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Fantasia (1940)

G  |   |  Animation, Family, Fantasy  |  25 December 1940 (Brazil)
7.8
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Ratings: 7.8/10 from 64,920 users  
Reviews: 188 user | 91 critic

A collection of animated interpretations of great works of Western classical music.

Directors:

(as Norm Ferguson) , (uncredited) , 9 more credits »

Writers:

(story), (story), 23 more credits »
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Title: Fantasia (1940)

Fantasia (1940) on IMDb 7.8/10

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Edit

Cast

Complete credited cast:
...
Himself - Conductor of The Philadelphia Orchestra
Deems Taylor ...
Himself - Narrative Introductions
Edit

Storyline

Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. "The Sorcerer's Apprentice" features Mickey Mouse as an aspiring magician who oversteps his limits. "The Rite of Spring" tells the story of evolution, from single-celled animals to the death of the dinosaurs. "Dance of the Hours" is a comic ballet performed by ostriches, hippos, elephants, and alligators. "Night on Bald Mountain" and "Ave Maria" set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day. Written by David Thiel <d-thiel@uiuc.edu>

Plot Summary | Add Synopsis

Taglines:

The ultimate in sight and sound See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

25 December 1940 (Brazil)  »

Also Known As:

Bach to Stravinsky and Bach  »

Box Office

Budget:

$2,280,000 (estimated)

Gross:

$76,400,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(restored roadshow) | (original release) | (cut) | (VHS) | (VHS release)

Sound Mix:

(RCA Sound Recording) (2.0 Stereo)| (RCA Sound Recording) (2.0 Stereo) (2.1 Dolby Digital)| (RCA Sound Recording)

Color:

(1947-1955) (Technicolor)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

The first feature film to be shown in multichannel sound. The original prints featured soundtracks that were recorded in a process known as Fantasound, a four-track directional stereophonic system that was invented especially to record the soundtrack for the film by RCA and the Walt Disney Studios technical team, led by William E. Garity. The Leopold Stokowski-conducted orchestra audio was recorded onto eight separate soundtracks (six channels recorded individual sections of the orchestra, the seventh recorded a mix of the first six channels and the eighth recorded a distant pickup of the entire orchestra), which were then mixed down to three tracks (left, center and right). The three music tracks were optically matted with a fourth control track (containing signal tones that varied the speaker dynamics) onto a filmstrip separate from the projector print. Over 90 speakers were used for the playback of the Fantasound audio during the premiere of the film on 12 November 1940. A more typical Fantasound setup used three speakers behind the screen and 65 others placed around the other three walls of the theater. However, Fantasound was discontinued due to the amount of sound equipment required and the time necessary to make the installation. The advent of wartime conditions also precluded the possibility of developing mobile units that could have lessened installation time and costs. Therefore, only 12 venues ever played the original Fantasound version of the film, and only 16 Fantasound-equipped prints were ever created. When RKO took over distribution for the roadshow version in January 1941, the film was shipped with a conventional monaural track. Disney technicians recreated Fantasound for the 50th Anniversary release in 1990 using modern digital technology and the original sound cues from the Disney archives, and this mix was encoded into the subsequent VHS and laserdisc releases. This mix is active, and even aggressive at times, with music swirling or jumping around the room. However, the DVD's mix sounds considerably different. While no official verification can be found that it was changed, the DVD's surround mix is more passive, with the music in the front channels and only concert-hall reverb in the rear channels. The sound is cleaner, but it is not Fantasound as it was described in 1940 and as it appeared in 1990. See more »

Goofs

In the Sorcerer's Apprentice sequence, as Mickey walks toward a stone wall his shadow grows slowly larger. Instead, it should grow smaller. See more »

Quotes

[first lines]
Narrator: How do you do? My name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, "Fantasia". What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained ...
See more »

Crazy Credits

The roadshow cut of the film features no credits or title music, just the art deco title card placed at the intermission. The general release cut (the one shown most often) places the title card at the beginning, as on most films. See more »

Connections

Featured in Dali & Disney: A Date with Destino (2010) See more »

Soundtracks

Symphony No. 6 ('Pastoral') Op. 68
(1808)
Composed by Ludwig van Beethoven
Played by The Philadelphia Orchestra (as The Philadelphia Orchestra)
Conducted by Leopold Stokowski
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
My Favorite Disney Movie
29 December 1999 | by (Colorado Springs) – See all my reviews

I love it! Fantasia ranks as #1 on the list of best Disney movies for a few reasons, Here they are:

MUSIC Great music from start to finish. Night on Bald Mountain and Nutcracker are beautifully made. The way the music enhances the movie to near perfection is absolutely astounding. GOOD STUFF HERE!

ANIMATION The best. Not a bunch of computers like "Tarzan" and "Hercules." Artwork that is very detailed. Pictures that are unforgettable. Each animation frame belongs in a museum.

CHARACTERS Their silent yet better developed than the ones that speak. Why? No annoying voices. No patheticly corny speech. Hey, I can relate to the dinosaurs, demons, and flowers better than Aladdin or Belle.

Well Enough Said. ****1/2


16 of 20 people found this review helpful.  Was this review helpful to you?

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