In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Süß Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by ... See full summary »
Albrecht & Octavia & Äls, form a triangle from families of idle intellectuals, prone to Neitsche. Nature loving Äls is gravely ill. Further tragedy looms as Albrecht contracts typhoid bringing Äls' foster child out of an infected area.
Irene von Meyendorff
During Napoleon's victorious campaign in Germany, the city of Kolberg gets isolated from the retreating Prussian forces. The population of Kolberg refuses to capitulate and organizes the ... See full summary »
"30. Januar 1945" was shown in German cinemas in 1965. It features the color propaganda movie Kolberg (1945) (the last movie effort from the Third Reich) and a documentary depicting the ... See full summary »
In one night, seven homeless youngsters, all connected to social worker Paul Decker, are killed by professionals. One of the killers, Daniel, gets a new mission to kill a writer. It's only that he really likes his book.
In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Süß Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. As the Jew's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war. Persuaded by the Jew, the Duke all but scuttles the constitution and alienates the assembly by lifting the local ban on Jews in Stuttgart. In a final outrage, the Jew rapes a wholesome German girl and tortures her father and fiancée. When the Duke succumbs to a sudden heart attack, the assembly of Elders try the Jew and sentence him to death for having "carnal knowledge of a Christian woman". Written by
Kevin Rayburn <email@example.com>
Leading actor Ferdinand Marian first refused to play Oppenheimer, but was forced to relent when Nazi propaganda minister Joseph Goebbels threatened the safety of his stepson, who was half Jewish. See more »
The film tells that Joseph Süß Oppenheimer lived in the Jew Alley (Judengasse) in the ghetto in Frankfurt before he moved to Württemberg. Actually he lived in Württemberg, since his birth in Heidelberg. Even his first meeting with Karl Alexander, before he became Duke of Württemberg was in Bad Wildbad, a place in Württemberg See more »
Aside from its anti-semitic themes it's simply a great done movie.
This movie is a Nazi propaganda one, that presents itself as a movie all based on true events, made under the command of Nazi propaganda minister Joseph Goebbels. People involved with this movie were either forced- or loyal to the Nazi cause, though lots of them denied that of course later after the war, to avoid prosecution, such as director Veit Harlan. Because of its propaganda themes and anti-semitic agenda the movie is still banned in lots of countries.
It's a movie that not so delicately shows what should happen when you give Jews too much freedom and control. They take and then they take some more. All Jews in this movie are money-crazed and evil toward the common people. It's quite laughable really how black and white the movie with it's themes is. The contrasts are huge between the noble and German folks in this movie and the evil manipulating Jews.
But well, there is simply no denying it that as a movie this is a pretty good one. It got well made and the story, despite of its propaganda themes and wrongful intentions, is a quite solid and intriguing one.
It's a movie that is set in 18th century Germany. This means that the movie also gets filled with some splendid looking sets and costumes. The movie probably wasn't a very cheap one to make. The movie its look certainly uplifts the whole movie.
Quite surprising to see Werner Krauss in this movie as well, who was like one of the biggest German movie stars of early cinema during the '20's. He plays the very stereotypical Jewish characters Rabbi Loew and Sekretar Levy. Appearantly he developed a Nazi ideology when Adolf Hitler came to power, which was his reason for appearing in this movie. Being the great and legendary actor that he was, he was pretty much forgiven later on, unlike many other actors and directors who's careers got pretty much ruined after the war had ended. Heinrich George for instance ended up in a Soviet concentration camp after the war and died there, only one year later.
I simply judge this movie as a movie, though in 1940 it would had probably only made me mad.
9 of 14 people found this review helpful.
Was this review helpful to you?