A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Having been away for four months, Hildy Johnson walks into the offices of the New York City based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns, that she is quitting. The reason for her absence was among other things to get a Reno divorce, from, of all people, Walter, who admits he was a bad husband. Hildy divorced Walter largely because she wanted more of a home life, whereas Walter saw her more as a driven hard-boiled reporter than subservient homemaker. Hildy has also come to tell Walter that she is taking the afternoon train to Albany, where she will be getting married tomorrow to staid straight-laced insurance agent, Bruce Baldwin, with whose mother they will live, at least for the first year. Walter doesn't want to lose Hildy, either as a reporter or a wife, and if he does, doesn't believe Bruce is worthy of her. Walter does whatever he can at least to delay Hildy and Bruce's trip, long enough to persuade Hildy to stay for good. His plan ... Written by
The famous in-joke about Ralph Bellamy's character ("He looks like that fellow in the movies.. you know, Ralph Bellamy!") was almost left on the cutting room floor: Harry Cohn, the studio head, saw the dailies and responded in fury at the impertinence, but he let Howard Hawks leave it in, and it has always been one of the biggest laughs in the film. See more »
When Bruce Baldwin comes to the press room late in the movie, an electric fan and small shelf on the wall to the left of the door both completely disappear. Both have been there in all previous scenes and both reappear after this scene. See more »
All I know is that instead of two weeks in Atlantic City with my bridegroom, I spent two weeks in a coal mine with John Krupsky. You don't deny that, do you Walter?
Deny it? I'm proud of it. We beat the whole country on that story.
Well, suppose we did. That isn't what I got married for!
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Opening credits are shown over a newspaper background. See more »
A real screamer (knowing journalists from firsthand experience)!
This has to be one of the most wickedly funny films there is, and I think it's much better than the earlier version with Adolphe Menjou and Pat O'Brien (even though that was funny too). The fact that the boss and employee were ex-husband and wife battling it out made it funnier than simply an employer trying to keep a friend and employee.
Rosalind Russell and Cary Grant really clicked in this, and it's a shame they never worked together again. And as one who worked in journalism for 20 plus years, (the legitimate version I hope), there really are characters out there carrying tape recorders and microphones who'd do anything for a story. I laughed so hard because I could remember certain "gentlemen and gentlewomen" in the business slitting each other's throats (figuratively speaking) to get the story first, whether accurate or not.
The dialogue was crisp and the movie is very fast paced, and all the supporting actors shone and added to the overall success of the film. And as always, you've got to love the happy ending! Give it giga-stars!
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