Wuthering Heights is a wild, passionate tale of the intense and demonic love between Catherine Earnshaw and Heathcliff, allegedly a Gypsy foundling adopted by Catherine's father. After Mr ... See full summary »
Paul Eryk Atlas,
The story of unfortunate lovers Heathcliff and Cathy who, despite a deep affection for one another, are forced by circumstance and prejudice to live their apart. Heathcliff and Cathy first meet as children when her father brings the abandoned boy to live with them. When the old man dies several years later Cathy's brother, now the master of the estate, turns Heathcliff out forcing him to live with the servants and working as a stable boy. The barrier of class comes between them and she eventually marries a rich neighbor, Mr. Edgar Linton, at which point Heathcliff disappears. He returns several years later, now a rich man but little can be done. Written by
The one happy relationship on the set was between William Wyler and cinematographer Gregg Toland. The two had worked together successfully on three prior pictures (and would collaborate on three more after this). They had great respect for each other and were perfectly in synch with their ideas of lyrical, fluid camera movements, long takes, and deep-focus photography that would reveal backgrounds as clearly as characters and images close to the camera. See more »
When the newly-rich Heathcliff returns to the Linton home after Cathy's marriage, there is a lock of hair hanging over his left eye. In the next closeup shot, however, his hair is neatly brushed away from his face. The lock of hair continues to appear/disappear through the remainder of the scene. See more »
Are you enjoying yourself, Heathcliff?
I've had the pleasure of watching you.
You're very grand, Heathcliff. So handsome. Looking at you tonight I could not help but remember how things used to be.
They used to be better.
Don't pretend life hasn't improved for you.
Life has ended for me.
[they pause and look off the balcony in silence]
How can you stand here beside me and pretend not to remember? Not to know that my heart is breaking for you? That your face is the wonderful light burning in all ...
[...] See more »
Opening credits prologue: On the barren Yorkshire moors in England, a hundred years ago, stood a house as bleak and desolate as the wastes around it. Only a stranger lost in a storm would have dared to knock at the door of Wuthering Heights. See more »
One of the finest romantic films ever filmed, this 1939 Samuel Goldwyn production rates with many - including myself - as being the most beloved version of Emily Bronte's haunting novel. Although it stops at chapter seventeen and the ending is seen as a bit trite by some, it's a brilliantly enacted, finely mounted production with beautiful photography and authentic period detail set-wise. Merle Oberon is well-cast as the selfish, vain and rather shallow Cathy. What makes her character so intriguing and interesting is that no matter what happens to her materially, she has an undying love for the gypsy-blooded heathen named Heathcliff. Laurence Olivier, never a great success in films prior to this, gives a brutally honest account of everything Bronte's Heathcliff should be: proud, bold, vengeful & darkly brooding -a tortured soul in general. Wyler's guiding hand is patent throughout: it was Olivier himself who gave credit to the meticulous director in teaching him the particular ropes of screen acting: it shows! Lady-like Isabella is well-played by the Irish Geraldine Page, while Ellen, the long-suffering servant is played sympathetically by the fine character actress Flora Robson. David Niven, ideally cast as the milquetoasty Edgar Linton, actually had a clause in his contract which freed him from having to do crying scenes! A timeless masterpiece of the "haunting" love story genre, this was Goldwyn's personal favourite of all his films.
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