Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. "The Sorcerer's Apprentice" features Mickey Mouse as an aspiring magician who oversteps his limits. "The Rite of Spring" tells the story of evolution, from single-celled animals to the death of the dinosaurs. "Dance of the Hours" is a comic ballet performed by ostriches, hippos, elephants, and alligators. "Night on Bald Mountain" and "Ave Maria" set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day. Written by
David Thiel <firstname.lastname@example.org>
The name "Dionysus" for the god Bacchus, featured in the "Pastoral Symphony" segment, likely derives from the name of his father. The name "Zeus" was rendered "Dios" in the genitive case and "Dio-" at the start of theophoric names. Similarly, fellow sons of Zeus Castor and Polydeuces/Pollux were collectively called Dioskouri/Dioscuri ( "Zeus' boys"). See more »
In the Sorcerer's Apprentice sequence, as Mickey walks toward a stone wall his shadow grows slowly larger. Instead, it should grow smaller. See more »
How do you do? Uh, my name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, "Fantasia". What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained ...
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There are no closing credits of any kind. Not even the words "THE END" appear on the screen. See more »
This is one of the truly rare, one of a kind movie going experiences, kind of in the same league as watching 2001: A Space Odyssey. I like to watch this film repeatedly; often times I'll just close my eyes and daydream, letting my own imagination go in place of whats on the screen. My favorite part is the opening sequence, with its dramatic music and free flowing imagery foreshadowing the state of the world in 1940. The end of Ave Maria is the perfect bookend to this masterpiece; death has withdrawn and peace has finally arrived. It would, but not for another five years and millions of lives. I can never watch this movie without seeing it in this context; for me its a work of art, both a part and ahead of its time.
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