The Great Dictator (1940)

Dictator Adenoid Hynkel has a doppelganger, a poor but kind Jewish barber living in the slums, who one day is mistaken for Hynkel.

Director:

Charles Chaplin

Writer:

Charles Chaplin

Stars:

Charles Chaplin, Jack Oakie, Reginald Gardiner

Top 250 #66 | Nominated for 5 Oscars. Another 5 wins & 1 nomination.

Cast

Cast overview, first billed only:
Charles Chaplin	...	Hynkel - Dictator of Tomania / A Jewish Barber
Jack Oakie	...	Napaloni - Dictator of Bacteria
Reginald Gardiner	...	Schultz
Henry Daniell	...	Garbitsch
Billy Gilbert	...	Herring
Grace Hayle	...	Madame Napaloni
Carter DeHaven	...	Bacterian Ambassador (as Carter De Haven)
Paulette Goddard	...	Hannah
Maurice Moscovitch	...	Mr. Jaeckel (as Maurice Moscovich)
Emma Dunn	...	Mrs. Jaeckel
Bernard Gorcey	...	Mr. Mann
Paul Weigel	...	Mr. Agar
Chester Conklin	...	Barber's Customer
Esther Michelson	...	Jewish Woman
Hank Mann	...	Storm Trooper Stealing Fruit

Storyline

Twenty years after the end of WWI in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state, and the decimation of the Jews. This situation is unknown to a simple Jewish-Tomainian barber who has since been hospitalized the result of a WWI battle. Upon his release, the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah, with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, who he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a want for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator ...

---

Plot Keywords:

barber | dictator | jew | battle | jewish ghetto | 

---

Taglines:

The Comedy Masterpiece!

---

Genres:

Comedy | Drama | War

---

Certificate:

Approved

Details

Country:

USA

Language:

English Esperanto

Release Date:

7 March 1941 (USA)

Also Known As:

The Dictator

Filming Locations:

Agoura Hills, California, USA

Box Office

Budget:

$2,000,000 (estimated)

Company Credits

Production Co:

Charles Chaplin Productions

Technical Specs

Runtime:

125 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Some reports refute Charles Chaplin's claims of ignorance as to the true extent of Nazi atrocities, stating that Chaplin was very much aware of the various goings-on, but decided to make the film anyway as an attack on Nazi ideology.

---

Goofs

When the Jewish Barber cleans the word "Jew" off his shop window, a dotted line can be seen to mark where the W would be painted again for the next take.

---

Quotes

[first lines]
Title Cards: Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
Title Cards: This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.

---

Crazy Credits

The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental".

---

Connections

Featured in Sometimes in April (2005)

---

Soundtracks

"String Quintet in E, Op. 13 No. 5: Minuet"
(uncredited)
Music by Luigi Boccherini
Played on piano a bit by Charles Chaplin

User Reviews

A film of its time, without a modern equal

This film entered production before WW2 began, but was not released until it was well under way. With significant fascist-sympathy in the US, and Chaplin himself being suspected as a communist sympathiser, The Great Dictator was a very courageous endeavour. Such risks in film-making - thinly veiled political statements - would be almost inconceivable today. Imagine the fallout if someone were to make an equally satirical film today which criticised the USA's foreign policy?

This film is hilarious, poignant and tragic. The tragedy is that Chaplin makes a plea for the madness to end, but it is already to late - for him and for us. A must see if you have any interest whatsoever in history, film-making, politics or sattire as an art-form.