A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge and predictable complications result.
Wealthy Mary Haines is unaware her husband is having an affair with shopgirl Crystal Allen. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip. On the train taking her to a Reno divorce Mary meets the Countess and Miriam (in an affair with Fowler's husband). While they are at Lucy's dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck. Back in New York, Mary's ex is now unhappily married to Crystal who is already in an affair with Buck. When Sylvia lets this story slip at a country club dinner, Crystal brags of her plans for a still wealthier marriage, only to find the Countess is the source of all Buck's money. Crystal must return to the perfume counter and Mary runs back to her husband. Written by
Ed Stephan <firstname.lastname@example.org>
In the credits at the beginning of the movie, Paulette Goddard's character's name is Miriam Aarons. It is spelled "Ahrens" when seen in the newspaper clipping read by Sylvia Fowler when she arrives in Reno. See more »
I'm having him dine at my place. It's about time he found out I was a home girl.
A home girl? Get her? Why don't you borrow the quintuplets for the evening?
Because I'm all the baby he wants, pet.
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In the opening credits, before the photo images of the actresses are shown, their characters are revealed by images of various animals. See more »
There were so many excellent films produced in 1939, but this is the best at showing (what Hollywood wanted to show) the current times. It showcases so many wonderful actresses all at once. Norma Shearer is just outstanding; this is my favorite movie of hers.
It also shows the values and thinking about women's roles at that time; but challenges them at the same time. As embodied by Mary's mother-in-law, there's a feeling of "boys will be boys" and the thought that even though her husband is playing around (for no good reason given - they seem to be a happy couple), Mary should let him get his "wild oats" out of his system, and look the other way. On the other hand, it shows a rich and varied view of all types of women, intelligent, catty, gentle, vicious, etc. They are not necessarily defined by the men in their lives - who are not shown. It actually shows the women ultimately deciding how their men will live - and with whom.
Overall, a wonderful, enjoyable movie.
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