IMDb > Friedrich Schiller - Der Triumph eines Genies (1940)

Friedrich Schiller - Der Triumph eines Genies (1940) More at IMDbPro »


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Director:
Writers:
Paul Josef Cremers (film)
Walter Wassermann (screenplay) ...
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Release Date:
1942 (Italy) See more »
Genre:
Plot Keywords:
User Reviews:
'Schiller' no thriller; Casper's ghostly performance See more (3 total) »

Cast

  (in credits order)

Heinrich George ... Herzog Karl Eugen von Württemberg

Lil Dagover ... Franziska von Hohenheim
Horst Caspar ... Friedrich Schiller
Friedrich Kayßler ... Vater Schiller
Eugen Klöpfer ... Christian Friedrich Daniel Schubart
Herbert Hübner ... General Rieger
Dagny Servaes ... Frau Rieger
Hannelore Schroth ... Laura Rieger
Fritz Genschow ... Student Kapff
Hans Quest ... Student Hoven
Wolfgang Lukschy ... Student Boigeol
Hans Nielsen ... Student Scharffenstein
Franz Nicklisch ... Student Petersen
Ernst Schröder ... Student Zumsteg (as Ernst Schroeder)
Heinz Welzel ... Andreas Streicher

Paul Henckels ... Marshall von Silberkalb

Paul Dahlke ... Class Sergeant Riess
Hildegard Grethe ... Elisabeth Schiller

Hans Leibelt ... Professor Abel
Arthur Anwander ... Orderly Kronenbitter
Bernhard Minetti ... Stage Actor Playing 'Franz'
Albert Florath ... Stage Actor Playing 'Pastor Moser'
Walter Franck ... Der Fremde (as Walter Frank)
Lothar Körner ... Schwann, bookseller
Edmund Lorenz ... Schorsch, barracks boy
Günther Hadank ... General Augé
Lore Hansen ... Christophine Schiller
rest of cast listed alphabetically:
Fritz Berghof ... Schubart Friend at Tavern (uncredited)
Eduard Bornträger ... Schubart Friend at Tavern (uncredited)
Fritz Eckert ... Grand Duke Paul (uncredited)
Friedrich Ettel ... Innkeeper Brothag (uncredited)
Herman Gees ... Schubart Friend at Tavern (uncredited)
Georg Guertler ... (uncredited)
Karl-Helge Hofstadt ... The Courier from Hohenasperg (uncredited)
Franz Klebusch ... Schubart Friend at Tavern (uncredited)
Bruno Peschel ... Unspecified Footman (uncredited)
Georg A. Profé ... Student (uncredited)
Erik Radolf ... Höfling beim Empfang des Großfürsten (uncredited)
Paul Rebstock ... Wagon Driver Köberle (uncredited)
Herma Relin ... Grand Duchess (uncredited)
Just Scheu ... Unidentified Captain (uncredited)
Ferdinand Terpe ... Grand Duke's Court Chamberlain (uncredited)
Wolf Trutz ... Johann Schiller's Orderly at Graduation Ceremony (uncredited)
Vicco von Bülow ... Page (uncredited)
Jens von Hagen ... Höfling beim Empfang des Großfürsten (uncredited)
Hugo Welle ... Spectator at Graduation Ceremony (uncredited)
Walter Werner ... Stage Actor Playing 'Daniel' (uncredited)

Directed by
Herbert Maisch 
 
Writing credits
Paul Josef Cremers (film) (as P.J. Cremers)

Walter Wassermann (screenplay) and
Lotte Neumann (screenplay) (as C.H. Diller)

Norbert Jacques  novel (uncredited)

Produced by
Fritz Klotsch .... executive producer
Gustav Rathje .... executive producer
 
Original Music by
Herbert Windt 
 
Cinematography by
Fritz Arno Wagner 
 
Film Editing by
Hans Heinrich 
 
Art Direction by
Franz Schroedter 
 
Costume Design by
Ludwig Hornsteiner 
 
Production Management
Alfred Arbeiter .... production manager
Ernst Mattner .... production manager
 
Second Unit Director or Assistant Director
Walter Steffens .... assistant director
 
Sound Department
Adolf Jansen .... sound
 
Camera and Electrical Department
Richard Wesel .... still photographer
 

Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
102 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
Finland:S | Germany:12 (video rating) | Sweden:Btl

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7 out of 7 people found the following review useful.
'Schiller' no thriller; Casper's ghostly performance, 8 March 2003
Author: F Gwynplaine MacIntyre from Minffordd, North Wales

During the Third Reich of 1933-1945, Germany's nationalised film industry produced more than 1,100 films. Surprisingly, only about 250 of these were blatantly Nazi propaganda: the vast majority were merely escapist entertainment. But the Nazi leaders who controlled the film industry were clever enough to realise that Hitler's cause could be furthered with movies which subtly advocated German ideals and nationalist causes ... without explicitly praising Hitler, nor showing swastikas or other Nazi symbolism.

'Friedrich Schiller' is a film which intentionally serves Nazi agenda without being explicitly pro-Nazi. This film purports to tell the story of Schiller, the 18th-century German playwright and blank-verse poet. A contemporary and friend of Goethe, Friedrich Schiller was an important poet in his own right: his 'Ode to Joy' was set to music as Beethoven's Ninth Symphony.

'Friedrich Schiller' was released in 1940 (shortly after Hitler's early military triumphs) with the subtitle 'Der Triumph eines Genies' (Triumph of a Genius). Movie audiences were clearly meant to see parallels between Schiller and Hitler.

In the title role, this film stars Horst Casper ... a pretty-boy actor whose looks surpass his acting ability. Rather than telling Schiller's entire life story, the film emphasises his early years when Schiller was a cadet in the Karlsschule (the military academy sponsored by the Duke of Württemberg) and his service in the Duke's regiment at Stuttgart. During this period, Schiller read law and medicine, and somehow also found time to write his first play!

The film depicts a real-life incident which occurred in 1781. Whilst Schiller was garrisoned with the Duke's regiment in Stuttgart, his first play ('The Robbers') was performed at a theatre in Mannheim. Schiller went AWOL from his regiment to attend a performance of his own play. In the movie, this leads to a stormy confrontation between Schiller and his patron. Heinrich George gives a splendid performance as the Duke, easily out-acting the dull Casper.

Unfortunately, this film tries too hard in its efforts to make 18th-century historical characters fit into Nazi agitprop. Schiller is meant to symbolise the idealistic visionary ubermensch: that rare individual who is innately superior to normal men.

The production design and the period detail in this film are impressive, and the photography (by the great Fritz Arno Wagner) is superb. The film editing is better than usual for German movies of this period. But it's all quite dull. I confess that I don't know enough about Schiller to judge the biographical accuracy of this movie, but there are several scenes in which the facts have clearly been bent to fit Nazi agenda. I'll rate this movie 4 points out of 10. It has quite a few good points in spite of its Nazi pedigree.

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