Humphrey van Weyden, a writer, and fugitives Ruth Webster and George Leach have been given refuge aboard the sealer "Ghost," captained by the cruel Wolf Larsen. The crew mutinies against ... See full summary »
Edward G. Robinson,
McCord's gang robs the stage carrying money to pay Indians for their land, and the notorious outlaw "The Oklahoma Kid" Jim Kincaid takes the money from McCord. McCord stakes a "sooner" ... See full summary »
Sergeant Joe Gunn and his tank crew pick up five British soldiers, a Frenchman and a Sudanese man with an Italian prisoner crossing the Libyan Desert to rejoin their command after the fall ... See full summary »
J. Carrol Naish
In the South Seas, Val Stevens and Lucille Gordon are getting married when a ship goes down offshore. Val rescues Captain Deever and passenger Eric Blacke. Later Eric saves Val from an ... See full summary »
Hank McHenry and Johnny Marshall work on a road crew for the power company. In a freak accident Hank is injured and is promoted to foreman of the gang. One night Hank and Johnny meet Fay ... See full summary »
Edward G. Robinson,
Phil and Ellen Gayley have been divorced for a year, and their 8-year old daughter, Flip, is very unhappy that her parents are not together. Flip starts a correspondence with a marine, ... See full summary »
Millionaire Turner, on his deathbed, leaves a million to Jane Barker. A movie addict who believes life is like the movies, marries Donn without telling him about the bequest. Turner gets ... See full summary »
Frederick De Cordova
Gang boss Little John Sarto returns from Europe where he was looking for "class" to find his old mob taken over by Jack Burns. When he puts together a rival gang he gets wounded and seeks refuge in a monastery. He is gradually transformed by the simple, sincere brothers and, after one last gangland appearance, decides he has found class at last in the monastery. Written by
Ed Stephan <email@example.com>
Edward G. Robinson plays first fiddle here, a mob boss jaded with the business and leaving it in Humphrey Bogart's hands while he goes to Europe. For five years. He comes back broke, and he's surprised he isn't boss anymore. Ha. That's just the first twenty minutes. There are more mob doings, and then it takes an odd couple of twists that give the movie its distinction.
"Brother Orchid" is fast, it's classic mobster stuff, and yet it's never hard edged and mean, as if it knows by 1940 the genre is old and people watching it have a bit of of nostalgia for it. (This isn't really true, however, as Cagney's most polished and possibly best gangster movie was White Heat in 1949. By the way, Cagney was originally slated for Robinson's role.) It is a light comedy around the edges, and Ralph Bellamy is the one truly comic character. But Ann Southern as the lead girl plays a lighthearted moll.
The mood here is to entertain. The title is odd from outside the theater but it makes sense after seeing it, and it's this second half of the movie that makes it all a little too starry eyed, even if it's also tongue-in-cheek. But most of all, it's totally enjoyable. Bogart, who appears really for just a couple minutes of screen time total, is restrained and not the classic Bogart just emerging ("The Maltese Falcon" and "High Sierra" are both 1941). But Robinson is in usual top form, subtle, peculiar, convincing, sympathetic. He even delivers some very sentimental lines with such earthy conviction you can believe him. Almost.
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