When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge and predictable complications result.
A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill). They marry, settle in Baltimore, and Stanley ... See full summary »
Olivia de Havilland,
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and obsessive Duchesse de Praslin, she instantly incurs the wrath of her mistress, who is insanely jealous of anyone who comes near her estranged husband. Though she saves the duchess's little son from a near-death illness and warms herself to all the children, she is nevertheless dismissed by the vengeful duchess. Meanwhile, the attraction between the duke and Henriette continues to grow, eventually leading to tragedy. Written by
Henriette, the Duc, and the children pass a steam-powered, platform carousel. While Carousels had been popular in France since the 17th century, mechanized carousels like that shown in the film were invented in the late 1840s, when the film is set. See more »
The Duchess of Praslin is seen licking envelopes in which she has placed letters to her husband, the Duc de Praslin. This film is set in the 1840s; gummed envelopes would not be invented for another 100 years. Correspondence in the 1840s would not be placed in a #10 business envelope anyway as seen in the film. The letters would be be placed in another sheet of paper and then sealed over with a wax seal or simply folded over and sealed with a wax seal, sometimes a ribbon set in the wax as well. See more »
If love is right, it is the most precious gift in the world. But you must be sure - very sure - that it is right, for if it isn't, there is no worse agony, nothing more bitter, nothing more lonely to be imagined.
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Sincere performances by Davis and Boyer in overlong soap opera...
Bette Davis drops her scenery-chewing manner and is absolutely docile and restrained throughout as a woman falsely accused of having a love affair with Charles Boyer. The real scene-stealer in this one is Barbara O'Neil (she was Scarlett O'Hara's demure mother). So much venom in her performance, she is a striking actress and was rightfully nominated for a Supporting Actress Oscar. All the period sets and costumes are magnificent, the supporting players are expert and, of course, Max Steiner contributes one of his most impressive background scores. Bette is the surprise here. It's nice to see her playing such a docile role with such skill and earnestness, getting full sympathy for her character. An absorbing, if overlong, period soap opera from the Rachel Field novel. Definitely worth seeing.
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