A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
Johnny Jones is an action reporter on a New York newspaper. The editor appoints him European correspondent because he is fed up with the dry, reports he currently gets. Jones' first assignment is to get the inside story on a secret treaty agreed between two European countries by the famous diplomat, Mr. Van Meer. However things don't go to plan and Jones enlists the help of a young woman to help track down a group of spies. Written by
Col Needham <email@example.com>
Johnny Jones/Huntley Haverstock was "loosely" based on real life journalist Ed Murrow. See more »
During the scene where the passengers are scrambling to get out of the sinking Clipper, a man grabs a suitcase and smashes a window, leaving a lot of large, jagged pieces of glass in the frame. He then climbs through the window and sits directly on the jagged glass. See more »
Fake Dutch Detective:
We simply want you to come with us if you will and tell your story to our chief of police here.
Well, let me get this straight. Does this chief of police speak English? Because I'm a very busy man.
Fake Dutch Detective:
It will take no more than half an hour, Sir. We all speak English.
All speak English? Well, that's marvelous. That's more than I can say for my country.
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Opening credits prologue: To those intrepid ones who went across the seas to be the eyes and ears of America... To those forthright ones who early saw the clouds of war while many of us at home were seeing rainbows... To those clear-headed ones who now stand like recording angels among the dead and dying... To the Foreign Correspondents - this motion picture is dedicated. See more »
When one dotes on Hitchcock's overall work, this film isn't probably the first one mentioned. However, the film is just a fun work of a true legend. The film is something that must be seen. Once it is, you learn that Hitch was a true genius. Look at several escapes from true death by our New York Globe correspondent Jones(a terrific McCrea). The first,being a windmill sequence, is a highly visual wonder. First the way it is captured and done by Hitch is fun to see. Jones has to be slippery because he knows there are spies all over in the windmill. Jones has to slither around constant turning spools and dodge many men. The reason he is here in the first place is to catch a man who supposedly shot a major player in stopping a war about to begin. This man is shot "dead" near a rainy building where a summit is going to be held. There is a sequence where the shooter runs through a maze of people holding umbrellas which is masterly shot. Jones chases the shooter into a windmill. That sequence doesn't even come close to the ending. I'll get to that in a minute. The second escape from death occurs when Jones is in his hotel room. These two men plan to kill Jones. Jones looks through a key hole to his bathroom and see the two pull guns. Jones escapes through the bathroom window. There is a shot where Jones is going across a ledge to get to a room across the way where he passes the lights to the hotel(HOTEL EUROPE). During this Jones knocks out one of the lights. This is well shot and brilliant. The ending is a knockout considering it was done in 1940. This sequence occurs on a plane. The plane is shot down. This sequence is mezmerising to behold. It is so well shot that I was stunned by it's complete perfection. Hitch nails every detail. From how the passengers escape to how they survive on the ocean. The film should be seen for just this sequence alone. It is a showstopper. The film has a very complex story. It is about a man who must find out the facts..the truth about whether Europe is going to war. Obviously, it is the nazis, but we aren't given specifics. We do know Germany has a lot to do with it. The story is shot with precision. Hitch guides the story perfectly with tense pacing and delicately handles situations. How our hero makes it through the film without being killed is well done. The film isn't stupid and understands that our hero's survival must be realistic, yet well managed to hold suspense. In a way, Hitch needs to keep you spellbound in wondering how he could survive. The love story between a major politician in London's daughter and Jones is not just a sub plot. It serves the film in every way. The plot is centered on the relationship. The way it ends depends on the romance. The film should be seen by those who are Hitchcock fans. It is a well directed film with visual flair and good story. *****/*****
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