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Title: Fantasia (1940)
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Edit
Cast
| Complete credited cast: | |||
| Leopold Stokowski | ... |
Himself - Conductor of The Philadelphia Orchestra
|
|
 |
Deems Taylor | ... |
Himself - Narrative Introductions
|
Edit
Plot Summary
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Add Synopsis
Storyline
Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. "The Sorcerer's Apprentice" features Mickey Mouse as an aspiring magician who oversteps his limits. "The Rite of Spring" tells the story of evolution, from single-celled animals to the death of the dinosaurs. "Dance of the Hours" is a comic ballet performed by ostriches, hippos, elephants, and alligators. "Night on Bald Mountain" and "Ave Maria" set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day. Written by David Thiel <d-thiel@uiuc.edu>
Taglines:
Where every sound creates a picture See more »Parents Guide:
View content advisory »
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See more »
See full technical specs »
Details
Country:
USALanguage:
EnglishRelease Date:
21 July 1941 (UK) See more »Also Known As:
The Concert Feature See more »Filming Locations:
Walt Disney Studios, 500 South Buena Vista Street, Burbank, California, USABox Office
Budget:
$2,280,000 (estimated)Gross:
$361,800 (USA) (14 February 1941)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
| (restored roadshow) | (original release) | (cut) | (VHS)Sound Mix:
3 Channel Stereo (RCA Sound System)Color:
Color (Technicolor)Aspect Ratio:
1.37 : 1
Edit
Narrator: How do you do? My name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, "Fantasia". What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained ...
See more »
(1876)
from the opera "La Gioconda"
Composed by Amilcare Ponchielli
Partly re-orchestrated by Leopold Stokowski (uncredited)
Played by The Philadelphia Orchestra (as The Philadelphia Orchestra)
Conducted by Leopold Stokowski
See more »
Did You Know?
Trivia
The images of dinosaurs from the "Rite of Spring" segment went on to inspire the "Primeval World" diorama following the "Grand Canyon" diorama on the Disneyland Railroad. See more »Goofs
In the "Sorcerer's Apprentice" sequence, as Mickey Mouse waves his hands in front of him to make the broom come to life, his sleeves spill over his hands. It then cuts to his shadow on the wall, where his hands are fully exposed. See more »Quotes
[first lines]Narrator: How do you do? My name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, "Fantasia". What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained ...
See more »
Crazy Credits
There are no closing credits of any kind. Not even the words "THE END" appear on the screen. See more »Connections
Featured in Hewy's Animated Movie Reviews: The Top 10 Animated Dinosaur Documentaries (2011) See more »Soundtracks
"Dance of the Hours"(1876)
from the opera "La Gioconda"
Composed by Amilcare Ponchielli
Partly re-orchestrated by Leopold Stokowski (uncredited)
Played by The Philadelphia Orchestra (as The Philadelphia Orchestra)
Conducted by Leopold Stokowski
See more »
This is one of the truly rare, one of a kind movie going experiences, kind of in the same league as watching 2001: A Space Odyssey. I like to watch this film repeatedly; often times I'll just close my eyes and daydream, letting my own imagination go in place of whats on the screen. My favorite part is the opening sequence, with its dramatic music and free flowing imagery foreshadowing the state of the world in 1940. The end of Ave Maria is the perfect bookend to this masterpiece; death has withdrawn and peace has finally arrived. It would, but not for another five years and millions of lives. I can never watch this movie without seeing it in this context; for me its a work of art, both a part and ahead of its time.