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Blondie Plays Cupid (1940)

Approved | | Comedy | 31 October 1940 (USA)
The Bumstead family is off to see relatives in the country when Blondie runs into Charlie and Millie, an eloping couple needing her help.

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(screen play), (screen play) (as Karen De Wolf) | 3 more credits »
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Cast

Complete credited cast:
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Danny Mummert ...
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Millie
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Tucker
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Aunt Hannah
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Storyline

The Bumsteads decide to spend a safe and sane 4th of July at Aunt Hannah's ranch. After missing their station, they hitch a ride with a young couple who are getting ready to elope. The young man, Charlie, sprains his ankle, so Dagwood is enlisted to carry the girl off for him. Dagwood climbs into her father's window by mistake, and just as the old man is about to explode with rage, Baby Dumpling explodes a firecracker which turns out to be a stick of dynamite. As the action reaches its peak, a gusher of oil suddenly springs up in the yard. Written by Fiona Kelleghan <fkelleghan@aol.com>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

Approved
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Details

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Release Date:

31 October 1940 (USA)  »

Also Known As:

Cupido Perigoso  »

Company Credits

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Technical Specs

Runtime:

| (original US 16 mm television syndication prints)

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This was the only episode in the Columbia series which billed the Larry Simms/Baby Dumpling-maturing-into-Alexander character as Dagwood 'Baby Dumpling' Bumstead Jr. See more »

Goofs

When Baby Dumpling gets behind the wheel of the car, you can clearly see in the long shots that it is being driven by an adult. See more »

Connections

Followed by Blondie Goes Latin (1941) See more »

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User Reviews

 
The fifth Blondie film, where Daisy climbs a ladder
13 September 2010 | by (United Kingdom) – See all my reviews

In this Blondie film, a great effort has been made to expand the repertoire of Daisy the Dog. She performs the most amazing feats, the most spectacular of which is to climb a ladder all the way from ground level to the roof of a house. She also coyly lays her front leg across her eyes to simulate shame. So she has moved far beyond the raised ears and knowing looks of the four previous films. The producers must have realized by now that Daisy was deeply popular with the Blondie audience. The film begins with Daisy stealing a bone and a pack of dogs yapping and running in circles round the inside of the Bumstead household. Blondie scolds Daisy about this afterwards by saying: 'Now, Daisy Bumstead, don't you ever bring people like that into this house again!' At one point, Alvin from next door even sticks his head through the dog flap to speak to Blondie, who has previously removed a Saint Bernard dog from the same flap, in which it had become stuck. This film features Glenn Ford in a supporting role; he had only entered films three years previously, and this was his eighth appearance on screen. It is he and his wife-to-be to whom Blondie 'plays cupid' by facilitating their elopement, and their escape from the girl's father with his shotgun. There are lots of sight gags about fire crackers in this film, because it is the Fourth of July. Poor Irving Bacon, the mailman, gets blown up by one this time. He takes his revenge by throwing a lit firecracker into the Bumsteads' house. Glenn Ford has discovered an oil well but has been prevented from drilling the last portion to achieve a gusher. Baby Dumpling, mistaking a stick of dynamite for a fire cracker, solves that problem. Some of the scenes are a bit long and some of the gags become tedious for this reason, so that the film sags in places. But it always bounces back with the inevitable joie de vivre of the Blondie genre. Larry Simms as Baby Dumpling is now a year older and slightly less cute. He even has a knowing expression from time to time, seemingly having passed into a state of 'old age at the age of five'. Penny Singleton as Blondie has slightly altered her hair style and looks a bit less cute herself. The rather annoying opening song with the word 'Bumsteadable' in the lyrics has been dropped, and the music under the titles is purely orchestral now, but very poorly done, using the song theme. The plot is, as usual, elaborate, and the gags continuous. Arthur Lake as Dagwood continues to shine in glorious 'Bumsteadability'.


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