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Fantasia (1940)

G  |   |  Animation, Family, Fantasy  |  25 December 1940 (Brazil)
7.8
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Ratings: 7.8/10 from 66,478 users  
Reviews: 197 user | 93 critic

A collection of animated interpretations of great works of Western classical music.

Directors:

(as Norm Ferguson) , (uncredited) , 9 more credits »

Writers:

(story), (story), 23 more credits »
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Title: Fantasia (1940)

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Edit

Cast

Complete credited cast:
...
Himself - Conductor of The Philadelphia Orchestra
Deems Taylor ...
Himself - Narrative Introductions
Edit

Storyline

Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. "The Sorcerer's Apprentice" features Mickey Mouse as an aspiring magician who oversteps his limits. "The Rite of Spring" tells the story of evolution, from single-celled animals to the death of the dinosaurs. "Dance of the Hours" is a comic ballet performed by ostriches, hippos, elephants, and alligators. "Night on Bald Mountain" and "Ave Maria" set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day. Written by David Thiel <d-thiel@uiuc.edu>

Plot Summary | Add Synopsis

Taglines:

The ultimate in sight and sound See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

25 December 1940 (Brazil)  »

Also Known As:

Bach to Stravinsky and Bach  »

Box Office

Budget:

$2,280,000 (estimated)

Gross:

$76,400,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(restored roadshow) | (original release) | (cut) | (VHS) | (VHS release)

Sound Mix:

(RCA Sound Recording)

Color:

(1947-1955) (Technicolor)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Sterling Holloway recorded narration for "The Sorcerer's Apprentice" before the idea was scrapped. He later lent his voice for the "Peter and the Wolf" sequence in the Fantasia-esque film Make Mine Music (1946). Both tracks are featured on the 2015 Legacy Collection soundtrack of this film. See more »

Goofs

In the Sorcerer's Apprentice sequence, as Mickey walks toward a stone wall his shadow grows slowly larger. Instead, it should grow smaller. See more »

Quotes

[first lines]
Narrator: How do you do? My name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, "Fantasia". What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained ...
See more »

Crazy Credits

The roadshow cut of the film features no credits or title music, just the art deco title card placed at the intermission. The general release cut (the one shown most often) places the title card at the beginning, as on most films. See more »

Connections

Spoofed in Madagascar (2005) See more »

Soundtracks

Dance of the Hours
(1876)
from the opera "La Gioconda"
Composed by Amilcare Ponchielli
Partly re-orchestrated by Leopold Stokowski (uncredited)
Played by The Philadelphia Orchestra (as The Philadelphia Orchestra)
Conducted by Leopold Stokowski
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Truly Unique Experience
26 December 1999 | by (United States) – See all my reviews

This is one of the truly rare, one of a kind movie going experiences, kind of in the same league as watching 2001: A Space Odyssey. I like to watch this film repeatedly; often times I'll just close my eyes and daydream, letting my own imagination go in place of whats on the screen. My favorite part is the opening sequence, with its dramatic music and free flowing imagery foreshadowing the state of the world in 1940. The end of Ave Maria is the perfect bookend to this masterpiece; death has withdrawn and peace has finally arrived. It would, but not for another five years and millions of lives. I can never watch this movie without seeing it in this context; for me its a work of art, both a part and ahead of its time.


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