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Flight Command (1940)

Passed | | Drama, War | 27 December 1940 (USA)
A rookie flyer, Ens. Alan Drake, joins the famous Hellcats Squadron right out of flight school in Pensacola. He doesn't make a great first impression when he is forced to ditch his airplane... See full summary »

Director:

Writers:

(screen play), (screen play) (as Commander Harvey Haislip) | 2 more credits »
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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
...
Lorna Gary
...
Squadron Cmdr. Billy Gary
...
Lieut. Cmdr. 'Dusty' Rhodes
...
Lieut. Jerry Banning
...
Lieut. 'Mugger' Martin
...
C.P.O. 'Spike' Knowles
...
Lieut. 'Stichy' Payne
William Tannen ...
Lieut. Freddy Townsend
...
Lieut. Bush
Stanley Smith ...
Lieut. Frost
...
Vice Admiral
...
1st Duty Officer
...
2nd Duty Officer
...
Captain
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Storyline

A rookie flyer, Ens. Alan Drake, joins the famous Hellcats Squadron right out of flight school in Pensacola. He doesn't make a great first impression when he is forced to ditch his airplane and parachute to safety when he arrives at the base but is unable to land due to heavy fog. On his first official outing, his poor shooting skills results in the Hellcats losing an air combat competition. His fellow pilots accept him anyway but they think he's crossed the line when they erroneously conclude that while their CO Billy Gray is away, Drake has an affair with his wife Lorna. Drake is now an outcast and is prepared to resign from the Navy but his extreme heroism in saving Billy Gray's life turns things around. Written by garykmcd

Plot Summary | Add Synopsis

Genres:

Drama | War

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

27 December 1940 (USA)  »

Also Known As:

Alas en la niebla  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on March 24, 1941 with Robert Taylor, Ruth Hussey and Walter Pidgeon reprising their film roles. See more »

Goofs

When Cmdr. Gary is in his hospital bed, after his head/brain surgery, he is still wearing his navy ring. In truth all jewelry is removed for surgery in case of swelling, for one reason. See more »

Connections

Featured in The Miracle of Sound (1940) See more »

Soundtracks

Eyes of the Fleet
(1939)
Music and Lyrics by J.V. McElduff, Lieut. Comdr. U.S.N.
Played as part of the score
See more »

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User Reviews

 
Comraderie in the air and on the decks
25 May 2003 | by (Maryland, USA) – See all my reviews

"Flight Command" was shown as part of the TCM Memorial Day series, and it deserves to be remembered for its excellent performances by the leads and all the supporting players, as well as the air scenes of single-engine planes flown by the squadron of Navy pilots. There is a lesson in their comraderie which is all the more moving when one considers the 1940 date and the skilful stuntwork of the planes for its time. Walter Pidgeon gives a classic performance, both strong and vulnerable, for which he will become better known in later films, and Ruth Hussey, usually in a secondary role, puts in a sensitive and generous performance as the "skipper's" stalwart wife in a part that could have been given to Myrna Loy. I am not a fan of Robert Taylor, but I felt he gave one of the more honest of his performances, and his good looks did not for once detract. Ruth's brother in the film, Shepperd Strudwick, hardly a known name, was well-cast as the outgoing, daring inventor working on a fog-navigating device. Between Pidgeon's Apollonian personality and Taylor's Dyonisian charm, Strudwick's relaxed and interestingly handsome face reminded me of Joseph Cotton in having a natural sense of gravitas in his manner.

Even though the plot was not a complex one, the different character relationships, whether between the pilots themselves, or of the perceived triangle of Taylor, Hussey and Pidgeon, was sensitively handled, and the several tricky maneuvers demanded of the pilots kept me glued to the screen. Credit should be given to the director, Frank Borzage, for coaxing such balanced performances from the cast. As for the supporting roles, Paul Kelley and Red Skelton (apparently in his first film appearance) both deserve mention, as do the script writers. The situations and dialogue appear routine, but nothing that is said or done is hackneyed or banal.

Of four ****, I would give it a highly recommended three***.


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