In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Süß Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by ... See full summary »
Albrecht & Octavia & Äls, form a triangle from families of idle intellectuals, prone to Neitsche. Nature loving Äls is gravely ill. Further tragedy looms as Albrecht contracts typhoid bringing Äls' foster child out of an infected area.
Irene von Meyendorff
Klaus is a young man in post-war Berlin. He is drawn to his friend Manfred and, under the encouragement of their acquaintance, Dr. Winkler, explore the underground world of gay clubs and ... See full summary »
During Napoleon's victorious campaign in Germany, the city of Kolberg gets isolated from the retreating Prussian forces. The population of Kolberg refuses to capitulate and organizes the ... See full summary »
"30. Januar 1945" was shown in German cinemas in 1965. It features the color propaganda movie Kolberg (1945) (the last movie effort from the Third Reich) and a documentary depicting the ... See full summary »
In one night, seven homeless youngsters, all connected to social worker Paul Decker, are killed by professionals. One of the killers, Daniel, gets a new mission to kill a writer. It's only that he really likes his book.
In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Süß Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. As the Jew's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war. Persuaded by the Jew, the Duke all but scuttles the constitution and alienates the assembly by lifting the local ban on Jews in Stuttgart. In a final outrage, the Jew rapes a wholesome German girl and tortures her father and fiancée. When the Duke succumbs to a sudden heart attack, the assembly of Elders try the Jew and sentence him to death for having "carnal knowledge of a Christian woman". Written by
Kevin Rayburn <email@example.com>
The film was seen by 20 million Germans during its original theatrical run. An additional 20 million people in other European countries are estimated to have seen it. It was also shown to all SS inductees at the request of Heinrich Himmler, a policy that was implemented two weeks after the film's premiere. See more »
When Aktuarius lays the dead body of Dorothea on the doorsteps and puts his head on her chest, her right eyelid clearly moves for a few seconds. See more »
A couple of years ago, I saw this film in my history class. It's been long, so I couldn't give a detailed summery of what exactly happened, however, the plot wasn't what stayed with me anyway. What registered, more than anything, was that this was a propaganda film intended to convince the audience that Jews were evil. It is not that the villain - whom I remember to be partly intriguing, partly repulsive - just happens to be Jewish. The final scene makes it quite clear that he is the way he is because he is Jewish. It's when the film abandons all subtlety and decides to give its message a final hit with a hammer, to assure it's been properly driven into the heads of the audience.
I find it quite impossible to judge this film under any other than the propaganda aspect. While it may be a decent film a far as technical apect are concerned, it is nothing anyone could watch purely for his or her amusement, at least not if they know about the historical background; and people in Germany are probably even more aware of this than anyone else. I cannot ignore that this film was meant to sow hatred, and nor do I want to. All other questions, whether the acting and directing were good or whether the dialogues were well-written, are of secondary importance to me. Certainly the film was well-made - how else would it have worked so well? - but even this doesn't make it into something watchable or entertaining.
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