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You Can't Cheat an Honest Man (1939)

 -  Comedy  -  18 February 1939 (USA)
7.3
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Ratings: 7.3/10 from 1,005 users  
Reviews: 15 user | 9 critic

Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »

Directors:

, (uncredited)

Writers:

(screen play), (screen play), 6 more credits »
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Cast

Complete credited cast:
...
Larson E. Whipsnade
Edgar Bergen ...
The Great Edgar
Charlie McCarthy ...
By Himself
...
Rochester (as Eddie Anderson)
Mortimer Snerd ...
By Himself
Constance Moore ...
Victoria Whipsnade
John Arledge ...
Phineas Whipsnade
James Bush ...
Roger Bel-Goodie
Thurston Hall ...
Mr. Bel-Goodie
Mary Forbes ...
Mrs. Bel-Goodie
Edward Brophy ...
Corbett
Arthur Hohl ...
Burr
Princess Baba ...
Princess Baba
Blacaman ...
By Himself
Edit

Storyline

Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son and daughter, Phineas and Vicky, attend a posh college. Vicky turns down her caddish but rich suitor Roger Bel-Goodie, but changes her mind when she learns of her father's financial troubles. Will Vicky marry for money or succumb to the ventriloqual charm of Edgar Bergen? Will Whipsnade's Circus Giganticus make it over the state line one jump ahead of the sheriff? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

Approved
Edit

Details

Country:

Language:

Release Date:

18 February 1939 (USA)  »

Also Known As:

A mí no me engaña nadie  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

W.C. Fields became a big hit on radio, especially on Edgar Bergen's radio program, where he had a long-running "feud" with Charlie McCarthy. This film was an attempt to capitalize on the popularity of that feud by having it carried on in a movie. See more »

Quotes

Whipsnade: [to Charlie] I shall send over a couple of pet beavers to romp with you.
See more »

Crazy Credits

Edgar Bergen's dummy Charlie McCarthy is credited as Himself. See more »

Connections

Referenced in Shop Look & Listen (1940) See more »

Soundtracks

Sobre las olas (Over the Waves)
(uncredited)
Music by Juventino Rosas
See more »

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User Reviews

 
That threatened ride on a buzz saw
7 October 2005 | by (United States) – See all my reviews

It is true that Edgar Bergan and Charlie McCarthy were far more effective in their national audience on radio than in the movies. This was due to the close-up affect of cinematography on Bergen's face - he could not hide the fact that his lips moved a little. When on a stage in a nightclub or in vaudeville he'd be too far away to be seen moving his lips. Not so on film.

But Bergan and McCarthy put ventriloquism on the map. Their act and radio show took the art of throwing one's voice and brought a biting humor to it, giving the dummy a real personality: a wise guy little man, with an eye for the ladies and an eye for making trouble for people he did not like (among whom was Fields). The feud of McCarthy and Fields mirrored the contemporary feud of Fred Allan and Jack Benny, except that Allan and Benny were both real. But on radio Charlie was as real as "Uncle Claude" was, so the fact that it was a block of wood that was manipulated fighting a real life man did not matter. The public just loved Charlie reminding Fields of his alcoholism, in particular his large red nose. And the public loved the threats of Fields to give Charlie a ride on a buzz saw.

Because of the strong personality of McCarthy, a movie audience even today looks at this film and tends to ignore Bergen's slight lip movements. Charlie is the real personality of interest, not Edgar - here playing a hard working young man who would like to marry Vicki Whipsnade (Constance Moore) but is resigned that she wants to marry a wealthy young wastrel instead. Bergen could act (look at his performance in I REMEMBER MAMA, as Ellen Corby's boyfriend/husband, and his comic scene there with Oskar Homolka regarding the dowry). But he did not have to act as Bergen here - all he had to do was let Charlie do his job (and, for that matter, let Mortimer Snerd do his work too in two scenes). The tricks used by the director to have scenes where Charlie appears without Bergan are just even more effective, as they enhance the idea of an independent comic personality coming out of the dummy.

For Fields there are many choice moments too. His walk, supposedly naked after a shower, across the circus grounds - hidden behind people carrying items, or elephants and other animals, until a lady screams and faints (and Fields is finally physically revealed to the audience) is a gem. So is his wrecking the Bel-Goodies engagement party, first by his mad ping pong match, and then by his insistence of telling the story of how his life was saved once by an intelligent rattlesnake (not realizing that Mrs. Bel-Goody hates even the mention of snakes). His interactions with the circus staff, with the idiotic Grady Sutton, with labor union organizer Edward Brophy, and with the various people buying tickets for the circus, or for that matter mispronouncing his name as "Larceny Whipsnake" are priceless. So is his own attempt at ventriloquism: he does it so you can't see his lips move, but you just can't believe he is throwing his voice. Well he is throwing dust or something else at that moment.

But it is his running confrontations with McCarthy, some of which he actually loses (he has one where he has to bribe Charlie at one point to keep quiet) that maintains the audience's attention. The film is one of Fields' best ones, and deservedly retains it's popularity to this day.


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