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Bosnia and Herzegovina during 1993 at the time of the heaviest fighting between the two warring sides. Two soldiers from opposing sides in the conflict, Nino and Ciki, become trapped in no man's land, whilst a third soldier becomes a living booby trap.
Director:
Danis Tanovic
Stars:
Branko Djuric,
Rene Bitorajac,
Filip Sovagovic
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
Greek Sea, World War II. An Italian ship leaves a handful of soldiers in a little island; their mission is to spot enemy ships and to hold the island in case of attack. The village of the ... See full summary »
Director:
Gabriele Salvatores
Stars:
Diego Abatantuono,
Claudio Bigagli,
Giuseppe Cederna
Semi-autobiographical tale from the early life of director Franco Zeffirelli looks at the illegitimate son of an Italian businessman. The boy's mother has died, and he is raised by an ... See full summary »
Twenty years after the end of WWI in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state, and the decimation of the Jews. This situation is unknown to a simple Jewish-Tomainian barber who has since been hospitalized the result of a WWI battle. Upon his release, the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah, with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, who he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a want for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator ... Written by
Huggo
According to documentaries on the making of the film, Charles Chaplin began to feel more uncomfortable lampooning Adolf Hitler the more he heard of Hitler's actions in Europe. Ultimately, the invasion of France inspired Chaplin to change the ending of his film to include his famous speech. See more »
Goofs
When the Barber first returns to his barber shop, he hangs his hat and coat on a coat-rack that has a hand-broom hanging on it. After his fight with the Storm-Troopers, he re-enters his shop but his coat and hat are no longer on the rack, and the broom has changed location on the rack. See more »
Quotes
[first lines]
Title Cards:
Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
Title Cards:
This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.
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Crazy Credits
The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental". See more »
The Great Dictator is a beyond-excellent film. Charlie Chaplin succeeds in being both extremely funny and witty and yet at the same time provides a strong statement in his satire against fascism. The anti-Nazi speech by Chaplin at the end, with its values, is one of filmdom's great moments. Throughout this movie, I sensed there was some higher form of intelligence, beyond genuinely intelligent filmmaking, at work.
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The Great Dictator is a beyond-excellent film. Charlie Chaplin succeeds in being both extremely funny and witty and yet at the same time provides a strong statement in his satire against fascism. The anti-Nazi speech by Chaplin at the end, with its values, is one of filmdom's great moments. Throughout this movie, I sensed there was some higher form of intelligence, beyond genuinely intelligent filmmaking, at work.