6.0/10
39
4 user 4 critic

The Gay Caballero (1940)

Approved | | Western | 4 October 1940 (USA)
The Cisco Kid and his buddy Gordito arrive in town and learn that Cisco is supposedly dead. Not only that: Before his death, he is believed to have attempted to steal Susan Wetherby's land.

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Writers:

(screen play), (screen play) (as John Larkin) | 3 more credits »
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Cast

Complete credited cast:
...
Sheila Ryan ...
Susan Wetherby
...
Billy Brewster
Chris-Pin Martin ...
Gordito
Janet Beecher ...
Kate Brewster
Edmund MacDonald ...
Joe Turner
Jacqueline Dalya ...
C. Montague Shaw ...
George Wetherby (as Montague Shaw)
Hooper Atchley ...
Sheriff McBride
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Storyline

The Cisco Kid and his buddy Gordito arrive in town and learn that Cisco is supposedly dead. Not only that: Before his death, he is believed to have attempted to steal Susan Wetherby's land. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

O'Henry's debonair desperado...the Cisco Kid...rides again...quicker on the draw...more gay and gallant than ever! (original pressbook ad - including reference to O. Henry as "O'Henry."

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

4 October 1940 (USA)  »

Also Known As:

Banditernas skräck  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Both Tom London (Rancher) and LeRoy Mason (Deputy) are in studio records/casting call lists as cast members for their roles, but they did not appear or were not identifiable in the movie. See more »

Connections

Referenced in The Boys in the Band (1970) See more »

Soundtracks

Mexican Hat Dance (El jarabe tapatío)
(uncredited)
Music by Felipe A. Partichela
Variations played in the score often
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User Reviews

Fast B
19 February 2008 | by (New York City) – See all my reviews

This, the fourth episode in Twentieth-Century-Fox's B series of the Cisco Kid, has Cesar Romero pretending to be dead, aided by a grave and a man who claim to have killed the Kid. The story is well done -- Fox's B unit was probably the best among the majors at this period -- and Edward Cronjager's usual excellent cinematography -- lots of process shots and a tremendous number of basic two-shots -- is handsome without being intrusive.

I am mildly surprised that the Fox Movie Channel is running these amusing little second features so freely -- an attempt by them to run some Charlie Chan movies a couple of years ago raised a lot of fuss about stereotypes: one would not, of course, wish to show movies that implied that an ethnic Chinese man would automatically be the smartest person in the room, or that his U.S.-born children would act like American kids.


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