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June Cameron has written a best seller about spinsters: women are men's equals and don't need them for fulfillment. Through a series of errors and misunderstandings, the press believes she's married Tim Sterling, a university instructor she's just met. Her publisher wants to let the mistake go uncorrected for a few weeks so she can write a best seller about being married; Tim cooperates because, in hidebound academia, being married may help with a promotion. The flies in the ointment are June and Tim's instant enmity, Tim's stubbornness, and his girlfriend Marilyn, who may not let the charade play out. There's no way everyone can get what they want. Written by
My take on this especially funny romantic comedy, with some "insights" other reviewers missed
I agree with the other positive reviews here, with one reservation. The film is a very funny, well written and performed screwball comedy. I especially enjoyed the sequence where Miland has to scramble between two adjoining apartments, a situation I've seen lots of times in comedy films; it's delightful here because of Miland's perfect performance and the spot on comic pacing. It's great fun seeing the cutsy-pie, air head performance of Gail Patrick; in her other "other woman" roles ("My Favorite Wife", etc.) she plays it stern and bland, here she's very funny and likable. OK, my one reservation--Loretta Young is miscast; she is off-putting in the first half of the film, seeming a total bitch. Later in the film, as her character softens she becomes a sympathetic character and right for the part. Hers is a role that seems to have been written for Roziland Russel or Jean Arthur; as I watched the film it was very easy to imagine those actresses fitting the part and the dialog to perfection. Occasionally Young seems to be handling her lines as Russel would, including her vocal inflections.
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