Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncles farm, and joins them the next day as they head for California and a new life... Hopefully. Written by
Colin Tinto <email@example.com>
John Ford banned all makeup and perfume from the set on the grounds that it was not in keeping with the tone of the picture. See more »
When Casy and Tom are walking along the road towards the Joads' old farm, their shadows can be seen on the painted backdrop behind them. Also you can hear the reverberation caused by the film stage when they speak. See more »
Maybe there ain't no sin and there ain't no virtue, they's just what people does. Some things folks do is nice and some ain't so nice, and that's all any man's got a right to say.
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Henry Fonda's portrayal of Tom Joad captures perfectly the humanity and compassion of the Steinbeck character, an ex-con who breaks his parole conditions by joining his family in their epic journey across the southern US to a "better life" in California.
This is not the usual Hollywood fare. Tragedy and betrayal beset the Joad family from the outset. But it is nonetheless an uplifting movie. Spirit, compassion and tenderness mark them out. Fonda's role is particularly understated, and we see, as in Steinbeck's masterly epic, the maternally robust figure of Ma holding the family together.
The performances all round are wonderful, and Ford's direction and sense of space under the big sky of the Midwest is breathtaking.
This film is now largely a testament to the time in which it was set, but like the war movies that were soon to follow, a story that needed telling lest we forget.
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