Duke Karl Alexander of Württemberg begins his reign promising to rule with loyalty and honesty, but the treasurer Süß Oppenheimer corrupts him, causing the citizens to complain and pushing Württemberg to the brink of civil war.
The Jews of Poland (invaded by Germany in 1939) are depicted as filthy, evil, corrupt, and intent on world domination. Street scenes are shown prejudicially, along with clips from Jewish ... See full summary »
Der Sieg des Glaubens (English: The Victory of Faith, Victory of Faith, or Victory of the Faith) (1933) is the first propaganda film directed by Leni Riefenstahl. Her film recounts the ... See full summary »
Coming Soon, this sensational documentary by Dennis Wise proves beyond doubt that the western countries both "victorious and the defeated" after World War Two have been covertly under Communism since 1945.
This Nazi propaganda film purports to show the story of a Nazi Storm Trooper named Horst Wessel--here called "Hans Westmar"--who took part in street brawls and assassinations in Berlin in ... See full summary »
A documentary that tells the tale that the victors still do not want you to know. Learn the terrible truth about the rape, torture, slavery, and mass murder inflicted upon the German people by the Allied victors of World Word II.
Filming of the performance show the Deutsche Wehrmacht (German Army) made during the Reichsparteitag of the NSDAP in Nurnberg 1935. Showing the readiness and the will of the newly build ... See full summary »
In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Süß Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. As the Jew's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war. Persuaded by the Jew, the Duke all but scuttles the constitution and alienates the assembly by lifting the local ban on Jews in Stuttgart. In a final outrage, the Jew rapes a wholesome German girl and tortures her father and fiancée. When the Duke succumbs to a sudden heart attack, the assembly of Elders try the Jew and sentence him to death for having "carnal knowledge of a Christian woman". Written by
Kevin Rayburn <email@example.com>
Watching this film provokes divided reactions. You can admire it for its expensive production values, acting, photography, and editing. Director Veit Harlan's use of crowd scenes are also impressive here as in his other films. 'Jud Sus' is comparable to the handsome Hollywood historical biopics of the time such as Warner Brother's 'The Life of Emile Zola' and others with Paul Muni. The big difference is you will detest 'Jud Suss' for its obvious message (unlike the 'Zola' film) which was to inflame anti-semitism and quash sympathy for Jews at a time when Germany was preparing to destroy them. The film's production history and aftermath is worth exploring. After the war Ferdinand Marian who played the title character supposedly committed suicide due to guilt over his role and Werner Krauss who portrayed several stereotypical Jews was blacklisted. Harlan was acquitted twice for war crimes and went on to make more films. History is still divided about Harlan's role in creating the film. Was he forced to make it or was he a willing co-conspirator who made it too good? There's a new documentary about Harlan that might provide answers: 'Veit Harlan: In the Shadow of Jud Suss' now on DVD>
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