Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
The wife of a rubber plantation administrator shoots a man to death and claims it was self-defense. Her poise, graciousness and stoicism impress nearly everyone who meets her. Her husband is certainly without doubt; so is the district officer; while her lawyer's doubts may be a natural skepticism. But this is Singapore and the resentful natives will have no compunction about undermining this accused murderess. A letter in her hand turns up and may prove her undoing. Written by
The motor vehicles throughout are all left-hand drive. In Singapore traffic drives on the left and all vehicles there are right-hand drive. See more »
I'll do whatever you think is right.
I don't think it's right, but I think it's expedient. Juries can sometimes be very stupid, and it's just as well not to worry them with more evidence than they can conveniently deal with.
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the allegories here are effective and striking. Bette Davis is at her best, married in a passionless marriage, involved with a Malaysian. I do not think her character was simply "evil". There are many gray areas to the film. This theme goes along with the story, in keeping with a passionate affair, and subsequent murder.
Vicor Sen Yong and Gale Sondergaard hold the key to the mystery. "The Letter" must be retrieved. When Davis' husband, James Stephenson finds out about the affair, he is at first hopeful they can still move on, buy a large plantation in Sumatra.
The atmosphere is moody and classic. Mystery in the Chinese quarter; Chung Hi has something to sell everyone. At one point Davis picks up a set of elaborately carved ivory knives. Describing her love affair, Davis mentions, ..."even my agony was a kind of joy"... .
This film is proof that creativity and artistry can be submitted on film without obvious and blatant performances.I miss the subtlety and passion conveyed in these noir films.
Yes this is melodrama, in the best sense of the word. Would we ever see something this mood-inspired and effective today?. I highly doubt it. It is very telling that this type of film would be very hard to create today- and I cannot think of one actress who could ever convey the meaning and mood as Ms. Bette Davis. Perhaps that is modern society's loss. 10/10.
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