In this reworking of "Red Dust," showgirl Maisie Ravier is left stranded in an African village. She's given refuge by Michael Shane, an attractive, but hard-boiled local doctor. She soon ... See full summary »
Ruby falls in love with small-time con man Eddie. During a botched blackmail scheme, Eddie accidentally kills the man they were setting up. Eddie takes off and Ruby is sent to a reformatory for two years.
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
A charming, smooth-talking gambler calling himself Chris Hale arrives in Ashton, home of the Corelli shoe factory. Claiming to have lived there as a boy, he soon ingratiates himself with ... See full summary »
Christabel fools everyone with her sweet exterior including her cousin Donna and Donna's wealthy fiancée Curtis. The only one who sees through her facade is Nick, a rugged writer who loves ... See full summary »
Showgirl Maisie Ravier finds herself once again out of work. She meets a wealthy playboy who hires her to be his family's new maid. Maisie soon finds herself trying to mend the family's ... See full summary »
In this reworking of "Red Dust," showgirl Maisie Ravier is left stranded in an African village. She's given refuge by Michael Shane, an attractive, but hard-boiled local doctor. She soon finds herself playing Dear Abby for a visiting doctor and his wife, warding off an attack by natives, and trying to get Shane to warm up to her. Written by
Daniel Bubbeo <firstname.lastname@example.org>
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on May 29, 1944 with Ann Sothern reprising her film role. See more »
When Dr. Shane is trying to hold off the natives at the end, Maisie comes out and does some magic tricks - a color-changing scarf, and cards appearing from nowhere. Dr. Shane tells her to do more, and she says that's all she has. Yet earlier, she was doing a trick with a disappearing ball. And later she comes out doing a water trick. See more »
If you are a fan of the Maisie films you may be surprised (as I was) that this is only the second in the series (out of ten). It's so over the top it feels like the series has "jumped the shark" and the brassy showgirl from Brooklyn finds herself in Africa in an isolated medical camp surrounded by restless natives.
In all her films Maisie gets into hilarious situations, but the best scenes are when her suffering stage acts go horribly wrong just before she gets fired.... In Congo Maisie however the "disaster" stage act comes at the climax when she must out voodoo a native witch doctor with hokey illusions from her nightclub act - and of course this means she has to present her entire show including singing St Louis Woman to the accompaniment of native drums while wearing a showgirl costume. This is mere minutes after assisting in emergency surgery, meanwhile clearing up the relationships of everyone around her.... It's all for laughs at a manic screwball pace. Southern moves briskly from scene to scene holding the energy. By the time she starts doing her nightclub act in the jungle I was in love.
All the Maisie movies are charmers, and as the series progressed Maisie joins the war, works in an airplane factory, goes out west and discovers a hidden goldmine.... Maisie is practically a prototype of Scooby-Doo-esque iconic American adventures, borrowing liberally from trendy plot lines appropriate for a B comedy. They are all feather light and Ann Southern puts so much heart and sweetness into her character, It's wonderful to see same Maisie story progression, her fighting and falling in love with her leading man again and again - even though we know it won't be the same guy next time, poor Maisie!
But Congo Maisie is the one that really stands out as the most outrageous and off the hook. It breaks from the apple pie formula into stylized farce, and pokes fun at so many movie tropes of the day that it stands out from the rest of the series as a funny parody of many films, from Harlow's Red Dust to Ann Harding's Prestige, all painted with broad strokes and with snappy dialog.
1 of 1 people found this review helpful.
Was this review helpful to you?