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Fantasia (1940)

G  |   |  Animation, Family, Fantasy  |  25 December 1940 (Brazil)
7.8
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Ratings: 7.8/10 from 63,988 users  
Reviews: 181 user | 90 critic

A collection of animated interpretations of great works of Western classical music.

Directors:

(as Norm Ferguson) , (uncredited) , 9 more credits »

Writers:

(story), (story), 23 more credits »
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Title: Fantasia (1940)

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7 wins & 1 nomination. See more awards »

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Edit

Cast

Complete credited cast:
...
Himself - Conductor of The Philadelphia Orchestra
Deems Taylor ...
Himself - Narrative Introductions
Edit

Storyline

Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. "The Sorcerer's Apprentice" features Mickey Mouse as an aspiring magician who oversteps his limits. "The Rite of Spring" tells the story of evolution, from single-celled animals to the death of the dinosaurs. "Dance of the Hours" is a comic ballet performed by ostriches, hippos, elephants, and alligators. "Night on Bald Mountain" and "Ave Maria" set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day. Written by David Thiel <d-thiel@uiuc.edu>

Plot Summary | Add Synopsis

Taglines:

Fantasia Will Amazia! (1942 re-release) See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

25 December 1940 (Brazil)  »

Also Known As:

Bach to Stravinsky and Bach  »

Box Office

Budget:

$2,280,000 (estimated)

Gross:

$76,400,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(restored roadshow) | (original release) | (cut) | (VHS) | (VHS release)

Sound Mix:

(RCA Sound Recording) (2.0 Stereo)| (RCA Sound Recording) (2.0 Stereo) (2.1 Dolby Digital)| (RCA Sound Recording)

Color:

(1947-1955) (Technicolor)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

The first major Hollywood film to be released with no written credits appearing onscreen except the intermission title card. See more »

Goofs

During the "Pastoral" segment, when the first centaur and centaurette walk away together arm-in-arm, a bush in the lower right fails to track properly, and winds up going with the pair. See more »

Quotes

[first lines]
Narrator: How do you do? My name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, "Fantasia". What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained ...
See more »

Crazy Credits

The roadshow cut shows the title card at the intermission rather than the beginning, as on most prints. See more »


Soundtracks

Dance of the Hours
(1876)
from the opera "La Gioconda"
Composed by Amilcare Ponchielli
Partly re-orchestrated by Leopold Stokowski (uncredited)
Played by The Philadelphia Orchestra (as The Philadelphia Orchestra)
Conducted by Leopold Stokowski
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Truly Unique Experience
26 December 1999 | by (United States) – See all my reviews

This is one of the truly rare, one of a kind movie going experiences, kind of in the same league as watching 2001: A Space Odyssey. I like to watch this film repeatedly; often times I'll just close my eyes and daydream, letting my own imagination go in place of whats on the screen. My favorite part is the opening sequence, with its dramatic music and free flowing imagery foreshadowing the state of the world in 1940. The end of Ave Maria is the perfect bookend to this masterpiece; death has withdrawn and peace has finally arrived. It would, but not for another five years and millions of lives. I can never watch this movie without seeing it in this context; for me its a work of art, both a part and ahead of its time.


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