Pluto's dish is empty, so he goes after the bone in the dish of Butch the bulldog, who is sleeping next door. Can he make it home with the bone before Butch wakes up? No. Soon they are ... See full summary »

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Credited cast:
Lee Millar ...
Pluto (voice)
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Storyline

Pluto's dish is empty, so he goes after the bone in the dish of Butch the bulldog, who is sleeping next door. Can he make it home with the bone before Butch wakes up? No. Soon they are chasing each other through a deserted carnival, into a hall of mirrors. Pluto takes advantage of one set of mirrors to scare Butch off. Written by Jon Reeves <jreeves@imdb.com>

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28 June 1940 (USA)  »

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Bentrubbel  »

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(RCA Sound System)

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(Technicolor)

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1.37 : 1
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Featured in The Mouse Factory: Pluto (1972) See more »

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User Reviews

 
New Trouble For Pluto
3 June 2003 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney PLUTO Cartoon.

Pluto has some major BONE TROUBLE when he attempts stealing the delicious comestible from a ferocious Butch next door.

This very humorous little film, scripted by the legendary Carl Barks, was the debut for Butch the bully bulldog; he would antagonize the Pup in a number of cartoons through 1950. The excellently animated Hall of Mirrors scene will strike many viewers as a precursor to the somewhat similar `Pink Elephants On Parade' segment in DUMBO (1941).

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.


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