Lillian Russell (1940)

Life story of the musical star from her discovery in 1890 by band leader Tony Pastor till her retirement in 1912 when she married newspaperman Alexander Moore.

Director:

Irving Cummings

Writer:

William Anthony McGuire (screen play)

Stars:

Alice Faye, Don Ameche, Henry Fonda

Nominated for 1 Oscar.

Cast

Cast overview, first billed only:
Alice Faye	...	Lillian Russell
Don Ameche	...	Edward Solomon
Henry Fonda	...	Alexander Moore
Edward Arnold	...	Diamond Jim Brady
Warren William	...	The Famous J.L.
Leo Carrillo	...	Tony Pastor
Helen Westley	...	Grandma Leonard
Dorothy Peterson	...	Cynthia Leonard
Ernest Truex	...	Charles K. Leonard
Nigel Bruce	...	William Gilbert
Lynn Bari	...	Edna McCauley
Claud Allister	...	Arthur Sullivan (as Claude Allister)
Joe Weber	...	Himself (as Weber)
Lew Fields	...	Himself (as Fields)
Eddie Foy Jr.	...	Eddie Foy Sr.

Storyline

Life story of the musical star from her discovery in 1890 by band leader Tony Pastor till her retirement in 1912 when she married newspaperman Alexander Moore.

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Plot Keywords:

pregnancy | casino card game | singer | meeting | telephone | 

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Genres:

Biography | Drama | Musical

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

24 May 1940 (USA)

Also Known As:

A Bela Lillian Russell

Filming Locations:

Santa Barbara, California, USA

Company Credits

Production Co:

Twentieth Century Fox Film Corporation

Technical Specs

Runtime:

127 min

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

After the huge success of The Great Ziegfeld MGM wanted to make a movie of Lillian Russell starring Jeanette MacDonald, but that project fell through. Twentieth Century Fox then decided to make a movie about Russell.

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Connections

Featured in AFI Life Achievement Award: A Tribute to Henry Fonda (1978)

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Soundtracks

"Ma Blushin' Rosie"
(1900) (uncredited)
Music by John Stromberg
Lyrics by Edgar Smith
Performed by Alice Faye and chorus in a production number at Tony's theatre
Tap-danced by an unidentified male quartet

User Reviews

An Alice Faye film which is great for nostalgia

Some historical films are totally worthless as guides to the lives and careers of the people they discuss. PARNELL, for instance, is a dismal film about the great Irish nationalist leader. LILLIAN RUSSELL is not a good guide to the career of the the famed singer and entertainer of the 1890s. There are omissions and polite bowdlerizing. For example, her marriage to Edward Solomon the composer(played by Don Ameche) was not ended by his dropping dead from overwork. Effective movie moment that it is, the marriage ended when Lillian discovered her husband was a bigamist with a living first wife. The relationship with Gilbert and Sullivan was not ended on such a sad but friendly note. Lillian did appear in PATIENCE, but she never played IOLANTHE (Gilbert claimed she did not want to rehearse as much as he insisted his performers do; rumor said that Gilbert tried to get Lillian onto the "casting couch" at the Savoy but she said no). Also, it is highly unlikely that Sullivan would have agreed to Lillian singing another composer's song in his operetta (even if between acts).

Henry Fonda's Alexander Moore is a bland enough character - handsome and kindly in the film, but not as colorful as rivals Ameche, Edward Arnold ("Diamond Jim" Brady) and Warren Williams (Jesse Lewisohn). In real life he was an important newspaperman in Pennsylvania and the Midwest, and (less acceptable in hindsight) a close friend of Warren Harding and Harry Daugherty's "Ohio Gang" of political spoils-men. Lillian, by the way, died in 1922, in the middle of Harding's corrupt administration.

The best things in the film are Faye, as pretty as usual in 19th Century costume, and warbling songs like "Blue Love Bird" in her best voice. That is worth watching. Then there is the color of the theater in the mauve decade. Tony Pastor's, the Savoy Operas, the stage of 19th Century Broadway (back then down near 14th Street and Union Square). My favorite moment: Joe Weber and Lou Fields in costume as their "Dutch" characters of the 1890s, demolishing a game of "Casino". It is a priceless moment of theatrical magic, that briefly tells us more about the real 1890s than the fake movie script for this film. Watch it for Joe and Lou and Alice.