The Great Dictator (1940)

Dictator Adenoid Hynkel has a doppelganger, a poor but kind Jewish barber living in the slums, who one day is mistaken for Hynkel.

Director:

Charles Chaplin

Writer:

Charles Chaplin

Stars:

Charles Chaplin, Jack Oakie, Reginald Gardiner

Top 250 #65 | Nominated for 5 Oscars. Another 5 wins & 1 nomination.

Cast

Cast overview, first billed only:
Charles Chaplin	...	Hynkel - Dictator of Tomania / A Jewish Barber
Jack Oakie	...	Napaloni - Dictator of Bacteria
Reginald Gardiner	...	Schultz
Henry Daniell	...	Garbitsch
Billy Gilbert	...	Herring
Grace Hayle	...	Madame Napaloni
Carter DeHaven	...	Bacterian Ambassador (as Carter De Haven)
Paulette Goddard	...	Hannah
Maurice Moscovitch	...	Mr. Jaeckel (as Maurice Moscovich)
Emma Dunn	...	Mrs. Jaeckel
Bernard Gorcey	...	Mr. Mann
Paul Weigel	...	Mr. Agar
Chester Conklin	...	Barber's Customer
Esther Michelson	...	Jewish Woman
Hank Mann	...	Storm Trooper Stealing Fruit

Storyline

Twenty years after the end of WWI in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state, and the decimation of the Jews. This situation is unknown to a simple Jewish-Tomainian barber who has since been hospitalized the result of a WWI battle. Upon his release, the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah, with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, who he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a want for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator ...

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Plot Keywords:

barber | dictator | jew | battle | jewish ghetto | 

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Taglines:

Chaplin talks . . while You Laugh ! His greatest comedy since "Shoulder Arms" and "the Gold Rush" !

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Genres:

Comedy | Drama | War

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Certificate:

Approved

Details

Country:

USA

Language:

English Esperanto

Release Date:

7 March 1941 (USA)

Also Known As:

The Dictator

Filming Locations:

Agoura Hills, California, USA

Box Office

Budget:

$2,000,000 (estimated)

Company Credits

Production Co:

Charles Chaplin Productions

Technical Specs

Runtime:

125 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Charles Chaplin spent some time attempting to simulate the sound of an airplane motor with various methods, only to be upstaged by one of his sound technicians who simply went to an airport for the appropriate sounds.

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Goofs

When the Jewish Barber cleans the word "Jew" off his shop window, a dotted line can be seen to mark where the W would be painted again for the next take.

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Quotes

[first lines]
Title Cards: Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
Title Cards: This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.

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Crazy Credits

The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental".

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Connections

Referenced in Chaplin Today: Monsieur Verdoux (2003)

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Soundtracks

"Hungarian Dance No. 5"
(uncredited)
Written by Johannes Brahms
Played on the radio during the shaving scene

User Reviews

We think too much and feel too little.

I was surprised and impressed to find out this movie was released in 1940, before the United States entered World War II. On the surface, satirizing something as solemn and horrible as Nazi Germany could be misconstrued as rash. But Chaplin's brilliance isn't limited to making a joke out of everything. In fact, the seriousness of his message wouldn't have been nearly as valid if not for the excellent use of humor in this movie along with the moments of stark drama blended in. Drama alone wouldn't have had the bite and resonance that this film did. Laughing at someone (Adenoid Hynkel) can be the best way to attack them, while laughing with someone (the Jewish Barber) can be the best way to love them. In the Jewish Barber's final speech, I forgot for a moment that the war he was talking about happened more than half a century ago. They are words that have meaning now, and in any time of war. For this reason I believe the film did far greater good than harm, as it still has the same profound effect today.