Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
Former millionaire B.J. Nolan is useless with money, having lost most of his fortune on crazy schemes. His son, Kenneth, has the opposite problem thanks to good sense and a large ... See full summary »
John G. Blystone
Late in the Civil War, three Confederate soldiers escape from a Union prison camp in Missouri. They soon fall into the hands of pro-Confederate raiders, who force them to act as "outriders"... See full summary »
Jim "Lucky" Moore (Allan Jones), an insurance salesman, comes up with a novel policy for his friend, Steve (Robert Cummings): a 'love insurance policy', that will pay out $1-million if ... See full summary »
A secretive widower hires a governess for his children, a willful boy and impressionable girl. Strange occurrences and the governess's curiosity lead her to unlock the secrets of the mysterious and uninhabited brownstone next door.
Three sisters take their small inheritance and move from Kansas to California in search of rich husbands. To start with Pamela poses as a socialite and Moira and Elizabeth pretend to be her... See full summary »
The friendship of three Texas Ranchers. Later their ranch was destroyed by Cotrell, of the Union army,and his band of outlaw raiders. The original title was "Distant Drums", this was a description of Civil War army deserters.
T.H."Randy" Randall and Valerie Randall are divorced but friendly, but not to the extent she doesn't have him jailed for non-payment of alimony. His attorney, Bill Carter, suggests that the only way out of his financial strain is for him to get Valerie married off to someone else. Dizzy matron Ethel thinks that is a good idea and arranges a week-end party at which Valerie is to be paired off with likely-prospect Paul Hunter. Plans are disrupted when free-loading Freddie crashes the party and makes a heavy move on Valerie, and she likes it, mostly because Randy doesn't. Carter can't see any problem - a husband is a husband - but Randy is so certain that Freddie is bad news that he decides to win her back and remarry her himself, since he has also decided that he still loves her. Written by
Les Adams <firstname.lastname@example.org>
Not all screwball comedies of the '40s are worth bothering about and this one goes to the top of the list in that category.
Poor JOEL McCREA and NANCY KELLY head a pleasant enough cast, but they have their work cut out for them. The silly script is something about a broad-minded man who's unable to pay alimony to his wife but foolishly goes along on a week-end trip to the country where he tries to play Cupid in getting her together with two men (LYLE TALBOT and CESAR ROMERO) who are crazy about her. If that makes sense, give me a clue.
MARY BOLAND is the country hostess who flutters around like an imitation of her character in THE WOMEN. ROLAND YOUNG has a few wry remarks to make, but NANCY KELLY is almost insufferably coy and arch as the exasperated heroine.
This is supposed to be wildly funny but the situations are all very artificial and most of the punch lines fall flat. The only compensation is seeing the attractive JOEL McCREA at his handsome best, playing it straight and not seeming to mind the hopelessly contrived script he's caught up in. He and CESAR ROMERO have the most luck with their hapless roles.
Only for fans of '40s screwball comedies that are easily amused.
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