A messy divorce leaves Mrs. Leslie Carter shunned by Chicago society for being an adulteress and forbidden from having custody of her son. She's determined to return to her hometown in a ... See full summary »
Former millionaire B.J. Nolan is useless with money, having lost most of his fortune on crazy schemes. His son, Kenneth, has the opposite problem thanks to good sense and a large ... See full summary »
John G. Blystone
A district attorney investigates the racially charged case of three teenagers accused of the murder of a blind Puerto Rican boy. He begins to discover that the facts in the case aren't ... See full summary »
A greedy woman turns in her husband, a jewel thief, for the reward. Her husband's friend, a detective, adopts the couple's child and raises her as his own. Eighteen years later the husband,... See full summary »
Edwin L. Marin
Pretty Bobby Halevy loves Rims Rosson, a dreamer and inventor without much going for him. Rims has a scheme of going to Manila to turn hemp into silk and become rich. But when one of her ... See full summary »
Amelia is a gifted violinist who is in danger of quitting the Brissac Academy of Music. Julius arranges to have a scholarship given to her through his employee Tony so that Julius can ... See full summary »
Olivia de Havilland,
A messy divorce leaves Mrs. Leslie Carter shunned by Chicago society for being an adulteress and forbidden from having custody of her son. She's determined to return to her hometown in a few years as a success and with enough money to fight to get her son back. In order to realize her plans, she heads to New York with ambitions of being a great actress. Despite having no stage training, producer David Belasco becomes attracted to her and becomes intent on making her a star, as well as winning her heart. Written by
Daniel Bubbeo <firstname.lastname@example.org>
None of the Broadway plays mentioned in the movie were performed by Mrs. Leslie Carter. Her Broadway debut was in a play called "The Ugly Duckling" in 1890, not "The Way of Beauty." Her second play was "Zaza," not "The Lady From France." It is not known why the names of her plays were changed. See more »
Mrs. 'Ma' Frazier:
Did you enjoy your season in Buffalo, Mr. Williams?
Oh, very much. Good audiences, nice theatre.
I always found the Buffalo people most hospitable to the members of our stock company.
The women did make rather a fuss over me, but then it helps business.
I must say the men made rather a fuss over me too when I used to go to the Sticks for summer stock.
Did you have much trouble with the Indians in those days?
See more »
Hungarian Dance #5 in A Major
Music by Johannes Brahms
Background music for the play "Torott Szarnyak" in Hungary See more »
Cornel Wilde has a bit part in a boarding house scene...
As everyone else has commented, THE LADY WITH RED HAIR is another of those Warner bios that takes liberty with the facts, but manages to be good entertainment.
However, as the very theatrical title lady, MIRIAM HOPKINS gives an over-the-top melodramatic touch to her entire role, making it seem implausible that theater patrons would give her "acting" such a standing ovation. Indeed, the worse part of the film is when it shows Hopkins practicing her art or giving a demonstration of her talent as a stage actress.
The other flamboyant performance is given by CLAUDE RAINS, but rightfully so, since he's playing David Belasco who apparently liked to "ham it up" at every opportune moment whether teaching others how to act or simply acting up a storm in his personal life.
Director Curtis Bernhardt has done nothing to keep Hopkins or Rains from all the theatrical excesses they bring to their characterizations, but we do get some good supporting work from HELEN WESTLEY as the boarding home owner, LAURA HOPE CREWS (as Miriam's mother), JOHN LITEL as a producer, and many other Warner contractees. But RICHARD AINLEY is colorless in the sort of part that could easily have gone to CORNEL WILDE, who instead has a bit part as a wannabe actor at the boarding house. Ainsley's performance is wooden indeed and pales opposite the strident and mannered acting of Hopkins.
Interesting but something about the screenplay suggests that much was altered and cut in producing this film based on Leslie Carter's memoirs. Little JOHNNY RUSSELL appears briefly in two scenes as Carter's son, the one she loses custody of in a court battle. (He played Shirley Temple's little brother in THE BLUE BIRD shortly before this film).
1 of 1 people found this review helpful.
Was this review helpful to you?