with the joe average John Ford job of direction, you'll be disappointed. If you're in the mood for something of a nautical mood piece; the adventures of merchant sailors from bar to bar, the tragedy of being affiliated with the wrong ship, naval warfare in the early twentieth century, etc., check this out.
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