A lad with a penchant for trouble is sent to live with his aunt and uncle in Indiana. Though he's not happy about the arrangement at first, his love of horses and his affection for a young ... See full summary »
A wealthy woman, trying to discourage a former boyfriend from pursuing her, hires a young songwriter who needs money to pay off his gambling debts to pretend to be her boyfriend. The ... See full summary »
After the bandit Jim Stokes robs the stage he is wounded fleeing. Recuperating at a ranch, he falls in love with and marries the daughter. Now wishing to go straight he tries to return the ... See full summary »
William S. Hart,
J. Frank Burke,
Myeong-ja, a flower vendor in Seoul, and her young brother Yong-pil, are orphans who have been taken in by some very bad people. Yong-pil finds refuge in a private orphanage and Myeong-ja takes her chances with a flower customer.
Nurse Anne Lee blames herself for a fatal mistake of her sister Lucy, who also is a nurse. Anne loses her job, and gets a new one at a poorly equipped country hospital. There she falls in ... See full summary »
Author Grace Zaring Stone used a pen name when her book was published to protect relatives living in Europe from Nazi retribution. Similarly, no composer credit was given in the film for the same reason, and some of the actors used fictitious names. See more »
I'm sorry, I, eh, I'm so worried about her, I guess I'm a little goofy, that's all.
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As a Norma Shearer fan, I looked for this movie for years and finally found it on TCM (hail the great god, Ted Turner!). First of all, I was surprised to find a movie made so early in the years of WW2 that actually brought up the topic of concentration camps, and the reason why Robert Taylor's mother is to be executed (she helped Jewish refugees leave for America -- "Jew" is never mentioned, but it is obvious). The performances are top-notch, and it was nice to see Nazimova toning down her usual grande dame-isness. I've never been a Robert Taylor fan, but this movie has one of his best performances as he alternately bucks authority in the good old American way and puts up with the Nazi-Gestapo badgering. Norma Shearer is fine, even though her role is small, and her scenes with Conrad Veidt (playing her Nazi suitor) are very effective. You can see her democratic side gradually gaining strength against Veidt's facism as she sees more and more of Taylor and his own dilemma makes her question her present beliefs. It's a must-see.
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