Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
Framed for the murder of his brother, Geoffrey Radcliffe is scheduled to hang. After a visit from his friend Dr. Frank Griffin, he vanishes mysteriously from prison. Police inspector Sampson realizes that Griffin is the brother of the original Invisible Man and has given Geoffrey the formula to aid his escape. Can Geoffrey elude the police dragnet and track down the real murderer? More importantly, can Griffin discover an antidote before the invisibility formula drives Geoffrey insane? Written by
I had watched this twice as a kid on Italian TV and remember loving it; however, as was the case with THE GHOST OF FRANKENSTEIN (1942), when I caught up with it again as an adult via DVD, it proved something of a let down! Mind you, it's still a pretty good film and John P. Fulton's trick work is as brilliant as ever. And yet, I felt that it tried a bit too hard to duplicate those elements which made the original so successful to begin with: the eccentric Englishness so unique to Whale's work, for instance, comes off as somewhat heavy-handed this time around; the very young Vincent Price has yet to come into his own as a horror icon and his lapses into madness are overdone, not matching Claude Rains' menacing delivery. Besides, the identity of the villain is no mystery here! Still, while I particularly missed the wit of the original, Joe May's expert handling and Milton Krasner's effective lighting give the film a suitably Germanic feel at times. Ultimately, I feel that of all the first sequels to the original Universal monster films (BRIDE OF FRANKENSTEIN , DRACULA'S DAUGHTER , THE MUMMY'S HAND  and FRANKENSTEIN MEETS THE WOLF MAN ), this one is perhaps the least impressive - as all the others seemed to go in different directions.
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