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All This, and Heaven Too (1940)

 -  Drama | Romance  -  13 July 1940 (USA)
7.7
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Ratings: 7.7/10 from 2,703 users  
Reviews: 50 user | 9 critic

When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »

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Nominated for 3 Oscars. See more awards »

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Cast

Cast overview, first billed only:
...
Henriette Deluzy-Desportes
...
Duc de Praslin
Jeffrey Lynn ...
Henry Martyn Field
...
Duchesse de Praslin
...
Louise
Helen Westley ...
Madame LeMaire
Walter Hampden ...
Pasquier
...
Broussais
...
Pierre
George Coulouris ...
Charpentier
Montagu Love ...
Marechal Sebastiani
Janet Beecher ...
Miss Haines
...
Isabelle
Ann E. Todd ...
Berthe (as Ann Todd)
Richard Nichols ...
Reynald
Edit

Storyline

When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and obsessive Duchesse de Praslin, she instantly incurs the wrath of her mistress, who is insanely jealous of anyone who comes near her estranged husband. Though she saves the duchess's little son from a near-death illness and warms herself to all the children, she is nevertheless dismissed by the vengeful duchess. Meanwhile, the attraction between the duke and Henriette continues to grow, eventually leading to tragedy. Written by alfiehitchie

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

13 July 1940 (USA)  »

Also Known As:

Das Glück in der Glaskugel  »

Box Office

Budget:

$1,370,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Was June Lockhart's second film, and first credited role. Out of the four children starring in the movie, she was the only one to continue acting in to adulthood. See more »

Goofs

As he lays sick, the governess has Raynald count the segments of tangerine. She starts out counting the first three with him. She interrupts her own count to speak with the Duke, but Raynald continues on. When the governess resumes the count with Raynald, the actual tangerine piece is segment number 7. She mistakenly calls it number 10 and continues with the count from there. See more »

Quotes

Duchesse de Praslin: Even if she goes to the ends of the earth, my hatred will follow her!
See more »

Connections

Referenced in A Coy Decoy (1941) See more »

Soundtracks

The War of the Roses
(uncredited)
Music by M.K. Jerome
Lyrics by Jack Scholl
Played on a spinet by Bette Davis
Sung by Ann E. Todd, Virginia Weidler and June Lockhart
See more »

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User Reviews

 
Haunting, romantic period piece.
20 August 1999 | by (San Francisco, California) – See all my reviews

Director Anatole Litvak does an exceedingly good job with this romantic period piece, as do each of the actors involved. Bette Davis plays Henriette Deluzy-Desportes, a governess in 19th Century France, who lands a position working for Theo, Duc De Praslin (Charles Boyer) and his family. The childern adore the new, spirited governess, but Boyer's psycho bitch wife, the Duchesse (Barbara O'Neil), is resentful of Henriette's intrusion into the family. The new addition to the family works her magic on everyone but the Duchesse. Theo and Henriette, predictably, begin to fall in love, which further complicates things, sending the crazy wife into even more rages of insanity. All of this builds momentum until a climactic crime of passion takes a life.

Davis is a kick to watch as she struts her stuff with an excellent French accent. Boyer is awesome in this dark, brooding, but romantic role. And O'Neil deservedly got an Oscar-nomination for her role, full of anger and energy. But the real stand-out, interestingly enough, is Richard Nicols as Boyer's so-adorable-you-just-wanna-squeeze-him son Reynald.

Overall, this dark, dreary film is a highly-satisfying experience, slightly off-put by the preachy, silly final scene in the classroom.


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