6.6/10
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20 user 6 critic

Down Argentine Way (1940)

Approved | | Comedy, Drama, Musical | 11 October 1940 (USA)
An American girl on vacation in Argentina falls for a wealthy racehorse owner.

Director:

Writers:

(screen play), (screen play) | 2 more credits »
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Nominated for 3 Oscars. Another 1 win. See more awards »
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Cast

Cast overview, first billed only:
...
Ricardo Quintana
...
...
Carmen Miranda
Charlotte Greenwood ...
Binnie Crawford
...
Henry Stephenson ...
Don Diego Quintana
...
Helen Carson (as Katharine Aldridge)
...
Tito Acuna
Chris-Pin Martin ...
Esteban
Robert Conway ...
Jimmy Blake
Gregory Gaye ...
Sebastian
Bobby Stone ...
Panchito
...
Dr. Arturo Padilla
Fayard Nicholas ...
One of the Nicholas Brothers
Harold Nicholas ...
One of the Nicholas Brothers
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Storyline

An American girl on vacation in Argentina falls for a wealthy racehorse owner.

Plot Summary | Add Synopsis

Taglines:

The South American Way! With a pretty American debutante and her dashing Argentine sweetheart...in the gayest of adventures from New York to Buenos Aires! (original ad) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

11 October 1940 (USA)  »

Also Known As:

Argentijnse nachten  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Although this film marked Betty Grable's debut in perfected, three-strip Technicolor, she already had appeared once in early Technicolor. Thirteen-year-old Betty, as one of The Goldwyn Girls, led off the Busby Berkeley-staged production number, "Cowboys" (music by Walter Donaldson, lyrics by Gus Kahn) in Whoopee! (1930). That same year, Miss Grable had a chorus bit in the New Movietone Follies of 1930 (1930), which contained sequences shot in the Multicolor process. See more »

Goofs

Although Edward Fielding is listed in the credits as having portrayed Glenda Crawford's father, Willis Crawford, he is nowhere to be seen throughout the entire movie. See more »

Quotes

Glenda Crawford, aka Glenda Cunningham: Excuse me, I've got to go see a man about a horse.
See more »

Connections

Referenced in Tiovivo c. 1950 (2004) See more »

Soundtracks

Bambu Bambu
(uncredited)
Music traditional
Lyrics by Almirante and Valdo De Abreu
Performed by Carmen Miranda with Bando da Lua
See more »

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User Reviews

 
I have to see a man about a horse!
28 March 2005 | by (New York) – See all my reviews

Irving Cummings takes on a fun tour to Argentina. This is a happy musical that defies all logic as the writers Rian James and Ralph Spence appear to be telling us we're in Argentina, but taking us to Havana, by way of Rio de Janeiro. Talk about a confusion of styles!

Once the viewer gets over the jet lag caused by the disorientation, we are introduced to the Crawford girls, Glenda and Binnie and the Quintana boys, Don Diego and Ricardo. Both these families have grown apart by something that happened long ago in Paris, when Glenda's father stole Don Diego's girlfriend. They're horse people and we are shown the Argentine estancia that looks more like a Mexican hacienda, but we go along for the ride. There's even a fiesta in the town where Binnie makes a splash dancing and being admired by the locals. There are the inevitable night club hopping scene where Carmen Miranda and the Nicholas Brothers are headlining. We see everyone dancing the craze of those years, a Cuban rhumba!

Talk about a melange of styles!

The costume designer Travis Burton dresses Ms. Grable and Ms. Greenwood in creations that might have been popular back home, but no sophisticated Argentine women would have been caught wearing them. Otherwise how can Mr. Burton show Betty Grable in that "American Flag" shmatte? How about the typical Cuban rhumba dancer dress at the end?

The musical numbers are fine, but hello?, aren't we in Buenos Aires, a mild interpretation of a tango wouldn't have been out of place! Someone commented on Carmen Miranda's dancing, but in her two numbers she only shakes her hips and that's the extent of what she does. The amazing Nicholas Brothers fare better because they were the best in the business.

Betty Grable and Don Ameche are fine playing with the material they were given. Charlotte Greenwood, Henry Stephenson, Leonard Kinskey and J. Carroll Naish seem to have a great deal of fun with their characters. As a curiosity, we get a glimpse of Elena Verdugo, who later became famous for her television work, just for a moment.

The film is entertaining once we realize we have been taken for a mindless ride down the Argentine way.


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