Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
Bob Gordon is staging a new Broadway Show, but he is short of money. He gets an offer of money by the young widow Lilian, if she can dance in his new show. Bert Keeler, a paper man, gets ... See full summary »
In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
Flying Tiger Fred Atwell sneaks away from his famous squadron's personal appearance tour and goes incognito for several days of leave. He quickly falls for photographer Joan Manion, ... See full summary »
In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brent as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner. Written by
Stephan Eichenberg <email@example.com>
Fred Astaire joins the "Broadway" titles for the best film in the series...
When ELEANOR POWELL and FRED ASTAIRE do their glittering "Begin the Beguine" number on a polished black-mirror floor wearing white outfits and tapping their way through a jazzed up version of the song, they can do no wrong. It's clearly the highlight of the whole musical and well worth waiting for. In fact, it's more than that--it's an iconic musical moment.
The story involves a slight case of mistaken identity that has to be straightened out before Powell can see that FRED ASTAIRE is the man she loves, not GEORGE MURPHY. Poor George always had the secondary role in these things--even with all that talent. It's reminiscent of the treatment he got in FOR ME AND MY GAL with Judy Garland being won by Gene Kelly instead of Murphy.
The reason for the high rating is simply this--FRED ASTAIRE and ELEANOR POWELL are without a doubt two of the greatest talents in the musical genre and their "Begin the Beguine" is the show stopper of show stoppers. Unforgettable.
Nothing else really matters, except to mention that their "Juke Box Dance" is also a treat to watch. Powell really excelled as a solo performer but when she and Astaire do manage to do a duo together it's well worth watching.
The genial supporting cast includes FRANK MORGAN at his blustery best and the lovely FLORENCE RICE, who appeared in quite a few of MGM's "A" films before disappearing from the screen.
12 of 13 people found this review helpful.
Was this review helpful to you?
| Report this