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All This, and Heaven Too (1940)

Approved | | Drama, Romance | 13 July 1940 (USA)
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »

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Nominated for 3 Oscars. See more awards »

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Cast

Cast overview, first billed only:
...
...
Duc de Praslin
...
Henry Martyn Field
...
Duchesse de Praslin
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Louise
...
Madame LeMaire
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Pasquier
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Broussais
...
Pierre
...
Charpentier
...
Marechal Sebastiani
...
Miss Haines
...
Isabelle
...
Berthe (as Ann Todd)
Richard Nichols ...
Reynald
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Storyline

When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and obsessive Duchesse de Praslin, she instantly incurs the wrath of her mistress, who is insanely jealous of anyone who comes near her estranged husband. Though she saves the duchess's little son from a near-death illness and warms herself to all the children, she is nevertheless dismissed by the vengeful duchess. Meanwhile, the attraction between the duke and Henriette continues to grow, eventually leading to tragedy. Written by alfiehitchie

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

13 July 1940 (USA)  »

Also Known As:

El cielo y tú  »

Box Office

Budget:

$1,370,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Reportedly, Bette Davis had an affair with director Anatole Litvak while he was still married to Miriam Hopkins. This led to a life-long mutual hatred between the two actresses and added to their on-screen chemistry in their two films together, The Old Maid (1939) and Old Acquaintance (1943). See more »

Goofs

An error, not in the film itself, but in the Warner DVD commentary on the film, may confuse IMDb readers who consult the credits list. In his commentary, at about 14:45, Daniel Bubbeo identifies the actor playing the household priest (Abbe Gallard) as Walter Hampden, but this is an error. Walter Hampden plays Pasquier, the King's chief minister who leads the murder prosecution in the second part of the film. The actor playing Abbe Gallard is Fritz Leiber. Possibly Bubbeo was misled by a superficial resemblance between the two actors -- both being tall men with prominent noses. But in any case, the IMDb cast list is correct, and Bubbeo is in error. (For another prominent role of Walter Hampden, see his rendering of the Archdeacon in The Hunchback of Notre Dame, a year earlier.) See more »

Quotes

Henriette Deluzy-Desportes: Happiness isn't a little cake which we can cut up to fill our appetites.
See more »

Connections

Featured in Stardust: The Bette Davis Story (2006) See more »

Soundtracks

The War of the Roses
(uncredited)
Music by M.K. Jerome
Lyrics by Jack Scholl
Played on a spinet by Bette Davis
Sung by Ann E. Todd, Virginia Weidler and June Lockhart
See more »

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User Reviews

 
All this and France too.....
14 October 2007 | by See all my reviews

Anatole Litvak certainly loved France.He made films in that country during the previous decade ,some of which were remarkable .He ended his career in Victor Hugo's land but his latter efforts were not really exciting.Even when he was in Hollywood ,he never forgot it as this "all this and Heaven too" ,"Act of love" and parts of "decision at dawn" bear witness.

France is currently rediscovering Litvak who was brought down ,like so many great American directors (Zinnemann ,Wyler,Stevens),by the notorious critics of the Nouvelle Vague and their fusty Cahiers du Cinéma.But now their diktats are over and thanks to many contemporary historians of the French cinema (Bertrand Tavernier,Patrick Brion),he is given in the country which was another homeland to him the place he had always deserved.

"All this and Heaven too" might be my favorite Litvak movie,although his American career is as rich as that of any director .In spite of a historical gaffe ("that woman overthrew Louis Philippe "is as laughable as Marie Antoinette's sentence (which she never said) "let them eat cake".

La Restoration and Louis -Philippe: After the 1789 French Revolution ,the nobles emigrated and Napoleon ,who was eager for a Court,made a new nobility.His officers ,who were of common birth,were conferred a title :"Baron d'Empire" for instance;that was Henriette's grandfather's case.

Henriette is of that kind an old noble such as la Duchesse de Praslin can only treat like dirt;those nobles were impostors!With Henriette,it was hate at first sight,even before she became dear to the duke and the children.

That old nobleness,epitomized by the duchess ,was all bigotry,religion ,but they were socialites first.In the XIX th century ,those chic ladies did not care about their children they left to their governess .The Duchess was not alone: Balzac,Maupassant,Flaubert (Madame Bovary did not really like her daughter) and even a writer for children such la Comtesse de Segur painted a picture of the "bad" mother .The story happens in 1846-1847,and Louis -Philippe's days as a king are numbered.The writers are asking for Republic:Lamartine who is mentioned in the film,and Victor Hugo -who wrote the article about Henriette in la Conciergerie- were not the least ;the latter was forced to exile himself after the fall of the short-lived Second Republic (1948-1952).

Had he lived half a century before,the duke would have been part of the daring nobles such as La Fayette who fought for the Revolution.Even if we are not told so,his union was probably a marriage of convenience.The Duchess is egoistic,neurotic,hateful ,incapable of love and affection her children long for.A "pious " woman ,but a woman who uses a priest to keep a close watch on her husband.Note the presence of the priest in the bedroom of a dying child.

Litvak's directing is mind-boggling.He perfectly recreates the atmosphere of the desirable Hotel Particulier where the duke lives.His style is refined : the ball which we see on reflection on the mirrors is a scene Max Ophuls would have died for;the brief moment of happiness on Hallows Eve ;the snow ,symbol of purity:the duke is as virtuous and as loyal as Henriette.The performance in the THeatre Royal which the king attends and which finally backfires on the two heroes:Racine's "Phedre" -Rachel who is mentioned was the thespian of the era,her portrayal of the Greek heroine (whose situation is not unlike the chaste lovers') was praised to the skies then-.

The prologue and the epilogue are excellent: the long flashback is introduced in a very original way.Davis ,in front of the blackboard full of trigonometric formulas ,begins to tell her tale. One of her lines in the epilogue is the most moving in the whole film :"Now,you write the ending of my story" she tells her students .

An absorbing screenplay,where even a fairytale (do you want to be happy when you are young or later when you get older?/I'd rather be happy later:if I've got everything now,what can I expect from life afterward?) plays a prominent part.

French Charles Boyer and Bette Davis give superlative performances and the supporting cast(Barbara O'Neil almost steals the show from Davis sometimes) including the four children (special mention for little Reynald) is up to scratch.This is the Creme de la Creme of the melodrama genre.


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