The Prince of Homburg, disobeys orders and leads a cavalry charge in battle against the Swedes, which leads to victory. He is court martialled however for disobeying orders and sentenced to... See full summary »
Andrea Di Stefano,
Wealthy Mary Haines is unaware her husband is having an affair with shopgirl Crystal Allen. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip. On the train taking her to a Reno divorce Mary meets the Countess and Miriam (in an affair with Fowler's husband). While they are at Lucy's dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck. Back in New York, Mary's ex is now unhappily married to Crystal who is already in an affair with Buck. When Sylvia lets this story slip at an exclusive nightclub, Crystal brags of her plans for a still wealthier marriage, only to find the Countess is the source of all Buck's money. Crystal must return to the perfume counter and Mary runs back to her husband. Written by
Ed Stephan <email@example.com>
After Sylvia bites Miriam on the leg, Miriam's line, "Yeah, gotta be careful of hydrophobia!" is her veiled way of calling Sylvia a bitch (hydrophobia is a synonym for rabies, referring to a late stage of the disease, in which the victim has difficulty swallowing, even liquids, and simultaneously becomes very thirsty, while panicking at the idea of trying to drink water). Also, near the end a second allusion to the word "bitch" is used when Crystal says, "There's a name for you ladies, but it isn't used in high society . . . outside a kennel." See more »
In the train's club car, the countess's hand jumps from holding the stem of her champagne glass to being folded in front of her between shots. See more »
"The Women" owes its appeal to the great George Cukor. Without him, it would certainly have been a different movie. Because of his direction this is a Hollywood classic at its best.
They certainly don't make pictures like this anymore. Imagine what it would have cost to have a first rate cast to fill the shoes of all these women in today's Hollywood? It would probably be so prohibitive that no one in the present climate would touch it with a ten foot pole.
"The Women", as written by Clare Booth Luce for the stage, was a delicious comedy about New York society, as it was in the late 30s. Of course, by today's standards, this is a very chaste take on that subject. Had it been done today, it would have been done entirely different and the excellent text by Ms. Luce would have probably been thrown away to satisfy the taste of contemporary audiences.
Norma Shearer was excellent as Mary Haines, the suffering wife, who has no clue of how her husband has fallen to the charms of Crystal Allen, beautifully played by Joan Crawford. Rosalind Russell, Mary Boland, Paulette Goddard, Joan Fontaine and the rest of the cast seem to be having a lot of fun while playing these women.
One thing does come clear, those women had a style and a sophistication well beyond the times they lived. It's very clear that Claire Booth Luce was well ahead of it all, as she had an understanding for what was going on around her. What a thrill it must have been to have been around New York in that glamorous era!
Women: Love them, as we cannot live without them!
44 of 52 people found this review helpful.
Was this review helpful to you?