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A Bill of Divorcement (1940)

 -  Drama  -  31 May 1940 (USA)
5.6
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Ratings: 5.6/10 from 76 users  
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Father's return from the insane asylum spells calamity for the Fairfield family.

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Title: A Bill of Divorcement (1940)

A Bill of Divorcement (1940) on IMDb 5.6/10

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Cast

Complete credited cast:
...
...
Fay Bainter ...
Herbert Marshall ...
...
...
John Storm
...
Ernest Cossart ...
Rev. Dr. Pumphrey
Kathryn Collier ...
Bunny Beatty ...
Susan (as Lauri Beatty)
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Storyline

Margaret Fairfield, whose husband Hilary has been in an insane asylum for twenty years, divorces him so she can remarry. But then Hilary, who was thought incurable, recovers and returns home. His return spells disaster for all concerned. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Approved
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Details

Country:

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Release Date:

31 May 1940 (USA)  »

Also Known As:

Never to Love  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The original play by Clemence Dane opened 14 March 1921 in London. See more »

Goofs

Family name of main characters is spoken throughout film as 'Fairfield' but given in end credits as 'Fairchild.' See more »

Quotes

Aunt Hester Fairfield: We Ought to know more about his family, Margaret you owe it to us all.
Sydney Fairfield: Bother with family, he will only be here about two days and we shalln't have any time to waste on family.
Aunt Hester Fairfield: and What may I ask that going to keep you so occupied
Sydney Fairfield: Kissing probably!
See more »

Connections

Version of A Bill of Divorcement (1932) See more »

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User Reviews

 
Not one of Adolphe Menjou's best
16 January 2012 | by (United States) – See all my reviews

I'm a big Adolphe Menjou family, but I didn't find this Never to Love/A Bill of Divorcement an interesting film. Everyone is so terribly overwrought and exaggerated. I lose interest in them. They don't seem like real people. I don't care anything about them. When blank-faced, monotone Herbert Marshall shows up as the lover and he seems to practically vibrate with suppressed emotion...well, I could barely watch the rest. I feel the same about the 1932 Katharine Hepburn/John Barrymore version, although, thankfully, Maureen O'Hara as the daughter does not have the awful, strident, harsh voice in this version that makes listening to the 1932 film so painful.


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