Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
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William A. Seiter
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Dolores del Rio,
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brent as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner. Written by
Stephan Eichenberg <firstname.lastname@example.org>
The pairing of Eleanor Powell and Fred Astaire made for an interesting combination.
In most cases, when Fred danced with anyone, audiences' eyes tended to focus on him rather than his partner. Powell's natural charimsa shifted that norm. Not really taller than Astaire but more solid than his normal partners with very strong, full legs, Powell's presence demanded attention.
Actually, Eleanor didn't really need a dance partner. Like Ann Miller, Powell was a "single," a complete "deal" in one package. Eleanor could do tap, soft shoe, ballet, interpretive and classic with equal aplomb. Her energy and dexterity seemed limitless. Yet when she danced here with Fred, the restaurant and "challenge" dance sequences became classics.
Cole Porter's ravishing "I Concentrate on You" is presented in a beautiful rendition with rich baritone solo and Powell executing endless turns on pointe, all while moving in circles.
George Murphy is seen here at his tap dancing best. Yet while doing all the steps perfectly with Astaire, George's more beefy frame makes him seem more heavy, while Fred appears more facile.
This fun-filled film continues to be shown and enjoyed as a memento of a happy period--at least in terms of Hollywood musicals.
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