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All This, and Heaven Too (1940)

 -  Drama | Romance  -  13 July 1940 (USA)
7.7
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Ratings: 7.7/10 from 2,846 users  
Reviews: 52 user | 10 critic

When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »

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Title: All This, and Heaven Too (1940)

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Nominated for 3 Oscars. See more awards »

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Cast

Cast overview, first billed only:
...
Henriette Deluzy-Desportes
...
Duc de Praslin
Jeffrey Lynn ...
Henry Martyn Field
...
Duchesse de Praslin
...
Louise
Helen Westley ...
Madame LeMaire
Walter Hampden ...
Pasquier
...
Broussais
...
Pierre
George Coulouris ...
Charpentier
Montagu Love ...
Marechal Sebastiani
Janet Beecher ...
Miss Haines
...
Isabelle
Ann E. Todd ...
Berthe (as Ann Todd)
Richard Nichols ...
Reynald
Edit

Storyline

When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and obsessive Duchesse de Praslin, she instantly incurs the wrath of her mistress, who is insanely jealous of anyone who comes near her estranged husband. Though she saves the duchess's little son from a near-death illness and warms herself to all the children, she is nevertheless dismissed by the vengeful duchess. Meanwhile, the attraction between the duke and Henriette continues to grow, eventually leading to tragedy. Written by alfiehitchie

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

13 July 1940 (USA)  »

Also Known As:

Das Glück in der Glaskugel  »

Box Office

Budget:

$1,370,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Ranked fifth best picture of 1940 by Film Daily's national poll of critics. See more »

Goofs

The Duchess of Praslin is seen licking envelopes in which she has placed letters to her husband, the Duc de Praslin. This film is set in the 1840s; gummed envelopes would not be invented for another 100 years. Correspondence in the 1840s would not be placed in a #10 business envelope anyway as seen in the film. The letters would be be placed in another sheet of paper and then sealed over with a wax seal or simply folded over and sealed with a wax seal, sometimes a ribbon set in the wax as well. See more »

Quotes

Duchesse de Praslin: Don't leave me, Theo!
Duc de Praslin: I'm late in Paris.
Duchesse de Praslin: But... I must talk to you! I never see you!
Duc de Praslin: The king expects me.
Duchesse de Praslin: [She grabs for his hands and he pulls it away] Does even the touch of my hands feel you with aversion?
Duc de Praslin: Oh really Frances...
Duchesse de Praslin: It must be aversion you feel since you always avoid me, never giving me a moment's thought or attention!
Duc de Praslin: I have no wish to avoid you Frances. I would talk to you by the hour if we could do so with calmness and sanity, but it always ends the same. -He begins walking out.
Duchesse de Praslin:
Duc de Praslin:
[...]
See more »

Connections

Featured in Stardust: The Bette Davis Story (2006) See more »

Soundtracks

Lullaby
(uncredited)
Music by M.K. Jerome
Lyrics by Jack Scholl
See more »

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User Reviews

Sincere performances by Davis and Boyer in overlong soap opera...
22 April 2001 | by (U.S.A.) – See all my reviews

Bette Davis drops her scenery-chewing manner and is absolutely docile and restrained throughout as a woman falsely accused of having a love affair with Charles Boyer. The real scene-stealer in this one is Barbara O'Neil (she was Scarlett O'Hara's demure mother). So much venom in her performance, she is a striking actress and was rightfully nominated for a Supporting Actress Oscar. All the period sets and costumes are magnificent, the supporting players are expert and, of course, Max Steiner contributes one of his most impressive background scores. Bette is the surprise here. It's nice to see her playing such a docile role with such skill and earnestness, getting full sympathy for her character. An absorbing, if overlong, period soap opera from the Rachel Field novel. Definitely worth seeing.


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