When the co-workers of an ambitious clerk trick him into thinking he has won $25,000 in a slogan contest, he begins to use the money to fulfill his dreams. What will happen when the ruse is discovered?
Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
Told in flashback, Depression-era bum Dan McGinty is recruited by the city's political machine to help with vote fraud. His great aptitude for this brings rapid promotion from "the boss," who finally decides he'd be ideal as a new, nominally "reform" mayor; but this candidacy requires marriage. His in-name-only marriage to honest Catherine proves the beginning of the end for dishonest Dan... Written by
Rod Crawford <firstname.lastname@example.org>
On August 19, 1939, Paramount issued a check to contract writer Preston Sturges to buy the story and screenplay of this movie, in the amount of $10. Sturges promised to sell the script for that amount if he could direct. The studio took him up on it and the film was a hit and won an Academy Award for the screenplay, probably making it the cheapest Oscar-winning script in history. See more »
In his victory parade as governor, McGinty rides in a car and it is clear he does not have a mustache. In the next scene, which takes place the same day at the state capitol, he has a mustache. See more »
If it wasn't for graft, you'd get a very low type of people in politics. Men without ambition. Jellyfish.
Especially since you can't rob the people anyway.
Sure. How was that?
What you rob, you spend, and what you spend goes back to the people. So, where's the robbery? I read that in one of my father's books.
That book should be in every home.
See more »
In his golden five years 1940-44, Preston Sturges was the writer & director for eight movies for Paramount, ALL GOOD and MOST of them BRILLIANT.
I first came to know these movies when five of them were shown on the BBC at Christmas in the early 1990's, including my personal favourites 'The Lady Eve' and 'The Palm Beach Story'. Since then I have had to wait for the invention of the DVD, and then last year's Preston Sturges DVD box set, when at last I could check out the other three.
Of those three, 'The Great McGinty' was the first movie to be "Written & Directed by Preston Sturges", and has to go into the GOOD rather than the BRILLIANT category. But for his first such project to be so good has got to be seen as a brilliant achievement for Sturges. I know how long he had to wait, and how hard he had to bargain to get that opportunity. He knew he had to succeed, not in his own terms but in those of his bosses at Paramount. In other words he had to bring in an economical movie that was conventional enough to be popular with audiences and critics alike.
The lead, Brian Donleavy plays McGinty as quite a straight character who has comic moments in set pieces with other players. The best comedy of the movie probably comes from Bill Demarest as "the Politician" and especially Akim Tamiroff as "the Boss", who drives the movie and its plot along, as he pushes McGinty and his career forward.
The second movie in the Preston Sturges golden period would be 'Christmas in July', again not one of his brilliant best, but beginning to include more of the lunacy and eccentric characters of a true Preston Sturges movie. By the time of his third project 'The Lady Eve', Sturges would be at the top of his form and the top of his art, and 'The Great McGinty' has to be seen not only as a good movie in itself, but as the first step in that direction.
13 of 13 people found this review helpful.
Was this review helpful to you?