A messy divorce leaves Mrs. Leslie Carter shunned by Chicago society for being an adulteress and forbidden from having custody of her son. She's determined to return to her hometown in a ... See full summary »
Show promoter Cartwright has stolen the songs that Frank wrote while he was in the big house. The boys go to Cartwright to get Frank credit for his work, and Cartwright has them arrested ... See full summary »
Dick is watching the fleet come in when he sees June. Dick has no intention of joining the Navy, which is a family tradition, and June, having lost her father and brother in the Navy, does ... See full summary »
After many adventures, a young female switchboard operator starts a love relationship with a serious young man. But while he's away on business, she gets lonely and succumbs to her ... See full summary »
Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough ... See full summary »
While on a business trip just before Christmas, Tom Phillips gets into a car accident, which was caused by the reckless driving of the other car involved. Although Tom suffered no paralysis... See full summary »
A grumpy old fisherman tries to avoid marriage, contend with a daughter he never knew he had and scuttle the attempts of landlubbers who want to rob him of his seagiong livelihood, while the locals try to reform him.
Nicole Picot is working as a model in a Paris dress salon when she is picked by Stefan Orloff to help him convince a wealthy investor that he is well connected. She is to wear an expensive ... See full summary »
A messy divorce leaves Mrs. Leslie Carter shunned by Chicago society for being an adulteress and forbidden from having custody of her son. She's determined to return to her hometown in a few years as a success and with enough money to fight to get her son back. In order to realize her plans, she heads to New York with ambitions of being a great actress. Despite having no stage training, producer David Belasco becomes attracted to her and becomes intent on making her a star, as well as winning her heart. Written by
Daniel Bubbeo <firstname.lastname@example.org>
None of the Broadway plays mentioned in the movie were performed by Mrs. Leslie Carter. Her Broadway debut was in a play called "The Ugly Duckling" in 1890, not "The Way of Beauty." Her second play was "Zaza," not "The Lady From France." It is not known why the names of her plays were changed. See more »
Mrs. Leslie Carter:
Why must they make some harmless weekend seem like a vulgar, obscene escapade? What kind of minds have these women got? Oh, whatever I've done, I've done to myself! Not the baby!
See more »
Twinkle, Twinkle, Little Star
Played offscreen at the start of Miss Humbert's school sequence See more »
Cornel Wilde has a bit part in a boarding house scene...
As everyone else has commented, THE LADY WITH RED HAIR is another of those Warner bios that takes liberty with the facts, but manages to be good entertainment.
However, as the very theatrical title lady, MIRIAM HOPKINS gives an over-the-top melodramatic touch to her entire role, making it seem implausible that theater patrons would give her "acting" such a standing ovation. Indeed, the worse part of the film is when it shows Hopkins practicing her art or giving a demonstration of her talent as a stage actress.
The other flamboyant performance is given by CLAUDE RAINS, but rightfully so, since he's playing David Belasco who apparently liked to "ham it up" at every opportune moment whether teaching others how to act or simply acting up a storm in his personal life.
Director Curtis Bernhardt has done nothing to keep Hopkins or Rains from all the theatrical excesses they bring to their characterizations, but we do get some good supporting work from HELEN WESTLEY as the boarding home owner, LAURA HOPE CREWS (as Miriam's mother), JOHN LITEL as a producer, and many other Warner contractees. But RICHARD AINLEY is colorless in the sort of part that could easily have gone to CORNEL WILDE, who instead has a bit part as a wannabe actor at the boarding house. Ainsley's performance is wooden indeed and pales opposite the strident and mannered acting of Hopkins.
Interesting but something about the screenplay suggests that much was altered and cut in producing this film based on Leslie Carter's memoirs. Little JOHNNY RUSSELL appears briefly in two scenes as Carter's son, the one she loses custody of in a court battle. (He played Shirley Temple's little brother in THE BLUE BIRD shortly before this film).
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