Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncles farm, and joins them the next day as they head for California and a new life... Hopefully. Written by
Colin Tinto <firstname.lastname@example.org>
Slightly more than halfway through the film, when the Joads pull over to fix a tire, Ma sits on the front fender while Tom crawls under the car. You can just barely hear him say, "Ma, get the hell off (the fender)," which would have been against language codes for films in the era. See more »
As Tom walks across the dance floor after saying goodbye to his mother his shadow goes to his left. When the point of view changes, the shadows are perpendicular to this, coming from behind his mother. See more »
Well, Pa, a woman can change better'n a man. A man lives sorta - well, in jerks. Baby's born or somebody dies, and that's a jerk. He gets a farm or loses it, and that's a jerk. With a woman, it's all in one flow, like a stream - little eddies and waterfalls - but the river, it goes right on. Woman looks at it thata way.
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The First Great Film of a Great Decade for the Cinema.
"The Grapes of Wrath" was a huge novel so it only made sense to turn it into a feature motion picture. The result is one of the greatest films ever produced. Oscar-nominee Henry Fonda, his mother Jane Darwell (Oscar-winning) and their family have had it in the Dust Bowl. Thus they decide to leave the midwest of our nation's Great Depression and go to California. The film is an intensely dramatic affair that is first-rate in all cinematic departments. John Ford won his second Best Director Oscar with this movie and the landscape of the late-1920s and early-1930s has never been captured more fully. Excellent film-making. 5 stars out of 5.
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