Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. "The Sorcerer's Apprentice" features Mickey Mouse as an aspiring magician who oversteps his limits. "The Rite of Spring" tells the story of evolution, from single-celled animals to the death of the dinosaurs. "Dance of the Hours" is a comic ballet performed by ostriches, hippos, elephants, and alligators. "Night on Bald Mountain" and "Ave Maria" set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day. Written by
David Thiel <email@example.com>
The music for "The Sorcerer's Apprentice" was the only piece that was not recorded by The Philadelphia Orchestra. It was recorded by a hand-picked orchestra on a shooting stage that had been configured as a recording stage at the Pathé Studios in Culver City (later the RKO Pathé Studios, Desilu Studios, and now the Culver Studios, part of Sony Pictures Entertainment), sometime around 1938-1939. The rest of the music was recorded in Philadelphia by The Philadelphia Orchestra. See more »
When the Pegasus foals are jumping in the water, the blue one jumps in, becomes the orange one, then the blue one surfaces and the black one, who is shown diving afterwards, and the pink one is suddenly in the water. See more »
How do you do? My name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, "Fantasia". What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained ...
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Originally, the production credits were on a booklet distributed at the roadshow showings. They were finally put on screen for the 50th anniversary re-release. See more »
I've recently bought the Silly Symphonies DVD. My daughter Sarah and I have watched one cartoon every day, culminating in Fantasia. We didn't watch it all at once, but spread it over the course of a week (I tend to agree with other comments - it's too much for kids in one viewing). She sat on my lap and loved every minute of it, even 'Night on Bald Mountain'. I must admit I hadn't watched it for years and forgot about this section, but she wasn't scared by it. This is surprising when you consider the spider in 'Mother Goose Melodies' frightened her!
In my opinion Fantasia is the ultimate Silly Symphony. It's obvious all the groundwork for the film came from them, which is why it's so good - the artists had ten years to hone and perfect their skills while Walt Disney had the vision to realise it. I wonder if he had thought of it a decade earlier and waited until the right moment to create it...? It's a real shame he never lived to see its success because he deserved to.
It's hard to find the right words to surmise this film; I suppose I could break each section down and give my opinion as others have done, but as a whole - well, it's got good bits and bad bits; happy and sad bits, it's scary and funny and gloomy and sunny. It's spirited, colourful, sparkling, animated... but let's not get carried away here. It's only a film and some bits of it are quite boring.
If you randomly wound through it you could find yourself watching any one of the above, and this to me sums it up - it's unique. What other film can you say that about?
Fantasia is a light that will shine for generations to come. 9/10.
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