Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »
Dolores del Rio,
Sailor Ted meets at the Lonely Hearts Club of his friend Gunny's wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of ... See full summary »
Roy Del Ruth
Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Donald Elwood meets after the war his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brent as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner. Written by
Stephan Eichenberg <firstname.lastname@example.org>
The pairing of Eleanor Powell and Fred Astaire made for an interesting combination.
In most cases, when Fred danced with anyone, audiences' eyes tended to focus on him rather than his partner. Powell's natural charimsa shifted that norm. Not really taller than Astaire but more solid than his normal partners with very strong, full legs, Powell's presence demanded attention.
Actually, Eleanor didn't really need a dance partner. Like Ann Miller, Powell was a "single," a complete "deal" in one package. Eleanor could do tap, soft shoe, ballet, interpretive and classic with equal aplomb. Her energy and dexterity seemed limitless. Yet when she danced here with Fred, the restaurant and "challenge" dance sequences became classics.
Cole Porter's ravishing "I Concentrate on You" is presented in a beautiful rendition with rich baritone solo and Powell executing endless turns on pointe, all while moving in circles.
George Murphy is seen here at his tap dancing best. Yet while doing all the steps perfectly with Astaire, George's more beefy frame makes him seem more heavy, while Fred appears more facile.
This fun-filled film continues to be shown and enjoyed as a memento of a happy period--at least in terms of Hollywood musicals.
19 of 22 people found this review helpful.
Was this review helpful to you?