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The Great Dictator (1940)

 -  Comedy | Drama | War  -  7 March 1941 (USA)
8.5
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Ratings: 8.5/10 from 89,140 users  
Reviews: 173 user | 101 critic

Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.

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Title: The Great Dictator (1940)

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Top 250 #54 | Nominated for 5 Oscars. Another 5 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Jack Oakie ...
Napaloni - Dictator of Bacteria
Reginald Gardiner ...
Schultz
...
Garbitsch
...
Herring
Grace Hayle ...
Madame Napaloni
Carter DeHaven ...
Bacterian Ambassador (as Carter De Haven)
...
Hannah
Maurice Moscovitch ...
Mr. Jaeckel (as Maurice Moscovich)
Emma Dunn ...
Mrs. Jaeckel
Bernard Gorcey ...
Mr. Mann
Paul Weigel ...
Mr. Agar
Chester Conklin ...
Barber's Customer
Esther Michelson ...
Jewish Woman
Hank Mann ...
Storm Trooper Stealing Fruit
Edit

Storyline

Twenty years after the end of WWI in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state, and the decimation of the Jews. This situation is unknown to a simple Jewish-Tomainian barber who has since been hospitalized the result of a WWI battle. Upon his release, the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah, with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, who he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a want for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator ... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

barber | dictator | jew | battle | soldier | See more »

Taglines:

Chaplin talks . . while You Laugh ! His greatest comedy since "Shoulder Arms" and "the Gold Rush" ! See more »

Genres:

Comedy | Drama | War

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

7 March 1941 (USA)  »

Also Known As:

The Dictator  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Charles Chaplin said wearing Hynkel's costume made him feel more aggressive, and those close to him remember him being more difficult to work with on days he was shooting as Hynkel. See more »

Goofs

At Hynkel's speech in the beginning the position and length of his tie changes from cut to cut. See more »

Quotes

[first lines]
Title Cards: Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
Title Cards: This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.
See more »

Crazy Credits

The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental". See more »

Connections

Referenced in Henri Langlois: The Phantom of the Cinémathèque (2004) See more »

Soundtracks

Hungarian Dance No. 5
(uncredited)
Written by Johannes Brahms
Played on the radio during the shaving scene
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Credit where it's due
7 January 1999 | by (Taegu, South Korea) – See all my reviews

Aside from giving this film its proper socio-historical credit as one of only 2 U.S films which condemned Hitler, Naziism and the Holocaust prior to U.S. involvement in WWII, it's a great time as well. Much of the humor remains visual, and some of the funniest (and most famous) scenes are done in the silent mode (e.g. the globe). Although a bit more lacking in continuity and editing than many of Chaplin's earlier films, to do it credit simply as a passable first effort at a new medium is to damn it with faint praise. It's unique. No serious student of film can neglect to see and appreciate The Great Dictator as a classic amalgam of film talents.


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