Dying Joan Ames meets criminal Dan Hardesty on a luxury liner as he is being transported back to America by policeman Steve Burke to face execution. Joan and Dan fall in love, their fates unbeknownst to one another.
After being in jail for seventeen years a crook is met by the girl he kidnapped as a baby. She now thinks he's her father. When he returns her to her real father there's a job and a reward,... See full summary »
Andre Desormeaux, master con artist and jewel thief, has been very successful with his partners, light-fingered Polo and beautiful lure "Countess" Tanya Vronsky. But Tanya falls in love with one of their victims, resigns from the team, and (despite Andre's warning) marries rich young Paul Vernay...for love. Inevitably, Andre and Polo reappear in her life. Can Tanya outwit the master schemer? Written by
Rod Crawford <firstname.lastname@example.org>
"Lubitsch lite" might be the best description of this beguiling romantic comedy. Its charm relies to a surprising extent on the effervescent chemistry between its two male stars, Peter Lorre and Erich von Stroheim. These are not the most likely of sidekicks, but you'd be surprised how deftly these two play off one another, like a Mittel European Laurel and Hardy, as the cherubic kleptomaniac Polo (Lorre) and his sly con-artist buddy Andre (Stroheim). It's easy to imagine a series of comedy adventures based on Polo and Andre--actually, Stroheim and Lorre make a more entertaining duo than Lorre and Greenstreet. The lovely Zorina keeps up with them beautifully, as well as delivering a very photogenic performance in the "Swan Lake" ballet sequence (choreographed by her husband, George Balanchine) which anticipates "The Red Shoes" in its dynamically cinematic, semi-surreal style.
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