| Boris Karloff | ... | Dr. John Garth | |
| Evelyn Keyes | ... | Martha Garth | |
| Bruce Bennett | ... | Dr. Paul Ames | |
| Edward Van Sloan | ... | Dr. Ralph Howard | |
| Ben Taggart | ... | Warden Thompson | |
| Pedro de Cordoba | ... | Victor Sondini | |
| Wright Kramer | ... | George Wharton | |
| Bertram Marburgh | ... | Stephen Barclay | |
| Don Beddoe | ... | Capt. McGraw | |
| Robert Fiske | ... | District Attorney | |
| Kenneth MacDonald | ... | Anson, Prison Guard | |
| Frank Richards | ... | Otto Kron - Convict | |
| rest of cast listed alphabetically: | |||
| Ernie Adams | ... | Sam - Hospital Prison Orderly (uncredited) | |
| Stanley Brown | ... | Prison Gate Guard (uncredited) | |
| Frederick Burton | ... | Governor Prentiss (uncredited) | |
| Jack Cheatham | ... | Patrolman Olson (uncredited) | |
| Edward Earle | ... | Dr. Nichols (uncredited) | |
| Richard Fiske | ... | Mandish (uncredited) | |
| Sam Harris | ... | Courtroom Spectator (uncredited) | |
| Eddie Laughton | ... | Guard (uncredited) | |
| James T. Mack | ... | Butler (uncredited) | |
| George McKay | ... | Reardon (uncredited) | |
| Bert Moorhouse | ... | Cousel at Defense Table (uncredited) | |
| Edmund Mortimer | ... | Courtroom Spectator (uncredited) | |
| Charles Trowbridge | ... | Judge Braden (uncredited) | |
| John Tyrrell | ... | Sanders (uncredited) | |
| Gohr Van Vleck | ... | Police Dispatcher (uncredited) | |
Directed by | |||
| Nick Grinde | |||
Writing credits(in alphabetical order) | ||
| Robert Hardy Andrews | story and screenplay (as Robert D. Andrews) | |
| Karl Brown | story | |
Produced by | |||
| Wallace MacDonald | .... | producer (uncredited) | |
Cinematography by | |||
| Benjamin H. Kline | (as Benjamin Kline) | ||
Film Editing by | |||
| Charles Nelson | |||
Art Direction by | |||
| Lionel Banks | |||
Makeup Department | |||
| Clay Campbell | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Milton Carter | .... | assistant director (uncredited) | |
Sound Department | |||
| J.S. Westmoreland | .... | sound recordist (uncredited) | |
Music Department | |||
| Morris Stoloff | .... | musical director (as M.W. Stoloff) | |
| Gerard Carbonara | .... | composer: stock music (uncredited) | |
| Leigh Harline | .... | composer: stock music (uncredited) | |
| Ben Oakland | .... | composer: stock music (uncredited) | |
| George Parrish | .... | composer: stock music (uncredited) | |
| Karol Rathaus | .... | composer: stock music (uncredited) | |
| Gregory Stone | .... | composer: stock music (uncredited) | |
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| The Man They Could Not Hang | The Walking Dead | Freeway | Man Made Monster | The Criminal Code |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section |
BEFORE I HANG is an intriguing little chunk of B-Film that explores the old idea that blood has memory, that the tissues and bones of the criminally insane pulse with a life that makes them who they are. In short, blood will have blood, as Macbeth says after the appearance of Banquo's ghost.
Boris Karloff is strong in this piece about a Dr. John Garth, who is seeking a serum that may alleviate the ravages of age. His experiments have led him to "mercy kill" one of the subjects of his studies, and for this, he is sentenced to death. Offered a chance to redeem himself through medical research in prison, he and a colleague (played by the fine character actor Edward Van Sloan) inoculate Garth with an experimental serum drawn from the veins of an executed murderer. The serum works, but Garth becomes a homicidal maniac. He kills his colleague and a prison trustee, and manages to lie his way into a pardon from the state for his humanitarian efforts. After he gets out, he really has a killer's jamboree.
Aside from the mechanical gesture of touching his hand to the back of his neck whenever one of the murderous fits come on, Karloff creates a character who's pretty sympathetic. Evelyn Keyes as his daughter adds some spark to the melodramatic proceedings. Pedro de Cordoba, piano interludes and all, managed to build a soulful and arresting character who stands out all the more against the general flatness of the Columbia "B" company. All in all, the work holds up, and it's a must see for anyone who admires the efforts of Karloff and some of the other great characters of that era who (time and again) were able to lend some real spark to what would otherwise have been pretty lifeless strips of celluloid.