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Island of Doomed Men (1940)

Approved  |   |  Crime, Drama, Thriller  |  20 May 1940 (USA)
5.9
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Ratings: 5.9/10 from 151 users  
Reviews: 14 user | 3 critic

Undercover agent Mark Sheldon gets paroled to a remote tropical island with a diamond mine manned by slave labor run by sadistic Stephen Danel.

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(original screenplay) (as Robert D. Andrews)
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Title: Island of Doomed Men (1940)

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Cast

Cast overview:
...
Rochelle Hudson ...
Lorraine Danel
Robert Wilcox ...
Mark Sheldon
...
Brand
...
Siggy
Kenneth MacDonald ...
Doctor Rosener
...
Captain Cort
Stanley Brown ...
Eddie
Earl Gunn ...
Mitchell
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Storyline

Sadistic Stephen Danel owns a penal island, and when he is not humiliating and mistreating his wife, he is torturing his convict prisoners and using them for slave labor. Government agent Mark Sheldon is sent to infiltrate the island and bring Danel to justice. Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Add Synopsis

Taglines:

There's no escape... from his FIEND'S PARADISE of torture! See more »

Genres:

Crime | Drama | Thriller

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 May 1940 (USA)  »

Also Known As:

Dead Man's Isle  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The scenes of miners performing slave-labor for Peter Lorre were filmed in L.A.'s Griffith Park inside an area known as Bronson Canyon. See more »

Quotes

Doctor Rosener: What do you plan to do about him?
Stephen Danel: What do I plan to do about him? I have many plans for Mr. Smith.
See more »

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User Reviews

 
A film that lets Lorre be Lorre
9 September 2000 | by (USA) – See all my reviews

Given his reputation as the archetypal crazed villain, in his long film career Peter Lorre played relatively few such characters, but his Stephen Danel in "Island of Doomed Men" is powerful enough to imprint such an image in generations of movie-watchers. With typical grace and intelligence, Lorre crafts this pulp heavy into an intricate portrayal of the quintessential fascist bully, winning through intimidation, gratified at bending others to his will yet genuinely puzzled and hurt by his inability to earn the love of his cherished captive-wife. As with so many other films he appeared in, the mercurial actor brings something real and human to this typically false and silly Hollywood pantomime.


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