Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on ... See full summary »
Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a ... See full summary »
"Docudrama" about the bombing of Pearl Harbor on December 7th, 1941 and its results, the recovering of the ships, the improving of defense in Hawaii and the US efforts to beat back the ... See full summary »
John Ford weaves three "Judge Priest" stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William ... See full summary »
Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on each other, comfort each other as death approaches, and rescue each other from danger. Written by
Jim Beaver <firstname.lastname@example.org>
A story that only Eugene O'Neill could tell! The greatest of America's playwrights and the most gifted of directors bring you the mightiest sea drama ever filmed...played by a brilliant cast! See more »
This is technically both the the first World War 2 film and first war film directed by John Ford as the film is set during WW II and it interfaces with the Second World War's Second Battle of the Atlantic as the steamer sails through the battle-zone and even goes under attack from enemy aircraft during the film. Ford's later They Were Expendable (1945) is Ford's first 'major' war feature film and first 'major' World War II movie feature. See more »
When Smitty tries to escape the boat, he picks a box. When he picks the box, he is wearing a jacket with buttons on the sleeve, but he's not wearing a jacket or shirt with buttons. See more »
This film is all that a film should be for it dictates that the human condition is in itself dramatic and tragic enough without exaggerated theatrics. This sea tragedy needs no iceberg. What it does contain is excellent cinematography by Gregg Toland, superb direction by John Ford and a superior script based on the plays of Eugene O'Neill. The drama developes simply from a ship being in the war zone during World War Two with a full cargo of ammunition and no escort or weapon for protection--just a twenty-five percent bonus for the crew. The acting is about as good as acting can be: Arthur Shields (as Donkey Man) and Thomas Mitchell (as Aloysius Driscoll) never waver in the characters they portray. They are, without question, so realistic that they live beyond the movie. In effect, they are more than characters on film, they are universal humans trying to make order out of chaos, even if they must create chaos to do so. The main character is the "Glencairn" itself, the ship in the film. Like Greek tragedy, it is the chorus about which the dramatic action occurs. The long voyage home for some of the characters goes on and on, but the long voyage for the "Glencairn" continues like so many other rust buckets. In World War Two, constant danger and possible disaster waited just outside every harbor.
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