Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found ... See full summary »
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Wealthy Mary Haines is unaware her husband is having an affair with shopgirl Crystal Allen. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip. On the train taking her to a Reno divorce Mary meets the Countess and Miriam (in an affair with Fowler's husband). While they are at Lucy's dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck. Back in New York, Mary's ex is now unhappily married to Crystal who is already in an affair with Buck. When Sylvia lets this story slip at a country club dinner, Crystal brags of her plans for a still wealthier marriage, only to find the Countess is the source of all Buck's money. Crystal must return to the perfume counter and Mary runs back to her husband. Written by
Ed Stephan <email@example.com>
The beauty salon and spa featured in the film's opening sequence was based on cosmetics mogul Elizabeth Arden's parlor in New York City. At the premiere of the film, Arden scoffed that the film's salon was an exact copy of hers. See more »
The second model to enter for the fashion show is wearing a top with red spots (possibly strawberries) and a red skirt. After the cut she's wearing a top with red and blue stripes and a white skirt. See more »
Stephen is a man. He's been married ten years.
Oh. You mean he's tired of me?
Stephen's tired of himself. Tired of feeling the same things in himself. Time comes when a man's got to feel something new, and he's got to feel young again, just because he's growing old.
Mother! Stephen isn't old!
Of course not, but we women are so much more sensible. When we tire of ourselves, we change the way we do our hair, or hire a new cook, or... or decorate the house. I suppose a man could do over his office...
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In the opening credits, before the photo images of the actresses are shown, their characters are revealed by images of various animals. See more »
This movie has one of the best casts ever - Joan Crawford, Norma Shearer, Paulette Goddard, Rosalind Russell, Mary Boland, Joan Fontaine, Hedda Hopper and Virginia Weilder just to make a few. These women carry the movie perfectly and acting is perfection. Some people disagree and say that Norma Shearer acts in a 'silent screen' type of way - but I cannot agree with that. I think she did an excellent job especially when she had the crying scene on the sofa (I don't think I have ever seen anybody cry that well before).
Mary Haines (Norma Shearer) discovers that her husband is having an affair with money-hungry perfume sales girl Chrystal Allen (Joan Crawford). Aided and abetted by her cousin Sylvia Fowler (Rosalind Russell) and her army of girlfriends, Mary sets out to win back her man...and teach Chrystal a lesson or two in the process! The movie runs at a rapid pace, and never leaves you bored. The dialog is incredibly witty, it very much surprised me. There was also physical comedy - the hilariously done (and no stunt doubles too!) cat fight between Rosalind Russell and Paulette Goddard. I found the fashion show a bit dragging and too long, but it was still fun looking at all the wonderful classy fashions of that era.
This hilarious comedy about women and their men can appeal to people who are not necessarily fans of old movies. 'The Women' is a wonderful catty, witty, hilarious movie that can be enjoyed by many.
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