Streetwise but kind-hearted Maisie Ravier has put her vaudeville life behind her, but not its associated outward good looks, flash and glamor. Trying to get to New York for a job, she ... See full summary »
Stranded, penniless in a small Wyoming town, Maisie Ravier flirts with Slim, the manager of Clifford Ames' ranch. Disgusted by Maisie's flirtation, Slim orders her to leave town. Maisie ... See full summary »
George Harland and his daughter Pat are photographers who discover a wild boy in the jungle. When Pat become lost, Bomba brings her back, overcoming plagues of locusts, forest fires and fierce wild animals.
Peggy Ann Garner,
In this reworking of "Red Dust," showgirl Maisie Ravier is left stranded in an African village. She's given refuge by Michael Shane, an attractive, but hard-boiled local doctor. She soon ... See full summary »
The Garden is a documentary film about couples who take care of their gardens. With a comedic touch the film peeks behind the pretty facades of middle class life as the protagonists tell ... See full summary »
This is at least the third time that the stage play "Dulcy" by George S. Kaufman and Marc Connelly was made by MGM into a film. A silent featuring Constance Talmadge appeared in 1923. Version No. 2 appears under the title "Not So Dumb" in 1930 and features Marion Davies (directed by King Vidor). A CD version is available featuring Zazu Pitts in a 1935 radio broadcast and you can pull down off the internet a 1937 radio version with Gracie Allen. Dulcy must have been a real hit on the stage and I would expect that the Gracie Allen version was a hoot. I just did not think this was a slap on the leg comedy that aged well for viewers the 21st Century. The story's premise is that a scatterbrained young woman tries to turn a weekend social event into a business opportunity for her fiancé. Ann Sothern is a good actress but the material just does not seem quite as funny as it obviously must have decades ago. There are clever written gags and lots of physical comedy. The material has the actresses in the lead playing as if they were actually dumb - not just clever and using being dumb as a technique to get their way. Today we no longer find funny folks who are not that bright and who seem to glide through life oblivious to their situation. All ends well, despite Dulcy's efforts, and perhaps some of you will find this a pleasant diversion. Recommended for social scientists and anthropologists attempting to research what was funny to us when.
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