The Great Dictator
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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2002

13 items from 2015

75 Years Later, ‘The Great McGinty’ is still as relevant as any political satire since

20 August 2015 3:16 PM, PDT | SoundOnSight | See recent SoundOnSight news »

When we think about the “writer/director” we often think about the works of Quentin Tarantino, Kevin Smith, Paul Thomas Anderson, Jean-Luc Godard or Lars Von Trier. The auteurs who charge into the uphill battle of putting their own story to film. It’s more than a credit, it’s a type of filmmaker – one that more often than not starts outside of the studio system, one that more often than not considers themselves a writer first and a director second, one that falls in love with their own dialog. It’s very common now but it didn’t used to be.

75 years ago this week a film was released with the first “Written and Directed by” credit, making official something that had been going on in movie making since the evolution of narrative filmmaking and giving birth to the modern day writer/director. The first credited writer/director: playwright Preston Sturges, »

- Charlie Sanford

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Sarah Leonor: The Hollywood Interview

14 August 2015 2:29 PM, PDT | The Hollywood Interview | See recent The Hollywood Interview news »

Sarah Leonor Discovers a Great Man

By Terry Keefe

Writer/director Sarah Leonor is one of France's most exciting new cinematic exports. Her latest film, The Great Man (Le Grand Homme), is an extraordinary drama depicting the traumas of war and immigration, and how they ricochet, opens on Friday, August 14 in New York at the Film Society of Lincoln Center’s Elinor Bunin Theater, then platforms wider on September 4. Starring Jérémie Rénier (The Dardenne Brothers' Palme D’or Winner L’Enfant), The Great Man is a powerful story about friendship and solidarity and takes a closer look at how men try to piece their lives back together when they’ve been shattered by war.

Hamilton (Jérémie Rénier) and Markov (Surho Sugaipov) are about to finish five years of service in the Foreign Legion. During their six-month posting in Afghanistan, they wind up amidst a crossfire while out on an impromptu and unauthorized leopard hunt. »

- The Hollywood

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Close-Up on "To Be or Not To Be": Lubitsch Answers the Question of 'What's So Funny About the Nazis?'

27 July 2015 4:55 AM, PDT | MUBI | See recent MUBI news »

 Close-Up is a column that spotlights films now playing on Mubi. To Be or Not to Be is playing on Mubi in the Us through August 28.In 2002, the American Film Institute selected To Be or Not to Be as one of the 50 funniest American movies of all time. In March of 1942, when the film was initially released, most critics weren't laughing. A movie lampooning Adolf Hitler may have been acceptable a few years prior (see, for example, Charlie Chaplin's The Great Dictator [1940], though even then Chaplin began to regret his decision after learning more of the Nazis' "homicidal insanity"). But by 1942, Pearl Harbor had been attacked, America had entered World War II, and, to make matters even more dour, the star of To Be or Not to Be, the radiant Carole Lombard, had died in a plane crash less than two months before the premiere. All told, those »

- Jeremy Carr

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The Best of “Movie Poster of the Day,” Part 11

24 July 2015 5:35 AM, PDT | MUBI | See recent MUBI news »

Above: Alternative poster for Mad Max: Fury Road (George Miller, Australia/USA, 2015). Artist: Signalstarr.Movie Poster of the Week was on vacation for the past few weeks and for the first time in three and a half years I took a break from posting a poster a day on Tumblr. Since getting back I have been posting the best new posters that I missed while I was away, one of which—the teaser for Quentin Tarantino’s The Hateful Eight which was unveiled at Comic-Con last week—has racked up more likes in a single day than almost anything else I’ve posted in the past three months.The standout favorite of the past quarter however—with over 1400 likes and re-blogs to date—was this stunning alternative poster for Mad Max: Fury Road by the British artist known as Signalstarr, a.k.a. Nick Stewart Hoyle. As a rule I »

- Adrian Curry

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Criterion Collection: Limelight | Blu-ray Review

27 May 2015 9:30 AM, PDT | ioncinema | See recent ioncinema news »

Though he would actually direct other features, including the ill received 1967 A Countess From Hong Kong, wherein Marlon Brando decided to be a mean girl to co-star Sophia Loren, and the neglected A King in New York (1957), many read the 1952 Limelight as Charles Chaplin’s ‘enduring’ final film. An appropriate approximation of his immortal Tramp character after fame has fallen away, the bittersweet tragicomedy wasn’t well-received at the time (though Bosley Crowther raved in The New York Times, hailing the film as “eloquent, tearful, and beguiling with supreme virtuosity”). McCarthyism succeeded in thwarting the film’s distribution, limiting the release to New York City and those labeling Chaplin a Communist picketed screenings where it did play. In the UK, the film’s release was less harried, with newcomer Claire Bloom securing a BAFTA win for Most Promising Newcomer. The film would receive a theatrical release for the first in Los Angeles twenty years later, »

- Nicholas Bell

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'Limelight' (Criterion Collection) Blu-ray Review

25 May 2015 10:09 AM, PDT | Rope of Silicon | See recent Rope Of Silicon news »

About midway through watching Charlie Chaplin's Limelight for the first time I got to thinking about what makes a great filmmaker. It seems easy enough to spot a great film, while you're watching it as you get that "You'll know it when you see it" vibe, but I started to focus on what exactly it was about the films of great filmmakers that make them stand out from the rest. Films from great filmmakers stand alone, they can't be duplicated and in this age of remakes and reboots no one would dare attempt try and remake their work. In terms of Chaplin, could you imagine a remake of Modern Times, The Great Dictator, City Lights or The Gold Rushc Forget the fact they are silent films and the business of it all. Just focus on the artistry and what makes those films great. What makes those films classicsc I'll answer for you. »

- Brad Brevet

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Unspecified Specificity: The 4th International Film Festival Panama

20 April 2015 5:11 AM, PDT | MUBI | See recent MUBI news »

Karim Aïnouz's Playa del Futuro“Films are interesting when they’re specific.” So said Brazilian filmmaker Karim Aïnouz when asked why he explores identity—queer, national, gender, ethnic—in his films like Madame Satã and his most recent work, the sensuous Playa del Futuro. With his features being the focus of the International Film Festival Panama’s retrospective during its fourth edition, Aïnouz’s comment can also be extended to the fest’s (still evolving) mandate: an emphasis on—and bolstering of—the geographically specific cinemas in Central America. This idea of films defined by borders has increasingly gone out of vogue, as the nation state as it was defined in the 19th and 20th century has all but dissipated with increasing international co-financing and multi-national organizations not recognizing borders (let alone international labor laws). But as Aïnouz notes, this only makes festivals like Iffp more important: “It’s »

- Kiva Reardon

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The Anti-Disney, Bill Plympton, on Cheatin’, Hitler, and Fellini

15 April 2015 1:43 PM, PDT | | See recent CultureCatch news »

Bill Plympton is not a genius, or so he insists, although none of his thousands of fans would be shocked if a MacArthur "Genius Grant" came his way. This former contributor to Playboy, The New York Times, and MTV has been a cult cartoonist and animator now for over a quarter of century, garnering an Oscar nomination in 1987 for his short "Your Face."

"Your Face" showcases a middle-aged man in a business suit with a pencil moustache singing a love tune as his head constantly metamorphoses. His mouth first travels to his forehead, then all of his facial features somersault before his skull twists up like a corkscrew and breaks apart, then reunites. The Exorcist's Linda Blair would be jealous. These transmutations continue, all in vibrating lines, until the camera steps back and showcases the singer sitting in a chair on a barren Earth that eventually develops a mouth and swallows him up. »

- Brandon Judell

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Iff Panama: Geraldine Chaplin a Firm Festival Favorite

11 April 2015 6:12 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Panama – “I have to thank my wrinkles,” Geraldine Chaplin jokes in the lobby of the American Trade Hotel in Panama City as she prepares for the festival screening of the critically acclaimed “Sand Dollars” (“Dólares de Arena”). The film, which premiered in Toronto, has already won the hard-working actress, winkles and all, a number of awards including in Cairo, Chicago and Havana. Expect more to follow throughout the year.

Chaplin, who is making her second visit to the Panama Film Festival, is a big fan of film festivals in general and credits a festival for her involvement in “Sand Dollars.”

“I was at a festival, I think it was Lima, and I watched a film called ‘Jean Gentil’ that was directed by Laura Guzmán and Israel Cárdenas. I really liked the film, and it was a film that stuck in my head,” Chaplin explains. “I thought I would contact the »

- Christopher Pickard

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10 Strangest World War II Unsolved Mysteries

2 April 2015 5:55 AM, PDT | Obsessed with Film | See recent Obsessed with Film news »

World War II was the most-widespread and bloody war in history, with upwards of 85million fatalities between 1939 and 1945. Much is known about the key men involved in the war – including Adolf Hitler, Winston Churchill and Joseph Stalin – and about both the opposing Allied and Axis Powers.

In fact, the Second World War is one of the most-discussed and talked-about events in human history, with countless books, films and TV series about an event that directly affected the majority of the world’s population.

Yet, despite the wealth of information that is available on World War II and the various operations involved within it, some mysteries still remain a full seven decades after its conclusion.

The whereabouts of the “Führer Globe”, owned by Adolf Hitler and made famous by Charlie Chaplin in his 1940 film “The Great Dictator”, is unknown for example. Furthermore, what exactly were the mysterious UFOs that appeared during »

- Chris Waugh

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Beyond Narrative: The Future of the Feature Film

12 February 2015 12:01 PM, PST | | See recent Roger Ebert's Blog news »

Editor's Note: is proud to reprint Roger Ebert's 1978 entry from the Encyclopedia Britannica publication "The Great Ideas Today," part of "The Great Books of the Western World." Reprinted with permission from The Great Ideas Today ©1978 Encyclopædia Britannica, Inc.

It's a measure of how completely the Internet has transformed communication that I need to explain, for the benefit of some younger readers, what encyclopedias were: bound editions summing up all available knowledge, delivered to one's home in handsome bound editions. The "Great Books" series zeroed in on books about history, poetry, natural science, math and other fields of study; the "Great Ideas" series was meant to tie all the ideas together, and that was the mission given to Roger when he undertook this piece about film.

Given the venue he was writing for, it's probably wisest to look at Roger's long, wide-ranging piece as a snapshot of the »

- Roger Ebert

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"The Interview" of 1969

2 February 2015 5:32 AM, PST | MUBI | See recent MUBI news »

The Interview and the geopolitical crisis it caused is arguably the most important movie-related story of recent weeks.

The story device featured in The Interview, the idea of a film featuring the assassination of the current ruling leader, is nothing new, and in fact  is seen through much of film’s history. In 1941 a German-in-exile Fritz Lang shown an unsuccessful attack on Adolf Hitler in Man Hunt (this story was also told in BBC’s Rogue Male from 1976 starring Peter O’Toole). The Shaw Brothers used the actual newsreel footage of Queen Elisabeth visiting Hong-Kong (then a British colony) in their 1976 martial arts flick A Queen’s Ransom (a.k.a. The International Assassin) starring post-James Bond George Lazenby as an Ira assassin and Angela Mao as a heroine trying to stop him. In fact, the Queen of England might be the most popular assassination target among actual world leaders »

- Jakub Mejer

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The Definitive Best Picture Losers

1 January 2015 12:22 PM, PST | SoundOnSight | See recent SoundOnSight news »

30. Apollo 13 (1995)

Lost to: Braveheart

In 1995, director Ron Howard brought a true life story of hope in the face of peril and started sweeping up awards. He won the Directors Guild Award. He won the Producers Guild Award. He won the Screen Actors Guild Ensemble Award. He lost the Golden Globe Drama to “Sense and Sensibility,” though he was nominated. Nothing could beat “Apollo 13.” Oscar night came and the Academy decided to hand the award to Mel Gibson’s historical epic about William Wallace, whose only precursor award was a surprise directing win at the Golden Globes. I’m not saying “Apollo 13″ is a greater film than “Braveheart.” It’s just proof that even the mighty may fall if a charismatic actor/director is at the helm.

29. L.A. Confidential (1997)

Lost to: Titanic

Curtis Hanson’s neo noir wasn’t the only quality loser from 1997 (“Good Will Hunting, »

- Joshua Gaul

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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2002

13 items from 2015, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

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