Dr. Jimmy Kildare and Nurse Mary Lamont are all sent to get married and her brother Doug Lamont has come to New York. When Jimmy meets him he notices strange behavior on his part such as sudden inattention or acting as if he was hearing sounds that are non-existent. The doctor starts to diagnose him and comes to the conclusion that he probably has epilepsy, a hereditary disease that could conceivably affect Mary as well, even though she has never shown any symptoms. Dr. Kildare is worried about this part of medicine and how you tell someone that they have a disease that they can do nothing about. It's left to Dr. Leonard Gillespie to come up with a solution and ensure that Jimmy and Mary can still get married. Written by
'Emma Dunn' (Mrs. Martha Kildare) and Ann Morriss (Betty) are listed in records playing those roles, but are not seen in the final print. See more »
When Dr Gillispie finishes reading the note from Mary, he says "Fine girl, that Mary" and puts the note on his desk with a thump, and with the next cut, it immediately appears in Dr. Kildare's hands. See more »
Biggest flaw: the epilepsy angle is badly handled...
Some other crisis, rather than suspecting "epilepsy" as the cause of Robert Young's erratic behavior, would have made more sense. Having Lew Ayres decide, on some vague notion that Laraine Day's brother (Robert Young) has epilepsy and might be passing it on to her, doesn't make much sense. Then too, her hysterical fears (as a nurse) are unsubstantiated by reasons given in the script.
I must admit that these negatives, however, do not mean that "Dr. Kildare's Crisis" is not an uninteresting film. Indeed, it's so well acted by the leads that it's apparent they were ready for headier stuff, acting-wise. Laraine Day is so impressive as Nurse Mary Lamont that it's a wonder MGM didn't build a better career for her during her studio contract. She's not only extremely attractive but does a decent job in a role that's not particularly well conceived.
Robert Young does nicely with some starkly dramatic moments, proving that this MGM series was a good training ground for their young contract players. No surprise that better roles would lie ahead for Ayres and Young. Miss Day would have to wait until she left the studio for better assignments.
Lionel Barrymore is his usual grumpy and sometimes obnoxious self as Dr. Gillespie, using all of his well-known mannerisms and then some.
But for a drama dealing with medical terms and hospital life, the epilepsy angle is badly handled and factually incorrect both as to treatment and diagnosis.
Summing up: As it is, this is formula stuff--some romance, some light moments and then some darker elements before the windup with Ayres emerging as a heroic doctor.
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