6.4/10
340
11 user 5 critic

Bitter Sweet (1940)

Passed | | Drama, Musical, Romance | 8 November 1940 (USA)
In order to avoid an arranged marriage with a man she doesn't love, Sarah Millick runs off to Vienna with her music teacher, Carl Linden, whom she does love. They are married. In Vienna, ... See full summary »

Director:

(as W.S. Van Dyke II)

Writers:

(original play) (as Noel Coward), (screen play)
Reviews

On TV

Airs Sun. Jul. 31, 6:00 AM on TCM

Nominated for 2 Oscars. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
Felix Bressart ...
Max
Edward Ashley ...
Lynne Carver ...
Dolly
Diana Lewis ...
Jane
Curt Bois ...
Ernst
Fay Holden ...
Mrs. Millick
...
Herr Schlick (as Sig Rumann)
...
...
Herr Wyler
...
Manon
Herman Bing ...
Market Keeper
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Storyline

In order to avoid an arranged marriage with a man she doesn't love, Sarah Millick runs off to Vienna with her music teacher, Carl Linden, whom she does love. They are married. In Vienna, they struggle to make a living by making music. Carl writes an operetta and tries to get it produced. They are helped along by Viennese Baron, but his intentions are not honorable. He kills Carl in a sword fight. A big producer does put on the operetta, with Sari in the lead -- but without her husband, it is a bittersweet victory. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

Filled with Noel Coward's songs and harmonies of "America's Sweethearts." See more »

Genres:

Drama | Musical | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

8 November 1940 (USA)  »

Also Known As:

Amarga dulzura  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Except for a few shots where she was doubled by Audrey Scott, Jeanette MacDonald did most of her own horseback riding. See more »

Quotes

Sarah Millick, later Sari Linden: [over a very sparse dinner] Oh well, maybe it's all for the best. I hear more people die from overeating than from any other cause.
Carl Linden: I bet we'll be immortal, then. I hate Herr Weiller.
Sarah Millick, later Sari Linden: I hate the market keeper.
Carl Linden: I hate the landlord.
Sarah Millick, later Sari Linden: That's not fair, *I* was going to hate the landlord. *You* hate Herr Weiller again.
See more »

Connections

Remake of Bitter Sweet (1933) See more »

Soundtracks

Polka
(1929) (uncredited)
Written by Noël Coward
Played at the party and danced to by the guests
See more »

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User Reviews

 
"Learning Scales Will Never Be So Sweet Again"
15 February 2006 | by (Buffalo, New York) – See all my reviews

A previous reviewer reported the well known story about how upset Noel Coward was at this version of his work that he refused to allow Hollywood to do another adaptation of any of his works. Hollywood in fact never did.

Of course you'd have to have something to compare it to and I hope that TCM manages to find the 1933 version that Anna Neagle and Fernand Gravey did for the British cinema.

On its own Bitter Sweet is a mixture of the previous MacDonald/Eddy triumph Maytime with a good hunk of Anna Karenina thrown into the mix. Jeanette MacDonald on an impulse runs off with her music teacher Nelson Eddy to gay old Vienna where they live on love and starve a good deal of the time. In doing the elopement she jilts her fiancé, proper and stuffy Edward Ashley who's an up and coming man in their Foreign Office.

I'm sure Noel Coward didn't complain about what Jeanette and Nelson did vocally with his songs because they're sung beautifully. Jeanette is barely passable for British and Nelson is about as Viennese as John Wayne. MGM knew that and surrounded them with the German colony of Hollywood, Sig Rumann, Curt Bois, Felix Bressart, and Herman Bing. And George Sanders is his usual caddish self as the Baron Von Trannisch who's got a lustful eye for Jeanette.

Noel Coward's plays are comedies of manners with some satirical jibes at British society. His music is universal, but his wit is for the British Isles. I doubt he could have written a western. My guess is that that was what Coward objected to in this film.

Still Jeanette and Nelson fans will like it and until someone at TCM finds the Anna Neagle version that's all we're likely to see.


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