Magazine editor Margot Merrick pretends to be married in order to avoid advances from male colleagues. Unfortunately, things don't go to plan when Jeff Thompson, a potential suitor, ... See full summary »
The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
June Cameron has written a best seller about spinsters: women are men's equals and don't need them for fulfillment. Through a series of errors and misunderstandings, the press believes she's married Tim Sterling, a university instructor she's just met. Her publisher wants to let the mistake go uncorrected for a few weeks so she can write a best seller about being married; Tim cooperates because, in hidebound academia, being married may help with a promotion. The flies in the ointment are June and Tim's instant enmity, Tim's stubbornness, and his girlfriend Marilyn, who may not let the charade play out. There's no way everyone can get what they want. Written by
The "Himmelweiss" portrait--straight when Tim first hangs it over the dresser--is suddenly askew in the following shot, and again straight in the shot after that. See more »
Wait a minute. Wait a minute. That man in there really isn't my husband. He's a... he's a prowler!
Lady, I don't care what your husband does for a living.
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Credits are written in chalk on the sidewalk as pedestrians walk over them. See more »
Bridal Chorus (Here Comes the Bride)
Written by Richard Wagner
Played for a church wedding in Greenwich, Connecticut
Later sung by an unidentifed singing telegram boy quartet with modified lyrics See more »
Minor but entertaining screwball-comedy about a feminist writer (Loretta Young) and a doctor (Ray Milland) who meet while on vacation but hate each other from the start. After a mix up the media makes a mistake an announces that they were married so the two must pretend to be so that they can keep their careers. There's nothing overly special about this film but it does contain enough laughs to make it entertaining. It was nice seeing Young play a feminist as she's constantly shouting and holding her head up high while at the same time playing the sweet and loving wife as a joke. Her sweetness mixes perfectly well with Milland's dry humor and he really shines with his comic timing. The only really weak segment of the film comes when Milland is rushing between two apartments while trying to keep his girlfriend from finding out Young is in the other apartment. Reginald Gardiner and Gail Patrick add nice support as the editor and Milland's other girl. Edward Van Sloan has a small, thankless role as well.
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