Against all odds Father Flanagan starts "Boys' Town" after hearing a convict's story. Whitey Marsh comes there. He runs away but, hungry, returns. He runs away again but, when friend Pee ... See full summary »
Loose biography of actor Lon Chaney. Growing up with deaf parents, he learns what it is like to be different. As an actor, he puts that knowledge (together with lots of make-up and talent) ... See full summary »
Ten years in the life of Abraham Lincoln, before he became known to his nation and the world. He moves from a Kentucky cabin to Springfield, Illinois, to begin his law practice. He defends two men accused of murder in a political brawl, suffers the death of his girlfriend Ann, courts his future wife Mary Todd, and agrees to go into politics. Written by
Ed Stephan <firstname.lastname@example.org>
Henry Fonda originally turned down the role of Lincoln, saying he didn't think he could play such a great man. He changed his mind after John Ford asked him to do a screen test in full makeup. After viewing himself as Lincoln in the test footage, Fonda liked what he saw, and accepted the part. He later told an interviewer, "I felt as if I were portraying Christ himself on film." See more »
Ann's hands change position when talking with Abe about her red hair. See more »
[Lincoln and Felder are picking jurors for the trial of Matt and Adam Clay]
Prosecutor John Felder:
Mr. Lincoln should know that the mere fact that a prospective juror knows counsel for the state does not disqualify him.
I know that, John. What I'm afraid of is that some of the jurors might NOT know you... and that'd put me at a great disadvantage.
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This film was not only one of John Ford's own personal favorites but also numbered directors Sergei M. Eisenstein and Bertrand Tavernier among its high-profile admirers. Ironically, I've just caught up with it myself via Criterion's recent 2-Disc Set after missing out on a couple of original language screenings of it on Italian TV many years ago and again a few times on TV while in Hollywood!
The film marked Ford's first of nine collaborations with Henry Fonda and is also a quintessential example of Ford's folksy Americana vein. A beautifully made and pictorially quite poetic piece of work, the courtroom sequences (and eventual revelation) in its second half still pack quite a wallop, apart from giving stalwart character actor Donald Meek a memorably meaty role as the prosecuting attorney.
Fonda is, of course, perfectly cast as a bashful, inexperienced but rigorous and humanistic lawyer who was destined to become President; Fonda would go on to portray other fictitious politicians on film - most notably in Franklin J. Schaffner's THE BEST MAN (1964) and Sidney Lumet's FAIL-SAFE (1964) - and it's surprising now to learn that he was reluctant at the time about accepting the role of Lincoln since, in his view, that was "like playing God"!
It is interesting to note here that Ford had previously tackled Abraham Lincoln (tangentially) in THE PRISONER OF SHARK ISLAND (1936), a superb but perhaps little-known gem which has, luckily, just been released as a Special Edition DVD by the UK's veritable Criterion stand-in, Eureka's "Masters Of Cinema" label. Besides, I also have two more Abraham Lincoln films in my DVD collection which I've yet to watch and, incidentally, both were directed by D. W. Griffith - THE BIRTH OF A NATION (1915) and ABRAHAM LINCOLN (1930) - and, had I not just received a bunch of films I've never watched before just now, I would have gladly given them a spin based on my highly-satisfying viewing experience with YOUNG MR. LINCOLN.
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