Johnny Jones is an action reporter on a New York newspaper. The editor appoints him European correspondent because he is fed up with the dry, reports he currently gets. Jones' first assignment is to get the inside story on a secret treaty agreed between two European countries by the famous diplomat, Mr. Van Meer. However things don't go to plan and Jones enlists the help of a young woman to help track down a group of spies. Written by
Col Needham <email@example.com>
Producer Walter Wanger and director Alfred Hitchcock clashed repeatedly during shooting. Wanger kept wanting to have the script rewritten with every news story reporting changes in the European situation. Hitchcock, who hated making a movie without the script in absolutely final form before shooting began, pointed out that even if the film were up-to-date at the time of shooting it would be out of date by the time he finished post-production and it was ready for release. See more »
The establishing shot of the Hotel Europe is actually an outtake from the later rooftop escape sequence. Haverstock can be seen on the far left edge of the frame, next to the neon letter "H", crawling across the roof, although he is still in his hotel room at this point in the story. See more »
Opening credits prologue: To those intrepid ones who went across the seas to be the eyes and ears of America... To those forthright ones who early saw the clouds of war while many of us at home were seeing rainbows... To those clear-headed ones who now stand like recording angels among the dead and dying... To the Foreign Correspondents - this motion picture is dedicated. See more »
Hitchcock may not have wanted him, but Joel Mac Crea's "everyman" performance as "Huntley Haverstock" is the most purely likeable and accessible protagonist Hitchcock has ever had. And, that works perfectly for the movies which gets plenty of the dark and mysterious and perverted from the magnificent supporting cast (including Marshall, Gwenn, Sanders, and many others...). But McCrea's feckless honesty and stubborn determination (rather than the more usual-for-Hitchcock obsession) work refreshingly in contrast with the others.
All the other typical master touches, impeccable camera work, a great score, intricate interwoven plotlines, and many dualities are all on hand for a truly great and unforgettable cinematic experience.
Watch this film!
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