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All This, and Heaven Too (1940)

Approved | | Drama, Romance | 13 July 1940 (USA)
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »

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Nominated for 3 Oscars. See more awards »

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Cast

Cast overview, first billed only:
...
...
Duc de Praslin
Jeffrey Lynn ...
Henry Martyn Field
...
Duchesse de Praslin
...
Louise
Helen Westley ...
Madame LeMaire
Walter Hampden ...
Pasquier
...
Broussais
...
Pierre
George Coulouris ...
Charpentier
Montagu Love ...
Marechal Sebastiani
Janet Beecher ...
Miss Haines
...
Isabelle
Ann E. Todd ...
Berthe (as Ann Todd)
Richard Nichols ...
Reynald
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Storyline

When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and obsessive Duchesse de Praslin, she instantly incurs the wrath of her mistress, who is insanely jealous of anyone who comes near her estranged husband. Though she saves the duchess's little son from a near-death illness and warms herself to all the children, she is nevertheless dismissed by the vengeful duchess. Meanwhile, the attraction between the duke and Henriette continues to grow, eventually leading to tragedy. Written by alfiehitchie

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

13 July 1940 (USA)  »

Also Known As:

El cielo y tú  »

Box Office

Budget:

$1,370,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

After Mr. Skeffington (1944), this is Bette Davis' second longest film, clocking in at 141 minutes. See more »

Goofs

The Duchess of Praslin is seen licking envelopes in which she has placed letters to her husband, the Duc de Praslin. This film is set in the 1840s; gummed envelopes would not be invented for another 100 years. Correspondence in the 1840s would not be placed in a #10 business envelope anyway as seen in the film. The letters would be be placed in another sheet of paper and then sealed over with a wax seal or simply folded over and sealed with a wax seal, sometimes a ribbon set in the wax as well. See more »

Quotes

Henriette Deluzy-Desportes: Yes, Monsieur le Duc.
See more »

Connections

Referenced in Desperation (2006) See more »

Soundtracks

Loti's Song
(uncredited)
Music by M.K. Jerome
Lyrics by Jack Scholl
Sung a cappella by Christian Rub
See more »

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User Reviews

 
A long but moving Warner Bros. prestige picture
17 February 2003 | by (Stonehaven, Scotland) – See all my reviews

Based upon the popular 1937 novel written by Henriette Duluzy Desporte's grandneice, one Rachel Field, this movie was a prime vehicle for Bette Davis. This was considered Warners big "prestige" picture for 194O, and it shows: no expense in the production costs were spared, it's an exceptionally finely crafted motion picture. Based upon factual incidents, the story tells of how the notorious 1847 murder of the Dutchess (played with venomous relish by the tall & stately Barbara O'Neil) made Henriette the most notoriously suspicious and despised woman in Europe for a time. Originally, O'Neil's interpretation of the horrendously neurotic Dutchess was played looking a disheveled, unkempt mess physically. The producers thought her appearance would be a bit too uncooth for viewers to endure, but that decision robbed O'Neil of a far more effective characterization. As Henriette, Davis is much more subdued than normal, and her performance is genuinely affecting: another victorious portrait added to her quickly growing gallery of unforgettable heroines and vixens. Charles Boyer is fine as the Duc; he and Davis have a most interesting, classy chemistry between them. The children include Richard Nichols (as the adorable Raynald), Virginia Weidler and June Lockhart. Anatole Litvak's direction keeps this 14O minute saga flowing: the result is a handsome period piece which is done in old Hollywood's best style.


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