An Egyptian high priest travels to America to reclaim the bodies of ancient Egyptian princess Ananka and her living guardian mummy Kharis. Learning that Ananka^Òs spirit has been ... See full summary »
Reginald Le Borg
Lon Chaney Jr.,
British scientist Peter Brady, while working on an invisibility formula, suffers a tragic accident which turns himself invisible. Unfortunately, there is no antidote, so, while working on a... See full summary »
Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
Glamorous and efficient Helen Murphy runs a service that will provide any type of assistance to wealthy customers, but what she's really looking for is a man who can take care of himself. ... See full summary »
Rowland V. Lee
Framed for the murder of his brother, Geoffrey Radcliffe is scheduled to hang. After a visit from his friend Dr. Frank Griffin, he vanishes mysteriously from prison. Police inspector Sampson realizes that Griffin is the brother of the original Invisible Man and has given Geoffrey the formula to aid his escape. Can Geoffrey elude the police dragnet and track down the real murderer? More importantly, can Griffin discover an antidote before the invisibility formula drives Geoffrey insane? Written by
I had watched this twice as a kid on Italian TV and remember loving it; however, as was the case with THE GHOST OF FRANKENSTEIN (1942), when I caught up with it again as an adult via DVD, it proved something of a let down! Mind you, it's still a pretty good film and John P. Fulton's trick work is as brilliant as ever. And yet, I felt that it tried a bit too hard to duplicate those elements which made the original so successful to begin with: the eccentric Englishness so unique to Whale's work, for instance, comes off as somewhat heavy-handed this time around; the very young Vincent Price has yet to come into his own as a horror icon and his lapses into madness are overdone, not matching Claude Rains' menacing delivery. Besides, the identity of the villain is no mystery here! Still, while I particularly missed the wit of the original, Joe May's expert handling and Milton Krasner's effective lighting give the film a suitably Germanic feel at times. Ultimately, I feel that of all the first sequels to the original Universal monster films (BRIDE OF FRANKENSTEIN , DRACULA'S DAUGHTER , THE MUMMY'S HAND  and FRANKENSTEIN MEETS THE WOLF MAN ), this one is perhaps the least impressive - as all the others seemed to go in different directions.
6 of 8 people found this review helpful.
Was this review helpful to you?