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The Women (1939)

 -  Comedy | Drama  -  1 September 1939 (USA)
8.0
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Ratings: 8.0/10 from 8,649 users  
Reviews: 132 user | 57 critic

A study of the lives and romantic entanglements of various interconnected women.

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Writers:

(from the play by), (screen play), 3 more credits »
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Cast

Cast overview, first billed only:
...
...
...
...
...
Phyllis Povah ...
...
...
Lucile Watson ...
Marjorie Main ...
Virginia Grey ...
Pat
...
Muriel Hutchison ...
Jane
...
Florence Nash ...
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Storyline

Wealthy Mary Haines is unaware her husband is having an affair with shopgirl Crystal Allen. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip. On the train taking her to a Reno divorce Mary meets the Countess and Miriam (in an affair with Fowler's husband). While they are at Lucy's dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck. Back in New York, Mary's ex is now unhappily married to Crystal who is already in an affair with Buck. When Sylvia lets this story slip at a country club dinner, Crystal brags of her plans for a still wealthier marriage, only to find the Countess is the source of all Buck's money. Crystal must return to the perfume counter and Mary runs back to her husband. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

It's all about men! See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

1 September 1939 (USA)  »

Also Known As:

Mujeres  »

Box Office

Budget:

$1,688,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

| (Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"The Women's" screenwriter Anita Loos who wrote this film's original 1939 screenplay, started her writing career in 1912 with her first full film screenplay The Musketeers of Pig Alley (1912) starring Lillian Gish and directed by D.W. Griffith for the American Mutoscope & Biograph Co. which is still in existence today. After writing many scripts for Biograph, Loos went on to write such other films such as Saratoga (1937), Another Thin Man (1939), San Francisco (1936), A Tree Grows in Brooklyn (1945), and Gentlemen Prefer Blondes (1953). See more »

Goofs

When Little Mary says, "Sheba, get off of Daddy's coat," to her dog, her lips close before the line is finished. See more »

Quotes

Crystal Allen: You noble wives and mothers bore the brains out of me. And I bet you bore your husbands, too.
Mary Haines: You are a hard one.
Crystal Allen: I can be soft on the right occasion.
See more »

Crazy Credits

In the opening credits, before the photo images of the actresses are shown, their characters are revealed by images of various animals. See more »

Connections

Version of The New Women (2001) See more »

Soundtracks

Old Chisholm Trail (Come a Ti Yi Yippee Yippee Yay)
(uncredited)
Traditional
Sung a cappella in part by Mary Boland
Reprised a cappella in part by Rosalind Russell
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Best of the Best!
4 November 1999 | by (New York City, NY) – See all my reviews

This, by far, is the greatest classic bitch film of all time. It can never be equaled. They tried, but failed, when trying to remake it a musical with a less than glamorous casting of the roles made famous by the all-star female cast of the original written by Clare Boothe Luce. George Cukor, the director, had his hands full with the likes of these dames of fame. Each, in their own right, could steal a scene if left up to them, and they tried. But Cukor, held tight to the reins and kept them all in line. The beginning credits were cleverly done with each star being represented by an animal. Norma Shearer, the doe; the delicious Joan Crawford, a tiger; Roz Russell a cat; Paulette Goddard, a fox; Marjorie Main, a mule; Joan Fontaine, a lamb.

My favorite scenes were the fight scene with Goddard and Russell, bath scene with Crawford, and last scene when all THE WOMEN go at it at the ball. With wonderful, crisp dialogue, beautiful costumes designed by Adrian and a stellar cast, you can see the sparks fly in this all-time classic comedy of 1939.


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