Joel McCrea plays a hotshot reporter who thinks he knows everything and Jean Arthur plays an actress who puts one over on him. It turns out the financier of her play is a notorious art ... See full summary »
The son (Romero) of a department store owner enrolls the store's sports clerk (Henie) at a university to use her as an advertisement for their fashion department. She falls for a teacher (... See full summary »
Parting company with her on-stage partner Professor Orco partly due to the job being potentially hazardous to her health, streetwise but kind-hearted vaudeville performer Maisie Ravier, in ... See full summary »
Kathy lives in a cramped New York flat with her father Madden Thomas, a celebrated actor brought down by drink. Lame from an early age and feeling trapped with her father in her small world... See full summary »
A man involved in a crime (Nolan) kills his key witness by mistake and resigns himself to death. He changes his name so as not to harm his family. The law is not content with his ... See full summary »
T.H."Randy" Randall and Valerie Randall are divorced but friendly, but not to the extent she doesn't have him jailed for non-payment of alimony. His attorney, Bill Carter, suggests that the only way out of his financial strain is for him to get Valerie married off to someone else. Dizzy matron Ethel thinks that is a good idea and arranges a week-end party at which Valerie is to be paired off with likely-prospect Paul Hunter. Plans are disrupted when free-loading Freddie crashes the party and makes a heavy move on Valerie, and she likes it, mostly because Randy doesn't. Carter can't see any problem - a husband is a husband - but Randy is so certain that Freddie is bad news that he decides to win her back and remarry her himself, since he has also decided that he still loves her. Written by
Les Adams <email@example.com>
Not all screwball comedies of the '40s are worth bothering about and this one goes to the top of the list in that category.
Poor JOEL McCREA and NANCY KELLY head a pleasant enough cast, but they have their work cut out for them. The silly script is something about a broad-minded man who's unable to pay alimony to his wife but foolishly goes along on a week-end trip to the country where he tries to play Cupid in getting her together with two men (LYLE TALBOT and CESAR ROMERO) who are crazy about her. If that makes sense, give me a clue.
MARY BOLAND is the country hostess who flutters around like an imitation of her character in THE WOMEN. ROLAND YOUNG has a few wry remarks to make, but NANCY KELLY is almost insufferably coy and arch as the exasperated heroine.
This is supposed to be wildly funny but the situations are all very artificial and most of the punch lines fall flat. The only compensation is seeing the attractive JOEL McCREA at his handsome best, playing it straight and not seeming to mind the hopelessly contrived script he's caught up in. He and CESAR ROMERO have the most luck with their hapless roles.
Only for fans of '40s screwball comedies that are easily amused.
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