A messy divorce leaves Mrs. Leslie Carter shunned by Chicago society for being an adulteress and forbidden from having custody of her son. She's determined to return to her hometown in a ...
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Nicole Picot is working as a model in a Paris dress salon when she is picked by Stefan Orloff to help him convince a wealthy investor that he is well connected. She is to wear an expensive ... See full summary »
Phoebe Titus is a tough, swaggering pioneer woman, but her ways become decidedly more feminine when she falls for California bound Peter Muncie. But Peter won't be distracted from his ... See full summary »
Three of the four musically inclined daughters of Adam Lemp, the Dean of the Briarwood Music Foundation, are settling into their lives as wives, but not all is well. Thea Lemp has long ... See full summary »
An older woman discovers that her multi-million dollar fortune was based on embezzlement, so she sets out to right the wrong. She goes to America to meet the young woman who is the one and ... See full summary »
Adam Lemp and his four daughters (Ann, Thea, Kay, and Emma) find themselves in financial and emotional crises. Thea's husband Ben has promoted a Florida housing development to everyone in ... See full summary »
A homeless woman named Hannah drifts into the lives of the kindly Ward family, in a small Indiana town in 1919. Hannah makes herself useful as a cook and housekeeper and stays with the ... See full summary »
Shortly after the end of World War II, British Colonel Michael 'Hooky' Nicobar is assigned to a unit in the British Zone of Vienna. His duty is to aid the Soviet authorities to repatriate ... See full summary »
A greedy woman turns in her husband, a jewel thief, for the reward. Her husband's friend, a detective, adopts the couple's child and raises her as his own. Eighteen years later the husband,... See full summary »
Edwin L. Marin
A messy divorce leaves Mrs. Leslie Carter shunned by Chicago society for being an adulteress and forbidden from having custody of her son. She's determined to return to her hometown in a few years as a success and with enough money to fight to get her son back. In order to realize her plans, she heads to New York with ambitions of being a great actress. Despite having no stage training, producer David Belasco becomes attracted to her and becomes intent on making her a star, as well as winning her heart. Written by
Daniel Bubbeo <email@example.com>
None of the Broadway plays mentioned in the movie were performed by nm0141838. Her Broadway debut was in a play called "The Ugly Duckling" in 1890, not "The Way of Beauty." Her second play was "Zaza," not "The Lady From France." It is not known why the names of her plays were changed. See more »
Mrs. Leslie Carter:
Actors aren't supposed to be human beings, are they? They're strange animals always on exhibition.
Mrs. Leslie Carter:
Why people love to admire them as they would a good bit of horseflesh, or a brilliant peacock spreading its feathers.
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Twinkle, Twinkle, Little Star
Played offscreen at the start of Miss Humbert's school sequence See more »
As a biographical film, "The Lady With Red Hair" (the story of how director /producer/playwright David Belasco transformed notorious society divorcee Mrs. Leslie Carter into an international stage star) is certainly not in a league with that other Warner's biopic of similar vintage, "Yankee Doodle Dandy" (what is?), but "Lady" is an enjoyable film in its own right--AND shares quite a few traits in common with the Cagney classic.
Like "Yankee Doodle Dandy," "The Lady With Red Hair" brims over with old -time show-business flavor. (Among other things, both films feature delicious theatrical boarding-house sequences as well as the inevitable scenes set backstage and in theatrical managers' offices.) Also, in "Lady" as in the Cohan biopic, the supporting cast is made up of familiar and beloved character actors of the period, all doing the sort of top-notch work we remember them for.
Need I add that, again like "Yankee Doodle Dandy," "The Lady With Red Hair" doesn't let the truth get in the way of telling a good story? But, also like "Dandy," "Lady" does manage--gloriously!--to convey the esssence of its show-business-giant hero's larger-than-life personality. Everyone knows that Cagney limned Cohan for all time in his brilliant and affectionate portrayal in "Yankee Doodle Dandy"--but few moviegoers realize that Claude Rains did a similar service for David Belasco in "The Lady With Red Hair"- -and did it with a panache that almost equals Cagney's.
Rains-as-Belasco perfectly captures that legendary showman's galvanic personality in all its outsized glory. Rains gives a tremendously enjoyable , superbly observed, and remarkably true-to-life performance as the man all Broadway once called "The Wizard." To watch Claude Rains in action (looking in every shot as if he's having a helluva good time!) in "The Lady With Red Hair" is to see David Belasco leap to life on film as if he can't wait to shake things up on the Main Stem once again.
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