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The Great Dictator (1940)

 -  Comedy | Drama | War  -  7 March 1941 (USA)
8.5
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Ratings: 8.5/10 from 96,205 users  
Reviews: 181 user | 102 critic

Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.

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Top 250 #55 | Nominated for 5 Oscars. Another 5 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Jack Oakie ...
Napaloni - Dictator of Bacteria
Reginald Gardiner ...
Schultz
...
...
Herring
Grace Hayle ...
Madame Napaloni
Carter DeHaven ...
Bacterian Ambassador (as Carter De Haven)
...
Hannah
Maurice Moscovitch ...
Mr. Jaeckel (as Maurice Moscovich)
Emma Dunn ...
Mrs. Jaeckel
Bernard Gorcey ...
Mr. Mann
Paul Weigel ...
Mr. Agar
Chester Conklin ...
Barber's Customer
Esther Michelson ...
Jewish Woman
Hank Mann ...
Storm Trooper Stealing Fruit
Edit

Storyline

Twenty years after the end of WWI in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state, and the decimation of the Jews. This situation is unknown to a simple Jewish-Tomainian barber who has since been hospitalized the result of a WWI battle. Upon his release, the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah, with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, who he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a want for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator ... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

barber | dictator | jew | battle | persecution | See more »

Taglines:

The Comedy Masterpiece! See more »

Genres:

Comedy | Drama | War

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

7 March 1941 (USA)  »

Also Known As:

The Dictator  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Charles Chaplin spent some time attempting to simulate the sound of an airplane motor with various methods, only to be upstaged by one of his sound technicians who simply went to an airport for the appropriate sounds. See more »

Goofs

Hynkel kicks the globe balloon with the heel over his shoulder, thus the balloon is on a curved trajectory towards the window. In the following shot, the balloon moves just straight up- and downwards. See more »

Quotes

[first lines]
Title Cards: Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
Title Cards: This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.
See more »

Crazy Credits

The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental". See more »

Connections

Referenced in The Dictator (2012) See more »

Soundtracks

Hungarian Dance No. 5
(uncredited)
Written by Johannes Brahms
Played on the radio during the shaving scene
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
We think too much and feel too little.
23 January 2005 | by (United States) – See all my reviews

I was surprised and impressed to find out this movie was released in 1940, before the United States entered World War II. On the surface, satirizing something as solemn and horrible as Nazi Germany could be misconstrued as rash. But Chaplin's brilliance isn't limited to making a joke out of everything. In fact, the seriousness of his message wouldn't have been nearly as valid if not for the excellent use of humor in this movie along with the moments of stark drama blended in. Drama alone wouldn't have had the bite and resonance that this film did. Laughing at someone (Adenoid Hynkel) can be the best way to attack them, while laughing with someone (the Jewish Barber) can be the best way to love them. In the Jewish Barber's final speech, I forgot for a moment that the war he was talking about happened more than half a century ago. They are words that have meaning now, and in any time of war. For this reason I believe the film did far greater good than harm, as it still has the same profound effect today.


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