Judge Hardy takes his family to New York City, where Andy quickly falls in love with a socialite. He finds the high society life too expensive, and eventually decides that he liked it better back home.
College-bound Andy (Mickey Rooney) blurts marriage proposals to his sweetheart Polly (Ann Rutherford) and her pert swimmer friend Sheila (Esther Williams). (Source: Turner Classic Movies + DirecTV guide)
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Judge Hardy takes his family to New York City, where Andy quickly falls in love with a socialite. He finds the high society life too expensive, and eventually decides that he liked it better back home. Written by
John Oswalt <firstname.lastname@example.org>
This film received its initial television showings in Philadelphia Saturday 21 April 1957 on WFIL (Channel 6), followed by New York City Wednesday 10 July 1957 on WCBS (Channel 2) and Los Angeles Sunday 15 September 1957 on KTTV (Channel 11); in San Francisco it was first telecast 23 February 1958 on Channel 7 (KGO) (Channel 7). See more »
ANDY HARDY MEETS DEBUTANTE (1940) is the ninth (9th) film of the series and it shows the direction it was inevitably headed into. Characters ANDY HARDY (Mickey Rooney) and JUDGE HARDY (Lewis Stone) were going to be front and center. The rest of the cast was going too just punch the clock and collect their checks. The series would rise to the occasion again and have its moments but a fatal decline had set in.
Lewis Stone throughout the series would continue too portray the character of JUDGE HARDY in a sympathetic manner. The rest of the cast would be professional even though given less and less to do. Mickey Rooney on the other hand would continue his character as if there was no learning curve. ANDYs' reaction to any situation was in a naive and unbelievable way. Even after he returned as a veteran of World War II service in LOVE LAUGHS AT ANDY HARDY (1946) his reaction to any 'teapot tempest' was the same, juvenile.
In this film it is clearly illustrated. ANDY gets himself into several unbelievable situations that with a simple explanation would have been resolved. This screen writing device was known as the 'idiot plot'. A means of stretching a poorly written scenario. Maybe it was less Mickey Rooneys' fault then the Director and the Writers. Most likely George B. Seitz had directed one too many and a firmer hand was needed too control Rooneys' excesses. To see our overview of the entire series go to YOU'RE ONLY YOUNG ONCE (1937).
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