Shortly after their tenth wedding anniversary, New York theater producer Steven Hilliard and his wife, former popular radio singer Kay Hilliard née Ashley, are getting a Kay-initiated Reno ... See full summary »
Wealthy Mary Haines is unaware her husband is having an affair with shopgirl Crystal Allen. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip. On the train taking her to a Reno divorce Mary meets the Countess and Miriam (in an affair with Fowler's husband). While they are at Lucy's dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck. Back in New York, Mary's ex is now unhappily married to Crystal who is already in an affair with Buck. When Sylvia lets this story slip at an exclusive nightclub, Crystal brags of her plans for a still wealthier marriage, only to find the Countess is the source of all Buck's money. Crystal must return to the perfume counter and Mary runs back to her husband. Written by
Ed Stephan <firstname.lastname@example.org>
George Cukor liked to work at a brisk pace, and he kept all of the actresses on their toes. "On a Cukor picture, there's no rest," said Rosalind Russell in her 1977 memoir Life Is a Banquet. "He keeps you so busy, you're spinning. You're rehearsing, you're running lines, you never get to go to your dressing room, or to the bathroom...and it's great, it's stimulating." See more »
While Miriam Aarons is in the process of convincing the Countess De Lave to romantically pursue cowboy Buck Winston (specifically urging the Countess to put him into radio), the Countess appears to refer to him as "Buck Newport." However, she actually says, "I fear I'd never make a success of Buck at Newport," referring to the Newport Music Club, which would later give rise to the Newport Music, Jazz, and Folk Festivals. See more »
She's got those eyes that run up and down a man like a searchlight.
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In the opening credits, before the photo images of the actresses are shown, their characters are revealed by images of various animals. See more »
"The Women" owes its appeal to the great George Cukor. Without him, it would certainly have been a different movie. Because of his direction this is a Hollywood classic at its best.
They certainly don't make pictures like this anymore. Imagine what it would have cost to have a first rate cast to fill the shoes of all these women in today's Hollywood? It would probably be so prohibitive that no one in the present climate would touch it with a ten foot pole.
"The Women", as written by Clare Booth Luce for the stage, was a delicious comedy about New York society, as it was in the late 30s. Of course, by today's standards, this is a very chaste take on that subject. Had it been done today, it would have been done entirely different and the excellent text by Ms. Luce would have probably been thrown away to satisfy the taste of contemporary audiences.
Norma Shearer was excellent as Mary Haines, the suffering wife, who has no clue of how her husband has fallen to the charms of Crystal Allen, beautifully played by Joan Crawford. Rosalind Russell, Mary Boland, Paulette Goddard, Joan Fontaine and the rest of the cast seem to be having a lot of fun while playing these women.
One thing does come clear, those women had a style and a sophistication well beyond the times they lived. It's very clear that Claire Booth Luce was well ahead of it all, as she had an understanding for what was going on around her. What a thrill it must have been to have been around New York in that glamorous era!
Women: Love them, as we cannot live without them!
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