An out-of-work professor gets a break from an old college buddy to teach at an exclusive girl's school. But events conspire against him: he finds an abandoned child which he takes under his...
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Story follows the training and personal lives of three recruits in the Army Air Corps --- a wealthy playboy, a college jock and an auto mechanic. Love interest is supplied by a female ... See full summary »
Arnold Boult is determined to make his son a success at all costs. He commits arson, causes two suicides, and bribes people. His wife, unable to leave him, becomes alcoholic and dies. His ... See full summary »
Dizzy society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome "tramp" who shows up at her doorstep and soon ends up in a ... See full summary »
Norman Z. McLeod
Judy Jones, sings with a band and also works at an aircraft plant. She takes part in a "missing heirs" radio program and is discovered to be an heiress to a fortune. But the will provides ... See full summary »
An out-of-work professor gets a break from an old college buddy to teach at an exclusive girl's school. But events conspire against him: he finds an abandoned child which he takes under his wing, despite the school's rules against teachers having a family; and the girls in the school resent his replacing a handsome and popular teacher, and do everything in their power to get him fired. Written by
Gary Dickerson <email@example.com>
This film's first telecast in Philadelphia took place Wednesday 18 September 1957 on WFIL (Channel 6), followed by San Francisco 26 February 1958 on KGO (Channel 7), New York City 9 May 1958 on WCBS (Channel 2), and Los Angeles 22 June 1958 on KTTV (Channel 11). See more »
Gilbert Jordan Thompson:
Now wait a minute girls, you know motherhood is not a government project - at least not in this country.
[a thinly-veiled reference to Nazi Germany in this 1940 film]
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Slightly reminiscent of Metro's later Red Skelton musical, "Bathing Beauty" in that most of the action centers around a lone male in a girls' school, "Forty Little Mothers" is much less funny. Indeed most of the comic opportunities in the script seem to have been deliberately bypassed. This accent on the dramatic rather than the comic is unfortunate, as the drama becomes corny and sentimental. True, Cantor is allowed to make a few quips and sing a song, entitled "Little Curly Hair in a High Chair" by Harry Tobias (or his brother, Charles Tobias, depending on which reference book you consult) and Nat Simon. On the other hand, although the movie's direction is credited to Busby Berkeley, anyone expecting lavish Berkeley production numbers here is going to be mightily disappointed. There are none!
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