| Tyrone Power | ... | Jonathan Kent | |
| Linda Darnell | ... | Zina Webb - The Outsider | |
| Dean Jagger | ... | Brigham Young | |
| Brian Donlevy | ... | Angus Duncan | |
| Jane Darwell | ... | Eliza Kent | |
| John Carradine | ... | Porter Rockwell | |
| Mary Astor | ... | Mary Ann Young | |
| Vincent Price | ... | Joseph Smith | |
| Jean Rogers | ... | Clara Young | |
| Ann E. Todd | ... | Mary Kent (as Ann Todd) | |
| Willard Robertson | ... | Heber Kimball | |
| Moroni Olsen | ... | Doc Richards | |
| Marc Lawrence | ... | Prosecutor | |
| Stanley Andrews | ... | Hyrum Smith | |
| Frank M. Thomas | ... | Hubert Crum (as Frank Thomas) | |
| Fuzzy Knight | ... | Pete | |
| Dickie Jones | ... | Henry Kent | |
| Selmer Jackson | ... | Caleb Kent - Jonathan' Father | |
| Frederick Burton | ... | Mr. Webb - Zina's Father | |
| Arthur Aylesworth | ... | Jim Bridger | |
| Chief John Big Tree | ... | Big Elk (as Chief Big Tree) | |
| Davison Clark | ... | Johnson | |
| Claire Du Brey | ... | Emma Smith (as Claire DuBrey) | |
| Tully Marshall | ... | Judge | |
| Dick Rich | ... | Mob Leader Whipping Mr. Kent | |
| Ralph Dunn | ... | Jury Foreman | |
| Edwin Maxwell | ... | Another Mob Leader | |
| Edmund MacDonald | ... | Elder | |
| George Melford | ... | John Taylor | |
| Russell Simpson | ... | U.S. Army Major | |
| rest of cast listed alphabetically: | |||
| Paul E. Burns | ... | Man with California Gold News (uncredited) | |
| Edmund Elton | ... | Undetermined Role (uncredited) | |
| Jody Gilbert | ... | Stout Woman Who Can't Swim (uncredited) | |
| William Haade | ... | Skeptic (uncredited) | |
| Herbert Heywood | ... | Jokester at Chronicle Notice (uncredited) | |
| Cammilla Johnson | ... | Little Girl (uncredited) | |
| Cullen Johnson | ... | Boy in Covered Wagon (uncredited) | |
| Payne B. Johnson | ... | Boy in Covered Wagon (uncredited) | |
| David Kirkland | ... | Elder (uncredited) | |
| Frank LaRue | ... | Sheriff (uncredited) | |
| Charles Frederick Lindsley | ... | Trailer Narrator (uncredited) | |
| Murdock MacQuarrie | ... | Undetermined Role (uncredited) | |
| Louis Mason | ... | Man Laughing at Joke (uncredited) | |
| Charles Middleton | ... | Mob Member (uncredited) | |
| Philip Morris | ... | Mob Member (uncredited) | |
| Imboden Parrish | ... | Man (uncredited) | |
| Ruth Robinson | ... | Discouraged Mormon (uncredited) | |
| John Roy | ... | (uncredited) | |
| Frank Shannon | ... | Second Man with California Gold News (uncredited) | |
| Lee Shumway | ... | Mob Member (uncredited) | |
| Harry Tyler | ... | Undetermined Role (uncredited) | |
| Eddy Waller | ... | an with California Gold News (uncredited) | |
| Cecil Weston | ... | Woman (uncredited) | |
| Blackie Whiteford | ... | Court Spectator (uncredited) | |
| Hank Worden | ... | Mormon Cheering Porter (uncredited) | |
Directed by | |||
| Henry Hathaway | |||
Writing credits | ||
| Louis Bromfield | ||
| Lamar Trotti | (screenplay) | |
Produced by | |||
| Kenneth Macgowan | .... | associate producer | |
| Darryl F. Zanuck | .... | producer | |
Original Music by | |||
| Alfred Newman | |||
| Robert Russell Bennett | (uncredited) | ||
| David Buttolph | (uncredited) | ||
| Cyril J. Mockridge | (uncredited) | ||
Cinematography by | |||
| Arthur C. Miller | (as Arthur Miller) | ||
Film Editing by | |||
| Robert Bischoff | |||
Art Direction by | |||
| William S. Darling | (as William Darling) | ||
| Maurice Ransford | |||
Set Decoration by | |||
| Thomas Little | |||
Costume Design by | |||
| Gwen Wakeling | |||
Second Unit Director or Assistant Director | |||
| Otto Brower | .... | second unit director (uncredited) | |
| Charles Hall | .... | assistant director (uncredited) | |
| Ad Schaumer | .... | assistant director (uncredited) | |
Sound Department | |||
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
| E. Clayton Ward | .... | sound | |
Special Effects by | |||
| Fred Sersen | .... | special effects | |
Camera and Electrical Department | |||
| Joseph LaShelle | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe (uncredited) | |
Other crew | |||
| Eleanor Harris | .... | story researcher | |
| George D. Pyper | .... | technical advisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
I enjoyed Brigham Young-Frontiersman immensely, however, I would not characterize the movie as an accurate portrayal of the personalities in the film. Although the events are accurate enough, the film does not do justice to the historical figures. Immediately noticeable is the positive light that Mormons are cast in, and I think this is necessary to make the film work given the subject matter and historical events portrayed. Nevertheless, being a card carrying Mormon, and having read a great deal of history and biography on the leaders of the Church, I cannot say that the personalities are true to history. I thought that Vincent Price cast as Joseph Smith was very strange, though my reaction to him in the role was heavily tainted by his later roles in the Roger Corman adaptations of Edgar Allan Poe's works (The Pit and the Pendulum, The Raven, etc.). Still, I felt that Price was not charismatic enough, and did not have the forceful presence that Joseph Smith surely had in life. Dean Jagger cast as Brigham Young was more tolerable, but not really as convincing as say Brian Keith in the Wind and the Lion, or George C. Scott in Patton. Furthermore, Brigham Young had a very powerful, direct, yet unrefined manner of speech that had it been carefully followed or mimicked, would have made the character much more convincing. His manner of speech is entirely unique and really gets a reader's attention. It is often very humorous as well. Hearing it in the film would have greatly improved the script, but the writers would have needed to immerse themselves thoroughly in his discourses and writings to carry it off.
Moreover, there are a host of perspectives or ways of looking at things that are unique to Mormons, not to mention a very distinctive manner of speech and phraseology regarding religious matters that the film failed to capture. As an active Mormon, I would have to say that as I watched the film I felt like an insider observing a film written by outsiders who had not properly done their homework. The film has many fine qualities and I give it a good rating. If the writing had been more true to Mormon thinking, speech patterns and their leaders unique personalities, it would have been all that was necessary to raise the film from good to great. All of this aside, I give the film three stars out of a possible four.