With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. "The Sorcerer's Apprentice" features Mickey Mouse as an aspiring magician who oversteps his limits. "The Rite of Spring" tells the story of evolution, from single-celled animals to the death of the dinosaurs. "Dance of the Hours" is a comic ballet performed by ostriches, hippos, elephants, and alligators. "Night on Bald Mountain" and "Ave Maria" set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day. Written by
David Thiel <firstname.lastname@example.org>
For "The Sorcerer's Apprentice", Mickey Mouse was redesigned by Fred Moore to give him a more modern look and eyes with pupils for the first time. By the time the movie was finally released (two years after "The Sorcerer's Apprentice" was supposed to be finished as a stand-alone short), four regular Mickey Mouse films (starting with The Pointer (1939) and the promotional short Mickey's Surprise Party (1939)) had been completed and released using the new Mickey design. See more »
When introducing the "Pastoral" sequence, Deems Taylor mixes Greek and Roman names of deities: Bacchus, Vulcan and Diana are Roman; Zeus, Iris and Morpheus are Greek. Apollo is the only one whose Greek and Roman equivalents have the same name. See more »
How do you do? My name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, "Fantasia". What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained ...
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The roadshow cut shows the title card at the intermission rather than the beginning, as on most prints. See more »
I've recently bought the Silly Symphonies DVD. My daughter Sarah and I have watched one cartoon every day, culminating in Fantasia. We didn't watch it all at once, but spread it over the course of a week (I tend to agree with other comments - it's too much for kids in one viewing). She sat on my lap and loved every minute of it, even 'Night on Bald Mountain'. I must admit I hadn't watched it for years and forgot about this section, but she wasn't scared by it. This is surprising when you consider the spider in 'Mother Goose Melodies' frightened her!
In my opinion Fantasia is the ultimate Silly Symphony. It's obvious all the groundwork for the film came from them, which is why it's so good - the artists had ten years to hone and perfect their skills while Walt Disney had the vision to realise it. I wonder if he had thought of it a decade earlier and waited until the right moment to create it...? It's a real shame he never lived to see its success because he deserved to.
It's hard to find the right words to surmise this film; I suppose I could break each section down and give my opinion as others have done, but as a whole - well, it's got good bits and bad bits; happy and sad bits, it's scary and funny and gloomy and sunny. It's spirited, colourful, sparkling, animated... but let's not get carried away here. It's only a film and some bits of it are quite boring.
If you randomly wound through it you could find yourself watching any one of the above, and this to me sums it up - it's unique. What other film can you say that about?
Fantasia is a light that will shine for generations to come. 9/10.
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