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An Angel from Texas (1940)

 -  Comedy | Romance  -  27 April 1940 (USA)
5.6
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Ratings: 5.6/10 from 133 users  
Reviews: 4 user

Stage struck Lydia Weston leaves her small Texas town for Broadway. Left behind is her steady beau Peter. Lydia sends letters and news clippings back home telling everyone she's now a big ... See full summary »

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(screen play), (screen play), 1 more credit »
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Cast

Complete credited cast:
...
Rosemary Lane ...
...
Mac McClure
...
Marge Allen
...
Marty Allen
Ruth Terry ...
Valerie Blayne
...
Quigley
Hobart Cavanaugh ...
Mr. Robelink
Ann Shoemaker ...
Addie Lou Coleman
Tom Kennedy ...
Chopper
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Storyline

Stage struck Lydia Weston leaves her small Texas town for Broadway. Left behind is her steady beau Peter. Lydia sends letters and news clippings back home telling everyone she's now a big star. Peter soon heads to New York to surprise her, but instead he gets the surprise when he learns Lydia has no job and is broke. The pair soon get involved with a couple of phony producers who con Peter into backing their play with Lydia in the lead. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

27 April 1940 (USA)  »

Also Known As:

Ein Bombenerfolg  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Two cast members in studio records/casting call lists did not appear or were not identifiable in the movie. These were (with their character names): Dudley Dickerson (Black Man) and Eddie Acuff (Stagehand). See more »

Connections

Version of The Butter and Egg Man (1928) See more »

Soundtracks

Aloha Oe
(1878) (uncredited)
aka "Farewell to Thee"
Music by Queen Liliuokalani
Played at the beginning
See more »

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User Reviews

 
A Play So Bad It's A Smash. Hmmm. Sounds Familiar
26 September 2005 | by (NY, NY) – See all my reviews

Eddie Albert follows his sweetheart from Texas to Manhattan. She wants to be a great star, a la Madame Cornell. He is not interested in the stage but crafty producers Morris and Reagan talk him into becoming the title character.

All the above give it their very best. Albert is a truly appealing, underrated performer and he is charming here. In addition, Jane Wyman is hilarious as one of the producer's wife who gets in on the act. When we first see her she is wearing a geometrically shaped hat, like those worn by Irene Dunne when she was playing chic and not frumpy. But this hat is covered in spangles. The hat alone is worth talking a look.

Ruth Terry is also very entertaining as the diva originally hired to play the lead in the play. One big question, regarding her and her cronies' tenacity, is whether or not there were any other plays on Broadway at the time this takes place. The play is not the greatest and her attachment to it is peculiar.

The rest -- Well, no giving away the plot. Suffice it to say that "Curtain Call" does something quite similar and is as stylish, funny, and polished as this is increasingly desperate and ramshackle.


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