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The Grapes of Wrath (1940)

 -  Drama  -  15 March 1940 (USA)
8.2
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Ratings: 8.2/10 from 47,839 users  
Reviews: 270 user | 86 critic

A poor Midwest family is forced off of their land. They travel to California, suffering the misfortunes of the homeless in the Great Depression.

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(screen play), (based on the novel by)
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Top 250 #187 | Won 2 Oscars. Another 6 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Grandpa
Dorris Bowdon ...
Rosasharn
Russell Simpson ...
O.Z. Whitehead ...
Al
...
Eddie Quillan ...
Zeffie Tilbury ...
Grandma
Frank Sully ...
Frank Darien ...
...
Winfield
Shirley Mills ...
Ruth Joad
Roger Imhof ...
Thomas
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Storyline

Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncles farm, and joins them the next day as they head for California and a new life... Hopefully. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

The thousands who have read the book will know why WE WILL NOT SELL ANY CHILDREN TICKETS to see this picture! See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 March 1940 (USA)  »

Also Known As:

Highway 66  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

In the book, John Steinbeck had the character of Casy parodying the song "Yes Sir, That's My Baby" by singing "Yes sir, that's my Savior/Jesus is my Savior/Jesus is my Savior now." The Motion Picture Production Code then in effect forbade use of the words "God" and "Jesus" except when used "reverently", so the script resorted to having him hum: "Mm-mmm, mmm, my Savior". See more »

Goofs

When the Joads pull over to fix a flat on their truck they stop in a small depression that leans the truck to the left. In the very next shot the truck is in a different spot and leaning to the right. See more »

Quotes

Tom Joad: I been thinking about us, too, about our people living like pigs and good rich land layin' fallow. Or maybe one guy with a million acres and a hundred thousand farmers starvin'. And I been wonderin' if all our folks got together and yelled...
Ma Joad: Oh, Tommy, they'd drag you out and cut you down just like they done to Casy.
Tom Joad: They'd drag me anyways. Sooner or later they'd get me for one thing if not for another. Until then...
Ma Joad: Tommy, you're not aimin' to kill nobody.
Tom Joad: No, Ma, not that. That ain't it. ...
[...]
See more »

Connections

Referenced in The Cinema Snob: Turkish Casper (2012) See more »

Soundtracks

Going Down the Road Feeling Bad
(uncredited)
Traditional
Played on guitar and Sung by Eddie Quillan
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Not the Book, But Beautiful in Its Own Right
10 February 2006 | by (United States) – See all my reviews

It's difficult on a first viewing of "The Grapes of Wrath" not to be somewhat disappointed with it. So much of Steinbeck's beautiful novel is left out of the film, and it's hard to see his story and characters wedged into the "gee whizz" style of film-making so prevalent at the time. But once you get beyond a comparison of the movie to the book, you begin to realize that John Ford created a beautiful piece of work of his own, and the film inspires a great deal of admiration, and deserves credit for its gutsiness at tackling a story that wouldn't have gone down smoothly with film executives at the time.

Of course the most controversial parts of the book are left out (like its final image, for example), but Ford still managed to work around the constraints forced upon him to fashion a hard-biting film. Henry Fonda is perfect casting for Tom Joad--never have his otherworldly eyes been used to greater effect. And Jane Darwell is pitch-perfect as Ma Joad--she captures the tough-as-nails dignity that the character has in the novel. The whole movie is lit by expert cinematographer Gregg Toland, who uses shadow and reflection to cast a ghostly pall over everything. Indeed, much of what Ford wasn't able to include in the film as words he communicates instead through images, and isn't that what a good book-to-film adaptation should do? One of those films that feels ahead of its time.

Grade: A


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